Seminar by Theresa Rebeck, Hampstead Theatre, 27 September 2014

After such a wonderful theatre experience at The Gate the night before…

The Edge Of Our Bodies by Adam Rapp, Gate Theatre, 26 September 2014

…we were always going to be hard to impress the next night.

Another American play too. Very well done, good cast, including one of our favourites, Roger Allam in the lead…

…it just didn’t really sparkle for us.

Perhaps it was the play. A bit predictable. Some good lines. But not special for us.

Here is a link to the Hampstead resource on this one.

It got mixed reviews – which feels about right – click here for a search term to find those.

Looks like we’d started to switch from our Friday evening Hampstead habit towards Saturday evening at the Hampstead, which subsequently became our norm. Important titbit of information, that.

Grasses Of A Thousand Colours by Wallace Shawn, Royal Court Theatre, 5 June 2009

A new play by Wallace Shawn. How exciting.

We have long been a fan of Shawn; in my case dating back to seeing the film My Dinner With Andre hundreds of years ago.

Janie and I by chance got to chat with him at the Almeida when he was over for Miranda Richardson’s amazing performance as Aunt Dan in Aunt Dan and Lemon (to be Ogblogged in the fullness of time no doubt)…

…and I had seen him perform The Fever; Janie and I sat behind him at The Designated Mourner at the Cottesloe in 1996; all to be Ogblogged in time.

So here was a new Shawn play with Wallace Shawn himself and Miranda Richardson in it. Plus Andre Gregory directing it. Ahead of the piece we were a little starstruck – a rare emotion for us.

Here is the OfficialLondonTheatre.co.uk stub on the production.

In truth, this piece didn’t hit the giddy heights of some of Shawn’s others. The notion of dystopia following scientific tinkering has (in my view) been overdone by others rather more than Shawn’s political and social frets.

The play was more than three hours long, so I suspect we settled for a shawarma supper to take home. The evening certainly kept me and Janie in conversation for the rest of that evening and indeed the rest of the weekend.

In A Dark Dark House by Neil LaBute, Almeida Theatre, 29 November 2008

This was a very troubling play by Neil LaBute – as his plays so often are. At the Almeida, as LaBute’s plays so often are.

Here is a link to the Almeida resource on this production.

The acting was terrific but we didn’t get the same wow factor from this one as we sometimes do with LaBute.

Good LaBute but not the very best LaBute was our verdict. But we were still discussing the issues deep into the weekend.

 

Creditors by August Strindberg in a new version by David Greig, Donmar Warehouse, 27 September 2008

Janie and I are both very partial to a bit of Strindberg.

Creditors is a top drawer Strindberg play and this was a top draw production of same at the Donmar.

I had seen a smaller scale production of this before – at The Gate back in the 1980s – I’ll review that too in the fullness of time. But this version of Creditors, in David Greig’s edgy hands, was even more gripping than I remembered the play.

Here is a link to the Donmar’s excellent downloadable Study Guide for this production.

Superb cast too – all three of them excellent.

Even the West End Whingers were on the case for this one and seemed broadly satisfied – click here.

An especially good night at the theatre.

The Last Days of Judas Iscariot by Stephen Adly Guirgis, Almeida Theatre, 29 March 2008

We had such high hopes for this one. We love the Almeida. We loved Jesus Hopped The ‘A’ Train by the same author at the Donmar a few years ago…

…but this one didn’t really work for either of us. The acting was good, but the play left us cold and disappointed. Perhaps we were expecting too much.

The Almeida provides a superb stub that explains the conceit of the play and sets out the cast and creatives – here.

There’s a good Wikipedia entry for this play and production too. It states that the original off-Broadway production was reasonably well received, whereas the Almeida production was almost universally well received. I’m not so sure about more-or-less universal:

The Vertical Hour by David Hare, Royal Court Theatre, 2 February 2008

This was a really good play/production. It was only on at the Royal Court for a short while – so we felt we’d got ourselves hot tickets for this one. Unusually for a David Hare, this one had started in New York 15 months before.

The Royal Court Stub has all the details and the full text of lots of reviews.

The usual suspects all loved it. As did we; great cast, super play.

Sleep With Me by Hanif Kureishi, Cottesloe Theatre, 24 April 1999

We rated this piece very good. We saw it very early in the run – just a couple of days after press night so before reviews were out.

Excellent cast, including Jonathan Hyde, Sian Thomas, Peter Wight & Penny Downie – here is a link to the Theatricalia entry for this production.

Nicholas de Jongh in the Standard really liked it:

Sleep Standard de JonghSleep Standard de Jongh 23 Apr 1999, Fri Evening Standard (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, didn’t much like it:

Sleep Billington GuardianSleep Billington Guardian 23 Apr 1999, Fri The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer, on the other hand, absolutely hated it:

Sleep Spencer TelegraphSleep Spencer Telegraph 26 Apr 1999, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

Talk Of the City by Stephen Poliakoff, Swan Theatre, 20 June 1998

Good, but not his best…

…was my log note for this one. “His” referring to Stephen Poliakoff, whose best I rate very highly.

Janie and I saw this one as part of an extraordinary whistle-stop long weekend which took in three plays at Stratford (this the second of the three), a motorised hike to the Welsh Borders for lunch at The Walnut Tree before going on to Hay-On-Wye for some overnight- second-hand-book-buying on my part before stopping off for a long lunch at Raymond Blanc’s place (Le Manoir aux Quat’Saisons) in Oxfordshire and then home. Friday to Monday. The other bits have been written up separately from this piece – click here or below.

I think we stayed in the Shakespeare for this trip. Janie booked it but only wrote down “Twelfth Night Room £115 per night” which I suspect in those days was a suite or certainly a superior room. I did the rest of the trip, including The Old Black Lion in Hay.

As for Talk Of the City, Poliakoff directed this one himself, if I recall correctly, which I think might have been (and often is) a minor mistake – i.e. playwrights, even if superb directors, can usually do with an external eye as director on their own works.

Great cast, including David Westhead, John Normington, Sian Reeves and a young Dominic Rowan. Here’s a link to the Theatricalia entry for this one.

Charles Spencer thought the play a muddle:

Spencer Telegraph TalkSpencer Telegraph Talk 01 May 1998, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh didn’t much like it either:

30 Apr 1998, Thu Evening Standard (London, Greater London, England) Newspapers.com

The Real Inspector Hound by Tom Stoppard & Black Comedy by Peter Shaffer, Richmond Theatre, 11 April 1998

Whose brilliant idea was it to pair The Real Inspector Hound with Black Comedy? Well, if I’m not totally mistaken The Bear Pit at Alleyn’s School did so back in the mid 1970s. It worked well then (I shall write up The Bear Pit production in the fullness of time) and it worked well nearly 25 years later, in the late 1990s, too.

Superb evening…

…was my take on it in my log. How could it not be – what a cast! Desmond Barrit, David Tennant, Nichola McAuliffe, Sara Crowe, Anna Chancellor…and Greg Doran directing.

Here’s a link to the Theatricalia entry.

We saw a preview at Richmond the week before the show opened at The Comedy Theatre.

Nicholas de Jongh voted it “good” in The Standard:

Real Inspector Black Comedy de Jongh StandardReal Inspector Black Comedy de Jongh Standard 23 Apr 1998, Thu Evening Standard (London, Greater London, England) Newspapers.com

Michael Billington in The Guardian was very keen on it:

Real Inspector Black Comedy Guardian BillingtonReal Inspector Black Comedy Guardian Billington 23 Apr 1998, Thu The Guardian (London, Greater London, England) Newspapers.com

While The Independent previewed the event the morning after our visit wondering, over three pages, whose brilliant idea it was to pair these two short plays? (The Bear Pit at Alleyn’s School. Do you arts journos know nothing?)

Hound Black Indy Butler 1 of 3Hound Black Indy Butler 1 of 3 12 Apr 1998, Sun The Independent (London, Greater London, England) Newspapers.com Hound Black Indy Butler 2 of 3Hound Black Indy Butler 2 of 3 12 Apr 1998, Sun The Independent (London, Greater London, England) Newspapers.com Hound Black Indy Butler 3 of 3Hound Black Indy Butler 3 of 3 12 Apr 1998, Sun The Independent (London, Greater London, England) Newspapers.com

Blue Remembered Hills by Dennis Potter, Lyttelton Theatre, 25 May 1996

I’ve long been partial to a bit of Potter, as has Daisy.

I had seen the original TV film of this one and to some extent had my doubts about it, as I have never much enjoyed the conceit of adult actors playing the role of children.

Still, the chance to see a National production of a Potter won the day. Many members of this fine cast went on to bigger and bolder things. Steve Coogan, Nigel Lindsay, Debra Gillett, Geraldine Somerville. Patrick Marber directed it.

The Theatricalia entry for this play/production can be found here.

Michael Coveney in The Observer hated it:

Coveney on HillsCoveney on Hills Sun, May 5, 1996 – 65 · The Observer (London, Greater London, England) · Newspapers.com

Whereas Michael Billington wrote highly of it, finding it more translatable from screen to stage than most Potter and describing it as “Potter at his best”:

Billington on HillsBillington on Hills Sat, May 4, 1996 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

We were both ambivalent about it. It was clearly a fine production. It pleased me more than the TV version. But that “adults playing children” thing still didn’t really work for me.

Below is an excerpt from the original 1979 TV film:

Blue Remembered Hills _ Scene 1+2 from rob blake on Vimeo.