An American classic, performed on a very sparse set in a sort-of workshop style.
It worked for us.
There are elements of this play that could easily seem cheesy to the modern and non-US audience, yet this production managed to avoid the worst excesses of fromage and mawkishness – the piece came across to us as charming and touching.
This is one of those rare plays about the workplace; in this case a suntan lotion business. The impecunious Orange Tree is one of the few theatres with solid production stubs going back as far as 2009 – click here for all the details on this one.
As is often the case with workplace plays, this one didn’t quite work for us. The stage was incredibly busy – a huge cast for the tiny Orange Tree. The humour didn’t quite translate/make the grade either.
Still, it was well acted and did provide some interesting points for us to discuss over a Don Fernando Spanish meal afterwards.
Anyway, The National obviously felt the urge to have another go at Hamlet less than 12 years later, with Simon Russell Beale, Peter McEnery, Sara Kestleman and Denis Quilley to name but a few.
Janie remembers being impressed by the acting, but still not really relating to or engaging with Shakespeare. I remember feeling that I had probably previously seen the best production of Hamlet I was ever going to see, despite thinking that this was pretty darned good; especially Simon Russell Beale’s performance.
Very good indeed.
That’s what I wrote in my log.
But you don’t want to listen to us. Here are some reviews. First up – Nicholas de Jongh, who also liked Simon Russell Beale more than he liked the production
Similarly, our friend Michael Billington applauds SRB’s performance and John Caird’s directing of it, but feels that the production strips out the big picture political aspects of the play:
Janie noted in her diary that the play ran for 3 hours and fifteen minutes, so I’ll guess that she was grateful for John Caird’s cuts of the political elements – goodness knows how long the play would have taken in John Caird’s hands if we’d also had the Fortinbras sub-plot to deal with.
Still, to summarise the critics – they warmed to the production almost exclusively because of Simon Russell Beale’s quality. I’m surprised that no-one gave their review the headline, “Saved By the Beale”. They missed a trick there.
That was my one word verdict on my log about this one.
Richard Eyre directing Samantha Bond, Eoin McCarthy, Ronald Pickup, Dame Judi and other excellent members of the cast – here is the Theatricalia entry for this play/production.
Our friend Michael Billington didn’t like it much:
So, only me and Janie rating it highly when it first came out then – but Amy’s View transferred to the West End and Broadway picking up Tony nominations and a New York Drama Critic’s award.
