I suspect it was the surrealism that seduced us to the Tate Modern that day, but, as usual, once there, we ended up looking at more than one exhibition. On this occasion, I recall that Janie and I delighted in both.
This Laura Cumming review from The Observer is the only full-scale review I can find for the exhibition that, from what I can gather, most critics described as the blockbuster exhibition of 2001:
Surrealism Cumming Observer 23 Sept 2001 The Observer (London, Greater London, England) Newspapers.com
Peter Chapman’s short review in the Indy is also insightful:
Surrealism Chapman Indy 29 Sept 2001 The Independent (London, Greater London, England) Newspapers.com
Peter Chapman also reviewed the Katharina Fritsch:
Fritsch Chapman Indy 22 Sept 2001 The Independent (London, Greater London, England) Newspapers.com
Claire Bishop gave the exhibition (and Fritsch generally) a full scale review:
Fritsch Bishop Standard 31 Aug 2001 Evening Standard (London, Greater London, England) Newspapers.com