The Designated Mourner, Wallace Shawn, Cottesloe Theatre, 1 June 1996

What an amazing piece of theatre this was.  The late great Mike Nichols, better known as a director of course, acted brilliantly, with Miranda Richardson and David de Keyser, all wonderful.

David Hare, better known as a playwright but also a talented director, did a grand job with the piece.

Wallace Shawn, perhaps better known as an actor than as a playwright, although also a very talented playwright, wrote it.  Not his best known; indeed possibly not his best piece, but, an excellent play.

Here is the Theatricalia entry for this play/production.

Despite all that role rotation, it came off superbly well for us.

Janie and I recognised the unmistakable back of Wallace Shawn’s head just in front of us that night.  A few years later, we chatted with Wallace Shawn at the Almeida when he turned up to see Miranda Richardson in Aunt Dan and Lemon; he waxed lyrical about how wonderful he thinks she is, seemed genuinely self-effacing about his writing and genuinely delighted that we had been inspired to seek out his plays by seeing this piece and of course My Dinner With Andre, one of my favourite films ever.

Wikipedia explains the plot – click here.

Bit early in the life of the web for on-line reviews, but I found this rather informative thing – click here.

Michael Billington was very taken with the play and production in the Guardian:

Billington on MournerBillington on Mourner Thu, Apr 25, 1996 – 2 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney seemed less sure but still speaks well of it:

Coveney on MournerCoveney on Mourner Sun, Apr 28, 1996 – 65 · The Observer (London, Greater London, England) · Newspapers.com

We were really taken with it; discussing the issues for the rest of the weekend and beyond.

Stanley by Pam Gems, Cottesloe Theatre, 13 February 1996

My log and indeed my memory is unequivocal about this one:

Quite outstanding. One of the very, very best.

A rare visit to the theatre midweek, I’m guessing that our impending trip to Thailand & Vietnam restricted our choices of dates for this one. Such was our desire to see it, we booked a midweek evening to be sure of seeing the production.

Both Antony Sher and Deborah Warner were superb in their roles, as indeed was the whole supporting cast.

Here is the Theatricalia entry for this play/production.

In truth, Stanley Spencer’s art is not really my bag, but his story is strange and peculiarly touching, certainly as told in this excellent play by Pam Gems.

Strangely, I cannot find a Guardian review for this one, but Michael Simons previewed it:

Michael Simons Previews StanleyMichael Simons Previews Stanley Mon, Jan 22, 1996 – 57 · The Guardian (London, Greater London, England) · Newspapers.com

Paul Taylor gave the play & production rich praise in The Independent.

Michael Coveney in The Observer agreed the play was excellent and enjoyed the production too:

Coveney On StanleyCoveney On Stanley Sun, Feb 4, 1996 – 68 · The Observer (London, Greater London, England) · Newspapers.com

It picked up awards and stuff, did Stanley. But there’s no praise higher than the Ged & Daisy accolade quoted at the top of this piece.

The Blue Ball by Paul Godfrey, Cottesloe Theatre, 13 May 1995

I damned this one with faint praise.

Quite good.

That’s not so good.

It was about astronauts, their lives, moon shots & stuff. I found it interesting but it didn’t work as drama for me. Janie was less interested in the subject matter but quite enjoyed the play in the round. (Did you see what I did there?).

Paul Godfrey wrote and directed it. It might have been tighter if he had let another director tweak and interpret a bit.

The Theatricalia entry for this play/production can be found here.

Michael Billington’s praise in the Guardian was even fainter than mine:

Billington on BallBillington on Ball Sat, Apr 1, 1995 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

While Michael Coveney was a bit kinder:

Coveney on Ball 1 of 2Coveney on Ball 1 of 2 Sun, Apr 2, 1995 – 77 · The Observer (London, Greater London, England) · Newspapers.com Coveney on Ball 1 of 2Coveney on Ball 1 of 2 Sun, Apr 2, 1995 – 77 · The Observer (London, Greater London, England) · Newspapers.com

Landscape by Harold Pinter, Cottesloe Theatre, 3 December 1994

Janie and I were very keen on Pinter and also very keen on Complicite, so we took the opportunity to see both on one Saturday during that crazy autumn during which Z/Yen was born.

According to my contemporary log:

Landscape is a short play, seen late afternoon/early evening before seeing “Out of a House Walked a Man”. Very good.

Ian Holm and Penelope Wilton. Top notch performers both,with great Pinter pedigrees too.

Here is the Theatricalia link on this production.

Wikipedia describes this short play thus.

Michael Coveney reviewed this production:

Coveney On LandscapeCoveney On Landscape Sun, Nov 27, 1994 – 84 · The Observer (London, Greater London, England) · Newspapers.com

Here’s Michael Billington’s review:

Billington On LandscapeBillington On Landscape Sat, Nov 26, 1994 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

A TV version of this production was broadcast on the BBC in 1995. Someone has upped it to YouTube here:

We were very taken with this piece.

Then on to see the Complicite piece:

Blood Wedding by Federico Garcia Lorca, Cottesloe Theatre, 14 December 1991

Gosh I thought this was very good.

I think it might have been my first experience of a Lorca play and by gosh this production of Blood Wedding was powerful.

I saw this with Bobbie.

Subsequently Janie and I both became very keen on Lorca and saw a good production of Blood Wedding at the Almeida in 2005.

But returning to this production, the Theatricalia entry for it is here. A very young Helen McCrory starred as the bride and Cyril Nri was the groom.

It seems that we saw a preview, as press night was three days after our sight of it.

Below is Michael Coveney’s review from The Observer:

Coveney On Blood WeddingCoveney On Blood Wedding Sun, Jan 5, 1992 – 41 · The Observer (London, Greater London, England) · Newspapers.com

I think they got their timing wrong having press night on 17 December… a rare Cottesloe opening that missed out on Michael Billington or indeed anyone from the Guardian. But in my view it was the critics who missed out on a very good production.