Man Beast And Virtue by Luigi Pirandello, Cottesloe Theatre, 7 October 1989

My log says “little recollection” for this one, so I guess it didn’t make a big impression. Bobbie was with me.

Pirandello is one of those playwrights whose work I want to like more than actually do like. Or perhaps it is more accurate to say that I tend to enjoy reading his plays, because the ideas are fascinating, but many of them are difficult to produce in an entertaining way – at least to the eyes of the modern audience.

Man, Beast And Virtue is an early Pirandello, written in 1919 (100 years ago as I write in 2019), about two years before his breakthrough play, Six Characters In Search Of An Author.

A relatively straightforward, slightly farcical, love-triangle piece, there is a synopsis of the 1950s film version, in somewhat broken English at the time of writing, on Wikipedia.

Trevor Eve played Paolino, the lover, Terence Rigby played Captain Perella and Marion Bailey (best known for her Mike Leigh connections both professionally and privately) played Mrs Perella. William Gaskill directed. Charles Wood had written a new adaptation of the play fro this production. A fine supporting cast too – here is the Theatricalia entry.

So did all that research just now bring the experience flooding back to me? Ever so slightly yes…but basically no.

Probably not really my type of play. I do recall the setting being very imaginative and a sense that I felt entertained for the evening.

Below is Michael Billington’s Guardian review:

Billington on Man BeastBillington on Man Beast Sat, Sep 9, 1989 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Ratcliffe in The Observer thought little of it:

Ratcliffe on Man BeastRatcliffe on Man Beast Sun, Sep 10, 1989 – 46 · The Observer (London, Greater London, England) · Newspapers.com

Perhaps Bobbie remembers something more about it?

Cymbeline by William Shakespeare, Olivier Theatre, With Bobbie, 15 November 1988

This production started its life at the Cottesloe, then went on tour and then returned to the National at the Olivier. Bobbie and I caught it on its return.

Theatricalia lists the production here.

I recall not much liking this play. We had seen a cast comprising mostly this ensemble perform The Tempest some months earlier, which I had loved. I think it was that experience that drew us to Cymbeline.

I also realised by then that I prefer smaller spaces than the Olivier – there was a comparatively impersonal feel to the Cymbeline and I remember wondering whether I would have liked it more in the Cottesloe.

Still, it was a fine production with an excellent cast. I wonder what Bobbie thought of it and/or recalls about it?

Below is Michael Billington’s Guardian review of Cymbeline:

Billington on CymbelineBillington on Cymbeline Mon, May 23, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review, which also covers The Tempest:

Ratcliffe on Tempest & CybelineRatcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

This was my last week working for Newman Harris, I was doing exam marking for Financial Training college to make a few extra bucks and on the preceding Monday my parents went on holiday. How do I remember all that?:

The Tempest by William Shakespeare, Cottesloe Theatre, 23 July 1988

This was a very good production of The Tempest at the National Theatre. Peter Hall directed it. Superb cast.

Here is the Theatricalia entry for this production.

Below is Michael Billington’s Guardian review of the Tempest

Billington On The TempestBillington On The Tempest Sat, May 21, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review of the Tempest and Cybeline:

Ratcliffe on Tempest & CybelineRatcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

It was part of repertory trio of productions of late Shakespeare plays, of which we also saw Cybeline a few months later:

I rated this production very good. I think we benefited from seeing The Tempest in the intimate environment of the Cottesloe – certainly when compared with Cybeline at the Olivier.

Not sure what we did afterwards – the diary might have some info on that, which I shall add in the fullness of time if it does.