Anyway, The National obviously felt the urge to have another go at Hamlet less than 12 years later, with Simon Russell Beale, Peter McEnery, Sara Kestleman and Denis Quilley to name but a few.
Janie remembers being impressed by the acting, but still not really relating to or engaging with Shakespeare. I remember feeling that I had probably previously seen the best production of Hamlet I was ever going to see, despite thinking that this was pretty darned good; especially Simon Russell Beale’s performance.
Very good indeed.
That’s what I wrote in my log.
But you don’t want to listen to us. Here are some reviews. First up – Nicholas de Jongh, who also liked Simon Russell Beale more than he liked the production
Similarly, our friend Michael Billington applauds SRB’s performance and John Caird’s directing of it, but feels that the production strips out the big picture political aspects of the play:
Janie noted in her diary that the play ran for 3 hours and fifteen minutes, so I’ll guess that she was grateful for John Caird’s cuts of the political elements – goodness knows how long the play would have taken in John Caird’s hands if we’d also had the Fortinbras sub-plot to deal with.
Still, to summarise the critics – they warmed to the production almost exclusively because of Simon Russell Beale’s quality. I’m surprised that no-one gave their review the headline, “Saved By the Beale”. They missed a trick there.
Janie and I were partial to a bit of Richard Nelson at that time – the RSC put on several of his works in the late 1990s.
We saw this one as part of an extraordinary whistle-stop long weekend which took in three plays at Stratford (this the third of them), a motorised hike to the Welsh Borders for lunch at The Walnut Tree before going on to Hay-On-Wye for some overnight- second-hand-book-buying on my part before stopping off for a long lunch at Raymond Blanc’s place (Le Manoir aux Quat’Saisons) in Oxfordshire and then home. Friday to Monday. The other bits have been written up separately from this piece – click here or below.
I think we stayed in the Shakespeare for this trip. Janie booked it but only wrote down “Twelfth Night Room £115 per night” which I suspect in those days was a suite or certainly a superior room. I did the rest of the trip, including The Old Black Lion in Hay.
I guess the RSC was on a nostalgia-trip for its older audience at that time, with Talk Of the City at The Swan about the cloud of Nazism and this one at The Other Place set just after the Second World War.
Excellent cast, as you’d expect from the RSC. Catheryn Bradshaw, Sara Markland, Robin Weaver and Simon Scadifield to name but a few. Here is a link to the Theatricalia entry.
Charles Spencer didn’t like the play, but it did pick up an Olivier award so what does he know?
Humble Guardian Billington 10 Aug 2001 The Guardian (London, Greater London, England) Newspapers.com
Humble Halliburton Standard 10 Aug 2001 Evening Standard (London, Greater London, England) Newspapers.com
Humble Observer Kellaway 12 Aug 2001 The Observer (London, Greater London, England) Newspapers.com
