Tag: Peter Hall

Twelfth Night by William Shakespeare, Cottesloe Theatre, 15 January 2011

Janie really isn’t into Shakespeare, but Twelfth Night is a play close to my heart, having “done it” at Alleyn’s for the Dramatic Society in 1978.

Twelfth Night, Alleyn’s School, 12, 14, 15 & 16 December 1978

Ever since, I had been keen to see productions of Twelfth Night when they came around. Further, this production with Rebecca Hall as Viola and possibly a last chance to see a by then 80 year old Peter Hall directing…Janie said yes.

In truth, I don’t think this was the best Twelfth Night I have ever seen. It was of course very well acted, directed and produced, but it was a little old-fashioned in style for my taste; it felt like the sort of Shakespeare production I might have seen at the National 20-25 years earlier. I guess I should have expected.

It certainly didn’t do anything to improve Janie’s view on Shakespeare. I explained how much better it was done in the hands of Alleyn’s schoolkids in 1978 and Janie said she could understand exactly what I must mean.

She wasn’t humouring me, was she?

“After all,” said Janie, “you are practically a reincarnation of The Bard, are you not?”

Anyway, here is a link to a search term that finds reviews and other resources on this production. The reviews are a little mixed; mostly suggesting that it was a good, but not great production, which I think sums it up pretty well.

The Gift Of The Gorgon by Peter Shaffer, The Pit, 12 December 1992

Janie and I saw a preview of this one and thought it was absoutely great. Janie has since formed an aversion to Dame Judy Dench…or perhaps Janie liked this one despite Judy.

Here is the Theatricalia entry for this one.

Below is Michael Coveney’s review from The Observer:

Gift of the Gorgon CoveneyGift of the Gorgon Coveney Sun, Dec 20, 1992 – 42 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michel Billington’s glowing review:

Gift Of teh Gorgon BillingtonGift Of teh Gorgon Billington Fri, Dec 18, 1992 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Paul Taylor in The Independent was less keen – click here.

The Merchant Of Venice by William Shakespeare, Phoenix Theatre, 29 August 1989

I saw this production of The Merchant Of Venice with Bobbie. I don’t think either of us was overly enamoured of it. I registered “quite good” in my log, which is faint praise from me.

There was a lot of hype about this production because Dustin Hoffman was playing Shylock. I recall that Bobbie’s friend May Lamb referred to that actor as “Dustbin Hoffman” – I must admit that I have never been able to process his name the same way since.

There were other good folk in this production; Geraldine James as Portia for a start. Michael Sibbery as Gratiano, Ian Lavender as Solanio, Leigh Lawson as Antonio, Peter-Hugo Daly as Launcelot Gobbo and many other good names. Peter Hall directed it.

Here is its Theatricalia entry.

Sometimes a collection of big names is not, in itself, enough.

Also, I have a feeling that this is not really a great play; that’s my opinion anyway. Technically it is a comedy in the Shakespeare canon, but well short of laughs for the modern audience, even by Shakespeare comedy standards.

This review piece from the New York Times archive suggests that the critics weren’t overly impressed with this production either.

Below is Michael Billington’s Guardian review:

Billington on MerchantBillington on Merchant Fri, Jun 2, 1989 – 27 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on MerchantRatcliffe on Merchant Sun, Jun 4, 1989 – 44 · The Observer (London, Greater London, England) · Newspapers.com

Here is a little YouTube clip of Dustbin…

…I mean Dustin Hoffman rehearsing with Peter Hall:

Orpheus Descending by Tennessee Williams, Theatre Royal Haymarket, With Jilly, Followed By Annalisa’s Party, 10 December 1988

Obviously I was better from my 48 hours of food poisoning by the Saturday. I’m pretty sure I went in to work on the Friday and then a full weekend of activities.

Now I have had written complaints from Jilly already about my handwriting, so the above page is only for artistic effect. Here is the entry for the Saturday:

Saturday 10 December: Driving lesson & Orpheus Descending With Jilly & Annalisa Party

There – that wasn’t so challenging, now, was it?

I remember really liking this play and production. What a fabulous cast.

The Theatricalia website lists the production thus.

Note that we saw this production three days before the stated first performance, so Jilly and I must have gone to see a preview.

Below is Michael Billington’s Guardian review:

Billington on OrpheusBillington on Orpheus Thu, Dec 15, 1988 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review

Kate Kellaway on OrpheusKate Kellaway on Orpheus Sun, Dec 18, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

They made a film based on that Peter Hall production with some (but not all) of the cast we saw in it. Here is the trailer for that movie – far more melodramatic looking than the stage production I remember, but still it should give you some idea:

For that particular evening, I’m sure that the original idea was that Bobbie would join me to see this play/production. But when she had to pull out for some reason, it made a great deal of sense for Jilly to act as sub, especially as we were both invited to Annalisa’s party and were given leave to be fashionably late arrivals.

In truth, I cannot remember specific details of this particular party at Annalisa’s place in Hinde Street, but her parties were always popular, always lavish in hospitality and always late nighters. At that time, just a couple of years after Annalisa had finished at Keele, I suspect it was a very Keeley crowd that night.

As the diary says, on the Sunday, I:

…went to G Jenny with Ma & Pa…

…the next day, quite probably a little tiredly and sore-headedly. But Grandma Jenny no doubt wanted to know all about my new flat and my new job, so I’ll guess that I was centre of attention that Sunday afternoon.

Cymbeline by William Shakespeare, Olivier Theatre, With Bobbie, 15 November 1988

This production started its life at the Cottesloe, then went on tour and then returned to the National at the Olivier. Bobbie and I caught it on its return.

Theatricalia lists the production here.

I recall not much liking this play. We had seen a cast comprising mostly this ensemble perform The Tempest some months earlier, which I had loved. I think it was that experience that drew us to Cymbeline.

I also realised by then that I prefer smaller spaces than the Olivier – there was a comparatively impersonal feel to the Cymbeline and I remember wondering whether I would have liked it more in the Cottesloe.

Still, it was a fine production with an excellent cast. I wonder what Bobbie thought of it and/or recalls about it?

Below is Michael Billington’s Guardian review of Cymbeline:

Billington on CymbelineBillington on Cymbeline Mon, May 23, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review, which also covers The Tempest:

Ratcliffe on Tempest & CybelineRatcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

This was my last week working for Newman Harris, I was doing exam marking for Financial Training college to make a few extra bucks and on the preceding Monday my parents went on holiday. How do I remember all that?:

The Tempest by William Shakespeare, Cottesloe Theatre, 23 July 1988

This was a very good production of The Tempest at the National Theatre. Peter Hall directed it. Superb cast.

Here is the Theatricalia entry for this production.

Below is Michael Billington’s Guardian review of the Tempest

Billington On The TempestBillington On The Tempest Sat, May 21, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review of the Tempest and Cybeline:

Ratcliffe on Tempest & CybelineRatcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

It was part of repertory trio of productions of late Shakespeare plays, of which we also saw Cybeline a few months later:

Cymbeline by William Shakespeare, Olivier Theatre, With Bobbie, 15 November 1988

I rated this production very good. I think we benefited from seeing The Tempest in the intimate environment of the Cottesloe – certainly when compared with Cybeline at the Olivier.

Not sure what we did afterwards – the diary might have some info on that, which I shall add in the fullness of time if it does.