Cuckoo by Michael Wynne, Royal Court Theatre,8 July 2023

Artwork grabbed for identification & to assist The Royal Court with this link

Janie and I really enjoyed this play/production, which we saw in preview. The acting was superb. The direction and design very high quality, as we have come to expect at The Royal Court over the decades.

This play was seemingly superficial, yet beneath its slight surface are some fascinating issues of our times. The “joke” that this family is spending its together time with each individual surfing their own virtual world quickly became tiresome – especially as some of audience members nearby were finding it hilarious. But that humorous conceit was soon revealed as a foreshadowing of some darker elements of the characters’ inner/virtual worlds.

Yes, as some of the critics have said, not a lot happens, but this particular “not a lot” is both amusing and highly thought-provoking.

OK, I have a confession to make.

When I booked this, my main criterion for booking it was a recollection that one of Michael Wynne’s previous plays, The People Are Friendly, had pleased us both a lot.

2002, we saw this at The Royal Court (not yet Ogblogged)

Soon after the start of Cuckoo, which shares a couple of the lead actresses and Royal Court production aspects with The People Are Friendly, I realised that we had not liked The People Are Friendly; we found it soap-opera-ish and not to our taste. I was confusing The People Are Friendly with Richard Bean’s England People Very Nice:

I shall revisit the play text of The People Are Friendly before writing up our 2002 experience, as it is possible that I will read more into that play now than we did 20 years ago.

Anyway, apologies to Messrs Wynne and Bean for the confusion. The word “People” in the title shouldn’t be enough for such a muddle really. I just jumped to a conclusion…

…and talking of conclusions, Janie and I both thought the ending of Cuckoo was really rather wonderful, both as a coup de theatre and also as a piece of stage design.

Here again is a link to The Royal Court resources on Cuckoo, which is running until mid August.

While this link should find most/all the formal reviews for you, if you like those and/or don’t trust our judgment.

Anna Christie by Eugene O’Neill, Riverside Studio 3, 18 August 2001

I didn’t make any notes in my log about this one and frankly I only remember this production vaguely. I liked aspects of the play but found it rather long and wordy for its slight plot. So far, so Eugene O’Neill. I also remember wondering whether this was one of those O’Neill plays that needs an exceptional cast to pull it off.

Let’s see what the real critics said at the time.

Ah, the only formal review I can find easily is in the Standard. Rachel Halliburton liked the play more than the acting, I sense:

Anna Christie Halliburton Standard Anna Christie Halliburton Standard 13 Aug 2001 Evening Standard (London, Greater London, England) Newspapers.com