Rosmersholm by Henrik Ibsen, Almeida Theatre, 24 May 2008

Janie and I really like a bit of Ibsen. In some ways that is odd, in Janie’s case, as she tends to prefer modern plays and eschew classics. But she makes an exception for some classics; not least Ibsen, Strindberg and to some extent Chekhov.

Anyway, Rosmersholm is rarely performed and here was a production at one of our favourite theatres with a stellar cast and production team.

It’s hard to explain why this play is so rarely performed. In some ways Rosmersholm is über-Ibsen; it seems to throw in a lot of Ibsen’s favourite political, social and moral themes all at once. But then most of his great plays do that. Perhaps it is über-gloomy.

So although this was a superb night at the theatre, with wonderful performances and a truly top-notch production, we didn’t end up thinking that “everyone should see a great production of Rosmersholm” in the same way that we might say that about Hedda Gabler, Ghosts or A Dolls House, for example.

Still, a great theatrical event and right up our street.

There is an excellent stub resource on this play/production on the Almeida site – click here.

 

Richard II by William Shakespeare, Almeida at Gainsborough, 20 May 2000

We were still at the stage that I thought Janie might just be converted on to Shakespeare, so I booked a couple of Bard productions that spring: Ralph Fiennes playing the title role in this one and Tony Sher playing the title role in the Scottish one.

The idea didn’t really work on Janie – especially Richard II, which she found long and dull, despite a great cast and very solid production.

If I remember correctly, Gainsborough was a pop up theatre on the site of a disused film studio in Hoxton. This was one of the Almeida’s homes for a while, during which time the theatre was being poshed-up a bit.

Ralph Fiennes was a nodding acquaintance of mine back then – one of several actors who frequented Lambton Place in those days. This I disclose in the interests of openness and transparency, not that nodding acquaintanceship might affect my judgment.

I thought this production was very good, but I have always had my doubts about Richard II as a play. It is one that I “studied” at school, as a precursor to Henry IV Part one being my ‘O’ Level text. If Michael Lempriere couldn’t make it interesting for me, even Ralph, Jonathan Kent directing and an excellent supporting cast were going to struggle.

Paul Taylor in The Independent liked it but was a little underwhelmed:

Richard Taylor IndependentRichard Taylor Independent 13 Apr 2000, Thu The Independent (London, Greater London, England) Newspapers.com

Nicholas de Jongh in The Standard was more impressed by the set than anything else:

Richard de Jongh StandardRichard de Jongh Standard 13 Apr 2000, Thu Evening Standard (London, Greater London, England) Newspapers.com

Even Charles Spencer in The Telegraph described it as “far from electrifying” and “dull”:

Richard Spencer TelegraphRichard Spencer Telegraph 14 Apr 2000, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

Not our greatest weekend of theatre, 19/20 May 2000. But you cannot win them all.

Murmuring Judges by David Hare, Olivier Theatre, 20 January 1992

Two visits to the Olivier Theatre with Bobbie in 48 hours. Just fancy. Must have been an availability thing and both of us wanting to see both plays.

In my log I wrote,

Good, but not as good as I had hoped it would be.

I seem to recall finding the play a bit wordy, a bit worthy and also some of the legal aspects a little unconvincing. I think the feedback from Bobbie’s legal entourage was similar on that last point when we ended up comparing notes.

Here is the Theatricalia entry for this production.

Here is a link to the Wikipedia entry for this play.

Below is Michael Billington’s Guardian review:

Billington Judges JudgesBillington Judges Judges Sat, Oct 12, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Coveney’s Observer review:

Coveney Judges JudgesCoveney Judges Judges Sun, Oct 13, 1991 – 56 · The Observer (London, Greater London, England) · Newspapers.com

Black Snow by Keith Dewhurst, Cottesloe Theatre, 15 June 1991

I don’t really remember much about this one, which suggests it was not so memorable an evening at the theatre.

Bobbie might remember it better, but I doubt it.

Excellent cast of National Theatre usual suspects. Ron Cook, Marion Bailey, Sally Rogers, Paul Moriarty, Peter Wight, Gillian Barge, Karl Johnson and many others. William Gaskill directed. The Theatricalia entry for this one can be found here.

Michael Coveney absolutely loved it in The Observer:

Coveney on Black SnowCoveney on Black Snow Sun, Apr 28, 1991 – 56 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington also thought it was well worth seeing.

Billington on Black SnowBillington on Black Snow Sat, Apr 27, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

I think there was just too much going on for me. Wonderful acting and all that, but I struggled to engage with it. My bad.

The Crucible by Arthur Miller, Olivier Theatre, 30 June 1990

I rated this production very good and I remember it surprisingly well.

Howard Davies directed this one and gathered an excellent cast. Tom Wilkinson as John Proctor, Zoe Wanamaker as Elizabeth Proctor, Clare Holman as Abigail, plus a top notch RNT ensemble, as was the way at that time.

Here is the Theatricalia entry for this production.

Below is Nicholas de Jongh’s review from The Guardian:

de Jongh on The Cruciblede Jongh on The Crucible Sat, Jun 2, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

This production must have been very good, because it is quite a long play and I had “done my back” pretty dramatically the week before. Thus started a period when my back would tell me whether or not I was fully engaged in a theatrical production. For this one, I only recall the superb drama; I don’t recall the pain!