Lowest Ebb On Release From The Keele Health Centre: Occupation Of The Registry & Eurythmics, Late February 1983

A picture of a Keele Registry occupation, but probably 1970s, not “ours”, borrowed from the Keele Oral History Project.

The diary suggests that I was feeling really low and still poorly during those first few days out of the Health Centre. The short-term improvement of mood arising from my release soon morphed into realisation that there was a longish haul to recovery of my normal energy levels and high spirits.

The interesting day that week was the Wednesday, when I found myself at the occupation of the University Registry by day and at a Eurythmics concert in the Union by night.

Avid readers of this Keele series on Ogblog might recall that, in the previous November, the Keel Action Group, fronted by me of all people, got a resolution through a UGM to mandate an occupation.

That mandate was more than somewhat against the will of the Union Committee, under Truda Smith, who wanted to do something else (or possibly nothing at all) about the grant cuts.

I don’t think we mandated the Registry as the building to be occupied and I certainly was not involved in the planning of the event. I was persona non grata with Truda and her hench-folk by that time and in any case I was sick with glandular fever when the event bubbled to a head.

Dr David Cohen, a larger than life character recognisable for sporting large bow ties, had, only the previous term, switched from being the Senior Tutor (latterly referred to as Director of Studies) to being Registrar.

David Cohen 1960s COPYRIGHT KEELE UNIVERSITY – picture borrowed from a tribute to David which can be viewed through this link

I don’t suppose he was overjoyed at having the Registry occupied so early in his tenure. It was nothing personal – the Registry seemed to be the obvious place to occupy for such matters – partly because it was the centre of University bureaucracy and partly because it was centrally located on the campus and easy to occupy given its strange mix of formal construction and strung-together prefabricated Nissen hut-like structures.

I recall David being very suspicious of me when I became a Union sabbatical – I suspect he thought I was rabidly radical. But we found ways of working together quite quickly; he was open-minded enough to change his mind about people if the evidence was there for such a change. I was sorry to learn that he died in 2022, just shy of 40 years after the “historic” occupation of his office..

Frankly, 48 hours after my release form the Health Centre I wasn’t really up for it. I felt that I should show my face but probably looked like the ghost of occupations past; I had lost lots of weight (from a fairly skinny start) with my illness and I suspect that my skin colour was more yellow/green than ruddy/pink.

All I really remember was hating how I felt in that cramped, poorly ventilated space and sensing that pretty much everyone realised that I shouldn’t really be there, so I didn’t stay all that long.

I collaborated with Dall-E to produce the following artists’ impression of the event.

Not bad, Dall-E, but this lot look a bit better dressed than 1980s Keele students

The Eurythmics concert in the Union was a big deal for my girlfriend, Liza O’Connor. She was into synthesizer-based music and Eurythmics was one of the groups that everyone in the art school world was talking about.

Photo by Elmar J. Lordemann, CC BY-SA 2.0 DE
This is how Eurythmics looked in 1987 – not much different from their 1983 look

Indeed, the SU had timed their booking of Eurythmics to perfection. Their first hit, Sweet Dreams Are Made Of This, had come out a few weeks earlier and was climbing the pop charts at a rapid rate. Liza was really excited about the prospect of this gig and we deemed it to be our postponed Valentine’s Night.

However, the sweet success of Sweet Dreams also brought with it some logistical issues. If I remember correctly, Eurythmics had been called at the last minute to record a video or performance of the song or something, on the very day of our gig. The result was a very late concert indeed. I think the warm up act did their thing and then went home and we the audience were kept waiting a long time for Eurythmics.

I seem to recall Liza really liking the gig, but I was half-dead on my feet by the time Eurythmics showed up. I think it was quite a short set, book-ended by Sweet Dreams Are Made Of This. I remember being grateful for the brevity and not really enjoying the show, which is a shame.

Latterly I saw a lot of Annie Lennox; she was a regular at my health club in the 1990s and early 2000s and thus we became nodding acquaintances, even “hi and bye” folk in the neighbourhood.

I wish I’d seen her perform on a more suitable night.

Picture by Helge Øverås, CC BY-SA 4.0

I should imagine I slept well after that tiring day but I doubt if I had sweet dreams while in that glum mood. I don’t suppose I was good company for Liza when I was that gloomy and poorly, which might explain why she left me alone until the Sunday. On that day, the diary says that she came over for the evening and that we went to see Ashley [Fletcher] after.

I’m glad Ashley gets a mention in the diary that week. I have recently (forty years on) corresponded with him, not least about aspects of this period. Ashley complained that there aren’t enough pieces about him. Actually, for aficionados of Ashley Fletcher stories, e.g. Ashley, that will be rectified in the next episode.