The King Of Hell’s Palace by Frances Ya-Chu Cowhig, Hampstead Theatre, 28 September 2019

We wanted to like this. The story, about a medical scandal and whistle-blowing, set in rural China in 1992, sounded right up our street.

Playwright Frances Ya-Chu Cowhig makes a compelling case for her play here…

…but we found the play itself stilted in style, the characters one-dimensional and the story rather too unsubtly obvious.

Chinese theatre perhaps has some of the above characteristics embedded in its culture, but Janie and I are familiar enough with China – we’ve been going there on and off since 1993 for goodness sake – we just felt that this play missed many opportunities to make its points more thoughtfully.

We felt that a talented cast was doing its best with a lengthy wooden script, so try as we might we couldn’t muster the desire to return for 75-80 minutes more after the interval.

A rare miss from the Hampstead these days, although we have noticed a sense of “playing it safe” creeping in to the upstairs scheduling; hence we’re booking less up there. Our next visit will be downstairs.

Here is a link to the Hampstead’s resources on this play/production.

It’s had decent reviews – this link should find them for you.

#aiww: The Arrest Of Ai Weiwei by Howard Brenton, Hampstead Theatre, 26 April 2013

Janie and I both loved this piece/production.

I’m not a great lover of Howard Brenton’s work; the best of it is terrific (e.g. Pravda, which he wrote jointly with David Hare), while some of his plays seem to me to be gratuitously violent, ponderous or both. But this one is excellent.

Here is a link to the Hampstead resource on this play/production.

A fabulous piece of design, trying to utilise Ai Weiwei principles without overdoing it, the set was eye-catching throughout.

A large cast, all good, led by Benedict Wong who was superb as Ai Weiwei – the fact that he really looks the part helps but would not have been sufficient – he is also a very good actor. James MacDonald is a very reliable director too.

Parenthetically, Benedict Wong SO looks the part that Janie mistook him for Ai Weiwei himself at the theatre a couple of years later – click here or below:

You For Me For You by Mia Chung, Royal Court Theatre Upstairs, 9 January 2016

This link – click here – takes you to a short BBC interview with Howard Brenton about the piece.

Below is a short vid showing the making of the urns for this production:

Here is a link to reviews etc for this play/production- mostly deservedly excellent.