Travel, Theatre, Music, Cricket, Tennis, Writing, Life
I saw this one with Bobbie and I recall we both found it very powerful, although a bit long for its relatively slight story.
What fine acting. Antony Sher & Malcolm Storrey in particular, but a fine supporting cast and Terry Hands directing.
The Theatricalia entry for this one can be found here.
Nicholas de Jongh gave it a good but not ecstatic review in The Guardian:
de Jongh on Singer Sat, Mar 31, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com
A superb run of seeing amazing productions started to break down just a little with this one.
Again a Saturday evening, again with Bobbie. My log says the production was good. It also says:
Suzan Sylvester was indisposed that day, so we saw Michelle Evans understudy the lead
Tis pity that, as I think Suzan Sylvester must have been a very good Annabella opposite Rupert Graves as Giovanni. I do remember Bobbie and I feeling that the understudy did well, though.
My friend Michael Simkins was also in it, as Soranzo. Coincidental at the time of writing, in early 2019, as we saw Michael at the Hampstead Downstairs just a couple of weeks ago:
Here is the Theatricalia entry for this production.
Alan Ayckbourn directed the production – there is some additional information about it on his site – click here.
It’s not a happy story and matters unsurprisingly…spoiler alert…do not end well for the protagonists. The Wikipedia entry gives a good synopsis.
In those days I think we were quite partial to some Jacobean blood and gore. It’s only latterly that I’ve gone all snowflake.
Below is Michael Radcliffe’s review from The Observer:
Tis Pity Radcliffe Sun, Mar 6, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com
Michael Billington in The Guardian found this production “too tasteful”:
Tis Pity Billimgton Sat, Mar 5, 1988 – 16 · The Guardian (London, Greater London, England) · Newspapers.com
