Overboard by Michael Vinaver, Orange Tree Theatre, 1 November 1997

Just me and Daisy this time at The Orange Tree – The Duchess was away on some sort of a bridge holiday IIRC.

Still, this play/production still seemed to last for ever. There is a seven hour version of the play – this just felt a bit like seven hours.

My log reads:

Somewhat rambling but has its moments.

The play is potentially enormously long (7 hours) – unsure of exact length of this production, but it seemed long although it was the short version.

Paul Taylor in The Independent independently reached a similar conclusion:

Overboard Taylor IndependentOverboard Taylor Independent 10 Oct 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph truly hated it:

Overboard Spencer TelegraphOverboard Spencer Telegraph 08 Oct 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, who is usually extremely kind to orange Tree stuff, seems to have omitted to review it. Speaks volumes.

Janie and I no doubt consoled ourselves with some Don Fernando grub afterwards.

Everyman by Anon, RSC, The Other Place, 21 April 1997

Very good, surprisingly moving…

…was Janie’s and my verdict on this late-medieval morality play.

Our friend, Michael Billington, was not so sure:

Billington Guardian EverymanBillington Guardian Everyman 16 Nov 1996, Sat The Guardian (London, Greater London, England) Newspapers.com

Unusually, Charles Spencer was more in tune with our thinking on this one:

Spencer Telegraph EverymanSpencer Telegraph Everyman 18 Nov 1996, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

It was sort-of a Complicite thing. Here is the Theatricalia entry on it.

Nicholas De Jongh in The Standard didn’t much like it either.

De Jongh Standard EverymanDe Jongh Standard Everyman 15 Nov 1996, Fri Evening Standard (London, Greater London, England) Newspapers.com

But we did like it – so there!

Easter by August Strindberg, The Pit, 25 February 1995

We went on a bit of a Strindberg fest that February – this the second of two Strinds in one month. The first was The Dance of Death at The Almeida:

My log says that we thought Easter “excellent” wheras I rated The Dance Of Death “superb”. Not sure whether one of those big adjectives trumps the other. We clearly very much enjoyed both plays/productions.

Katie Mitchell directed Easter and the cast was excellent. A young Lucy Whybrow picked up an Ian Charleson Award for her role as Eleanora in this production. Adrian Rawlins played Elis, Susan Brown played the mother and Philip Locke played the sinister Lindkvist.

Here is the Theatricalia entry for this production.

A wonderful preview of this one and The Dance of Death by Paul Taylor survives in The Independent on-line – click here.

Taylor does mention this production in the review I posted for The Dance Of Death. Nothing else that I can find on-line from 1995.

It was excellent – take our words for it.

Or if you don’t like our word, try this Michael Billington clipping:

Billington On EasterBillington On Easter Sat, Jan 28, 1995 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Or try Kate Kellaway:

Kate Kellaway On EasterKate Kellaway On Easter Sun, Jan 29, 1995 – 75 · The Observer (London, Greater London, England) · Newspapers.com