What The Animals Say by David Ireland, Finborough Theatre, 3 October 2026

Janie and I both had a truly excellent evening of theatre with this one. If you are reading this piece wondering whether or not to see this play/production, please interrupt your reading, click this link to The Finborough and “sort yourself out” before reading any further on this piece.

We are fans of the Finborough, which tends to put on several productions a year that “float our boat”. This one certainly did.

For a start, the playwright is David Ireland. Janie and I saw his astonishing and wonderful play Cyprus Avenue in 2016…

…and I have been on the scout for his stuff ever since.

Stop press: a film of that astonishing production of Cyprus Avenue is available on iPlayer until June 2027 – click here.

We missed out on his Ulster American when we went to the Edinburgh Fringe for a week in 2018, because I didn’t spot it ahead of time and learnt that it was the sold-out, must-see production of that season.

We might have missed out on What The Animals Say at the Finborough too, had it not been for a tangential e-conversation with Ben Schwarz about the Director, Harry Burton, a few weeks ago.

Ben was aware that Harry had been in touch with me, through Ogblog, about some earlier work…

…and that Harry & I had subsequently corresponded about theatre, Pinter, cricket and stuff.

Ben suggested that we three meet, I suggested that the last cricket match of the season at Lord’s in late September would be a suitable occasion, Ben discovered that Harry was going to be in full rehearsal for What The Animals Say at that time, and the rest is history.

For the record, Ben and I did spend a most enjoyable day at Lord’s for that match between Middlesex & Northants.

It looked a bit like this, although Ben joined me on 24th, Day One, whereas I took this picture when I popped back to Lord’s late on Day Two.

But I digress.

As indeed do the characters in What The Animals Say, verbally leaping around their earlier lives, their current lives, their aspirations, their dashed hopes, and, naturally, the Troubles. The politics of Northern Ireland is never far away in David Ireland’s work.

The largest heaps of praise, though, must go to the two actors, Robbie Martin and Matthew Blaney, who absolutely make this play dance off the page and onto the stage. Janie commented afterwards that this play could only possibly work on the stage if both actors were top notch.

Great praise also to Harry Burton, who has directed this short, powerful piece with aplomb.

This production really does deserve a larger audience. I feel like a stuck record when I say this about Finborough productions – but that house is so small and the runs are so short. Surely this production of What The Animals Say will be picked up for a transfer.

If it is still October 2026 and you read all the way to the end here without clicking the Finborough link and grabbing some tickets before it is too late…click here…Now please.

The Wonder: A Woman Keeps A Secret, Susanna Centlivre, The Gate, 16 September 1989

I don’t recall much about this one and the diary is a mess for it. I suspect that the mention of Bobbie on the Friday and The Wonder on the Saturday ended up being one and the same evening. So I’m guessing that I saw this production with Bobbie on one of those evenings.

There’s the diary page for that week. If any of my friends can help me to unpick all of that, may I just thank you profoundly in advance.

The Wonder. To the extent that I remember it, I think the production and acting was very good but that we didn’t much like the play.

An interesting but now rarely performed playwright from the late Restoration/early Hanoverian period, I’m not sure that Susanna Centilivre‘s plays have dated well. But that’s not her fault. I don’t suppose she even faintly imagined The Wonder being revived in 1989 when she dedicated it to the new king, George I, in 1714.

The Wonder was a huge hit in its day. Here is a link to an on-line preview of the play book.

The Escapade Theatre Company (confusingly not the company that now bears that name) was a group dedicated to reviving plays written by or mostly about women.

Anna Mazzotti played the female lead role Isabella, with great poise and confidence I recall. I managed to track her down in 2019 as someone who did/does many Italian language programmes for the BBC and theatre in Rome -still listing The Wonder on her theatrical cv. Strangely (as she only lists two), she also lists Dealing With Clair at the Orange Tree, which Janie and I saw when the Orange Tree revived it (recently at the time of writing):


The male lead, Don Felix, was played by a young Christopher Eccleston – possibly only his second professional gig. His cv is no longer talking about this one, but it does still mention, amongst many other things, Dr Who.

Any further intelligence on this one will need to come from others, e.g. Bobbie!…

…or Michael Billington! Good old Billy – he reviewed the production in The Guardian:

Billington on The WonderBillington on The Wonder Sat, Sep 2, 1989 – 20 · The Guardian (London, Greater London, England) · Newspapers.com