Tag: Ken Oxtoby

Luther by John Osborne, Olivier Theatre, 19 October 2001

We pushed the boat out to see this one. Friday night at the National Theatre – we both had busy Friday schedules well into the afternoon.

Was it worth it, I hear you cry.

So dull, we walked at half time

Seemingly not.

I have a feeling this was the occasion when we bumped into my friends from Lambton Place, Bryan Rostron & Sunny, with their pal Paul Foot. You don’t mess with investigative journalists like Bryan and Paul – we confessed to the fact that we were going to sneak away after the drinks interval.

We wanted to like this play/production. We are partial to John Osborne, although well aware of the fact that his good is very very good, but not all of his drama is of the highest quality. This one felt like a history lesson in a rather dull (to us) aspect of history.

I also felt badly about walking out on Timothy West. He had, after all, sat through hours of dull stuff with me in it on more than one occasion without walking out at half time:

Andorra, 23, 24 & 25 February 1978
Twelfth Night, Alleyn’s School, 12, 14, 15 & 16 December 1978

Returning to Luther, it was, of course, a fine cast and a fine production. Rufus Sewell in the title role. Richard Griffiths, Timothy West, and Maxine Peake in supporting roles, Peter Gill directing with a young Josie Rourke assisting.

Here’s a link to the Theatricalia entry for this one.

But oh boy did we find this dull. What did the critics – possibly better equipped for dull than me and Janie, have to say?

Nicholas de Jongh heaped praise on the production while stating that Luther was “quite the wrong choice of Osborne”:

Luther de Jongh Standard Luther de Jongh Standard 8 Oct 2001 Evening Standard (London, Greater London, England) Newspapers.com


Michael Billington disagreed – loving it especially for its reclamation of potentially lost Osborne:

Luther Billington Guardian Luther Billington Guardian 8 Oct 2001 The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer, on the other hand, described it as a long hard slog:

Luther Spencer Telegraph Luther Spencer Telegraph 8 Oct 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

A rare example of a split jury in which we sided with Spencer rather than Billington. “Long hard slog” sums it up rather well from my recollection.

Hamlet by William Shakespeare, Lyttelton Theatre, 4 November 2000

It was a bit of a Shakespeare week for us, that week. From Ivan Shakespeare at the Canal Cafe on the Sunday…

A Night For Ivan, (A Random Act Of Kindness & Tribute To The Works Of Ivan Shakespeare), Canal Café Theatre, 29 October 2000

…to one of the Bard’s most famous plays at The National on the Saturday.

Janie isn’t naturally drawn to Shakespeare, but she had never seen Hamlet before and Simon Russell Beale in the eponymous role was a big draw.

I had seen Hamlet before…and at the National before. I had a rare sighting of Daniel Day Lewis in the role before he famously withdrew early in the run to be replaced by Ian Charleson.

Hamlet by William Shakespeare, Olivier Theatre, 18 March 1989

Anyway, The National obviously felt the urge to have another go at Hamlet less than 12 years later, with Simon Russell Beale, Peter McEnery, Sara Kestleman and Denis Quilley to name but a few.

Janie remembers being impressed by the acting, but still not really relating to or engaging with Shakespeare. I remember feeling that I had probably previously seen the best production of Hamlet I was ever going to see, despite thinking that this was pretty darned good; especially Simon Russell Beale’s performance.

Very good indeed.

That’s what I wrote in my log.

But you don’t want to listen to us. Here are some reviews. First up – Nicholas de Jongh, who also liked Simon Russell Beale more than he liked the production

Hamlet de Jongh Standard Hamlet de Jongh Standard 6 Sept 2000 Evening Standard (London, Greater London, England) Newspapers.com

Similarly, our friend Michael Billington applauds SRB’s performance and John Caird’s directing of it, but feels that the production strips out the big picture political aspects of the play:

Hamlet Billington Guardian Hamlet Billington Guardian 6 Sept 2000 The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer, similarly, applauds the performances but finds the production too stripped back for his taste:

Hamlet Spencer Telegraph Hamlet Spencer Telegraph 7 Sept 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Janie noted in her diary that the play ran for 3 hours and fifteen minutes, so I’ll guess that she was grateful for John Caird’s cuts of the political elements – goodness knows how long the play would have taken in John Caird’s hands if we’d also had the Fortinbras sub-plot to deal with.

Still, to summarise the critics – they warmed to the production almost exclusively because of Simon Russell Beale’s quality. I’m surprised that no-one gave their review the headline, “Saved By the Beale”. They missed a trick there.

Othello by William Shakespeare, Cottesloe Theatre, 2 August 1997

I don’t think Othello & I get on.

I was underwhelmed when I saw this play for the first time, with Bobbie, in 1989.

Again, this time with Janie, we saw a stellar cast and the work of a fine director (Sam Mendes rather than Trevor Nunn).

My log says:

Sadly, Janie hated it and I had pulled my neck, so we bowed out gracefully at half time. (Well, Janie bowed, I couldn’t bow of course).

My neck condition was doubtless not improved by Janie’s manifest disquiet and the length of the play. Perhaps I had overdone it the previous weekend at Andrea’s BBQ party on the Saturday and Kim & Micky’s evening do the next day.

Apologies to the fine cast who had to do without us for the second half of that evening; Simon Russell Beale, David Harewood & Claire Skinner leading the pack. Trevor Peacock, Colin Tierney, Indira Varma and others supporting well no doubt. It’s either me, or the play, or me & the play…it’s not you, loves. The Theatricalia entry gives you chapter and verse on the cast and crew.

There was a hoo-ha in the press that summer about whether or not Othello could or should be played by a white actor. Having seen Willard White in 1989 and David Harewood in 1997, I was not really party to the phenomenon that Othello is usually played by a white actor and that the play is increasingly rarely performed because some people are uncomfortable about skin colour with regard to that part.

Janie and I saw a preview long before the press night of this production – indeed before most of that press hoo-ha kicked off, which made the hoo-ha seem even more weird to us.

Anyway, Charles Spencer seemed very impressed with the production once press night came around:

Othello Spencer TelegraphOthello Spencer Telegraph 18 Sep 1997, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh seemed to quite like it in The Standard

Othello de Jongh StandardOthello de Jongh Standard 17 Sep 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington found it “brilliant” in the Guardian:

Othello Billington GuardianOthello Billington Guardian 18 Sep 1997, Thu The Guardian (London, Greater London, England) Newspapers.com

I am happy to concede that the critics were right and/but this simply isn’t a play for Janie and probably (even though i am far more partial to Shakespeare than she) not for me either. A pain in the neck is how I remember it.