Tag: RNT

Les Parents Terribles by Jean Cocteau, Lyttelton Theatre, 4 June 1994

In theory this National theatre production should have been amazing. Alan Howard, Frances de la Tour, Sheila Gish, a young as yet little known Jude Law…

…but my log reads, “not bad. Not the greatest either”. That means we didn’t like it all that much.

Here is the Theatricalia entry for this production.

I think it was a little farce-like for our taste.

I cannot find any contemporaneous reviews for this one, so my vague memory will have to do…

..except that I do now have at least this Michael Billington clipping:

Billington On Les ParentsBillington On Les Parents Sat, May 7, 1994 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

…and this Michael Coveney clipping…

Coveney On Les ParentsCoveney On Les Parents Sun, May 8, 1994 – 71 · The Observer (London, Greater London, England) · Newspapers.com

Our indifference to this production did not stop it from getting a West End transfer, nor did it stop Jude Law from winning “Outstanding Newcomer” awards for his performance, making this production seminal for him, if not necessarily all that special for us.

Angels in America – Millenium Approaches, Tony Kushner, Cottesloe Theatre, 8 April 1994

Angels In America is a two part play. I can only talk about the first part, Millenium Approaches, which Janie and I both thought was very good indeed.

We were both due to see the second part, Perestroika, the next day, but I got a bout of the raging trots and was confined to my bed instead.

Here is a link to the Theatricalia entry for Angels In America, which covers both parts.

What a cast! Daniel Craig, Susan Engel, Clare Holman, Stephen Dillane, Harry Towd…directed by Declan Donnellan too.

I insisted that Janie go alone to see Perestroika and she told me at the time that it was not as good as Millenium Approaches. But was she saying that just to be kind or was she saying that because she got less enjoyment without me or was she saying that because actually the first part is the better part?

Here is the Wikipedia entry for both.

No on-line reviews from the RNT production back then, sadly. Here is a New York Times transcript from 1993…

…and here is Michael Billington’s review from 1992:

Billington On Angels KushnerBillington On Angels Kushner Sat, Jan 25, 1992 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

The Skriker by Caryl Churchill, Cottesloe Theatre, 26 March 1994

A strange play, this. Here is a link to its Wikipedia entry. Writing about it 25 yrars later, it seems in some ways more relevant now than it did then, as evidenced by the several revivals of it in recent years.

According to my log, Janie and I both found the play and the original RNT production we saw very good. Here is a link to the Theatricalia entry for that production.

The wonderful Kathryn Hunter was in it. As was Richard Katz, who had, at that time, fairly recently done a grand job with my material in NewsRevue. I’m pretty sure it was Richard who belted this one, for example:

Designer, NewsRevue Lyric, 5 January 1993

I’m struggling to find reviews, but this preview from the Independent is interesting.

Here is a clipping from The Guardian:

Billington On The SkrikerBillington On The Skriker Sat, Jan 29, 1994 – 24 · The Guardian (London, Greater London, England) · Newspapers.com

While here is a 79 page doctoral thesis about this play, which posits that our whole political and social system comprises patriarchal binary oppositions. So there.

And there was Janie and I thinking that we’d spent an evening seeing an interesting play by Caryl Churchill performed exceptionally well. What simple souls we were/are.

Mother Courage And Her Children by Bertolt Brecht, version by Hanif Kureishi, Cottesloe Theatre, 15 January 1994

Our first theatre visit of 1994 which, according to my log, we both thought was a very good production.

The Theatricalia entry for this production can be found here.

I cannot find any contemporaneous reviews on-line for this production…

…but there are some clippings, e.g. Michel Billington:

Billington On Mother CourageBillington On Mother Courage Wed, Dec 8, 1993 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

A smaller clipping also from Michael Coveney:

Coveney on Mother CourageCoveney on Mother Courage Sun, Dec 12, 1993 – 79 · The Observer (London, Greater London, England) · Newspapers.com

Ellie Haddington played the lead role very well.

My log describes this as an “RNT Education Department Mobile Production”, so my guess is that it toured extensively beyond the Cottesloe. Good for it.

He Who Saw Everything by Robert Temple & Anon, Cottesloe Theatre, 14 May 1993

This piece was billed as:

fragments from The Epic of Gilgamesh…

…which made it rather interesting.

It was part of the Springboards thingie – we saw three of these studio pieces in two weeks – this was the third:

Daisy and I rated this one very good. Weird, though.

I don’t think the Observer reviewed this one, but the Guardian did – below is Michael Billington’s review of this piece.

Billio might choose to call his autobiography He Who Saw Everything, now I come to think of it.

Michael Billington He Who Saw Everything May 1993Michael Billington He Who Saw Everything May 1993 Sat, May 15, 1993 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

Interesting stuff. It’s one of those nights at the theatre about which I remember little detail but it left a lingering impression on me nonetheless. I can still sort-of remember the sights, sounds and even smells of it.

Baby Doll by Andrew Poppy & Tennessee Williams, Cottesloe Theatre, 8 May 1993

This piece was billed as:

a new chamber opera based on the original screenplay…

…perhaps we should have paid heed to that billing.

It was not to our taste.

It was part of the Springboards season, of which we saw three productions at the Cottesloe in two weeks. This was the second of the three we saw.

Below is a review from The Guardian – opera review rather than theatre review please note:

Baby Doll May 1993Baby Doll May 1993 Tue, May 11, 1993 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

The Observer review can be seen as part of the article (including the picture) below:

Observer May 1993 CottesloeObserver May 1993 Cottesloe Sun, May 9, 1993 – 55 · The Observer (London, Greater London, England) · Newspapers.com

We stayed at mine that weekend. Whether I cooked or we got a takeway on the way home is lost in the mists of time.

I do recall Janie trying to sound like the atonal operatic voices in this misguided Baby Doll production for some while after the show.

Oh dear.

Somewhere by Judith Johnson, Cottesloe Theatre, 1 May 1993

Janie and I went threee times in a fortnight to see RNT Studio plays at the Cottesloe. This was the first of those three visits. It was a modern Liverpudlian play of the post-Thatcherism variety. We thought it was a very good play and really enjoyed (if that is the right word) this production.

Michael Church gave it a very good review in the Observer:

Observer May 1993 CottesloeObserver May 1993 Cottesloe Sun, May 9, 1993 – 55 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington similarly applauded the project in The Guardian:

Billington Springboards May 1993Billington Springboards May 1993 Tue, May 4, 1993 – 23 · The Guardian (London, Greater London, England) · Newspapers.com

Arcadia by Tom Stoppard, Lyttelton Theatre, 17 April 1993

I liked this play and production far more than Janie did. Where I liked the intellectual aspects of the content, Janie found them pretentious and at times confusing.

Wikipedia gives a decent synopsis of the play – here.

Janie has never much liked plays that jump backwards and forwards in time, although, coincidentally, we saw Emma Fielding in a similarly time-shifting play recently (autumn 2019) which Janie really liked.

Michael Coveney revewed it the day after we saw it:

Sun, Apr 18, 1993 – 57 · The Observer (London, Greater London, England) · Newspapers.com

I think that’s one-nil to Janie in the “confusing rather than clever” stakes.

Michael Billington liked it more, I think:

Wed, Apr 14, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

The Game Of Love And Chance by Pierre Marivaux, Cottesloe Theatre, 20 February 1993

The Theatricalia entry for this production can be found here.

What a cast: Maggie Steed, Trevor Baxter, Caroline Quentin, Peter Wingfield, Stefan Bednarczyk, Marcello Magni. Joint directors Mike Alfreds and Neil Bartlett.

No wonder I was keen to see it.

Still, I don’t think Janie and I were wild about this one. I was fast learning that Janie doesn’t like classics as much as she likes modern pieces, nor does she like farce. Marivaux was never likely to float Janie’s boat.

Yet worse, from a “what Janie does and doesn’t like” point of view, this production had re-located the piece in the 1930’s, adding a Cowardesque flavour to it that didn’t go down well with the reviews that are currently ( as I write in 2019) on-line/clippable.

Despite that, the sheer weight of talent on show carried the day for us, as we both found the production entertaining and could not question its quality of production.

Below is Michael Billington’s review from the Guardian:

Billington Game Of LoveBillington Game Of Love Wed, Jan 13, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Coveney’s review from the Observer:

Coveney Game Of Love & ChanceCoveney Game Of Love & Chance Sun, Jan 17, 1993 – 47 · The Observer (London, Greater London, England) · Newspapers.com

The Madness of George III by Alan Bennett, Lyttelton Theatre, 30 September 1992

I believe we did a date swap for this one. It is in my diary for Saturday 17 October, but I ended up going to see Death And The Maiden with Janie, John and Mandy that night.

I think Bobbie had a problem with that October weekend and we arranged to swap with a friend of hers to see this production midweek, on 30 September.

My production log says:

Went with Bobbie. Very good.

So what else is there to say? I remember it being a very big, busy play, with an enormous cast of courtiers attending to the protagonists. I remember laughing quite a lot. I suspect I would find it a bit cheesy if I saw it again now.

Nigel Hawthorne was very impressive and I suppose it is “quite a thing” that I saw him perform live.

The Wikipedia entry links to rave reviews on both sides of the channel. The subject matter very naturally had appeal for the USA so it is no surprise that it was also a hit there and also made into a film.

I was probably quite tired that evening, as the diary shows I spent a long day flying up to West Lothian the day before on business – that will have been Sky with Michael – a memorable working day.

I suspect that this was the last time I went to the theatre with Bobbie. We probably had a post theatre meal, perhaps at the RNT itself or perhaps somewhere like RSJs or the Archduke.

Here is the Theatricalia entry for this production.

Below is Michael Coveney’s review from the Observer:

Madness of George III, Michael CoveneyMadness of George III, Michael Coveney Sun, Nov 24, 1991 – 59 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s review from The Guardian:

Madness of George III, BillingtonMadness of George III, Billington Sat, Nov 30, 1991 – 25 · The Guardian (London, Greater London, England) · Newspapers.com