Tag: RNT

Closer by Patrick Marber, Cottesloe Theatre, 31 May 1997

No equivocation from us nor the critics on this one. While my “very good” report on many pieces covers a range of satisfaction, for this one I wrote:

One of the very best…

…which is not something I wrote often. I very clearly recall Janie and I walking out after Closer saying “wow” to each other.

Patrick Marber himself directed it and we were skilful/fortunate to see the original cast at the Cottesloe as this production upscaled in the light of rave reviews, multiple awards and huge audiences. We saw Liza Walker, Clive Owen, Ciaran Hinds and Sally Dexter. Here is the Theatricalia entry.

Here are the pick of the reviews.

First up – Charles Spencer in the Telegraph raving about it:

Closer Spencer TelegraphCloser Spencer Telegraph 30 May 1997, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

Michael Billington in The Guardian described it as a triumph and a great play:

Closer Billington GuardianCloser Billington Guardian 31 May 1997, Sat The Guardian (London, Greater London, England) Newspapers.com

David Bennett in The Independent was perhaps a lone unequivocal voice, who saw it as essential viewing but dangerously autobiographical:

Closer Bennett IndependentCloser Bennett Independent 31 May 1997, Sat The Independent (London, Greater London, England) Newspapers.com

Yet Robert Butler the next day in the same paper was very excited about the play/production:

Closer Butler IndyCloser Butler Indy 01 Jun 1997, Sun The Independent (London, Greater London, England) Newspapers.com

Janie and I both just so remember that “wow” feeling and still remember this as one of the very best plays/productions we have ever seen.

Marat/Sade by Peter Weiss, Olivier Theatre, 24 May 1997

Actually the play is titled:

The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade 

But for reasons of sheer laziness and delinquency amongst the arty classes, the title has been widely abbreviated to Marat/Sade.

Joking apart, we really liked this one. My log reads:

Very good. This was the Olivier “in the round” for renovations.

From memory, this was a reduced size of auditorium but with seating all around the stage, which worked very well for this play.production.

Jeremy Sams directed a fine cast including Anastasia Hille, Corin Redgrave, David Calder, Iain Mitchell and many others. The slightly bare Theatricalia entry can be found here.

Nicholas de Jongh in The Standard hated this production:

Marat Sade de Jongh StandardMarat Sade de Jongh Standard 15 May 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor in The Independent was more impressed, although he found the production “over-light”:

Marat Sade Taylor IndyMarat Sade Taylor Indy 16 May 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Michael Billington, like Paul Taylor, speaks well of the production in The Guardian, but not too well:

Marat Sade Billington GuardianMarat Sade Billington Guardian 15 May 1997, Thu The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph hated this play/production:

Marat Sade Spencer TelegraphMarat Sade Spencer Telegraph 19 May 1997, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

But we said “very good” which rather puts a stop to the debate on my Ogblog!

The Homecoming by Harold Pinter, RNT Lyttelton Theatre, 5 April 1997

We celebrated our homecoming from the Middle East with a visit to the theatre to see this wonderful production of, coincidentally, Pinter’s The Homecoming.

What a cast. Lindsay Duncan, Michael Sheen, Eddie Marsan, Keith Allen & David Bradley. Roger Michell directed it.

Here is a link to the Theatricalia entry.

Janie and I were both really taken with the play and the production.

Paul Taylor in the Independent really didn’t like it:

Paul Taylor Homecoming IndyPaul Taylor Homecoming Indy 25 Jan 1997, Sat The Independent (London, Greater London, England) Newspapers.com

Nicholas de Jongh in The Standard was not too sure either:

Nicholas de Jongh Standard HomecomingNicholas de Jongh Standard Homecoming 24 Jan 1997, Fri Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph seemed more or less to “get it” in the way we got it:

Homecoming Spencer TelegraphHomecoming Spencer Telegraph 24 Jan 1997, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

While my friend Michael Billington in the Guardian got it:

Billington Guardian HomecomingBillington Guardian Homecoming 24 Jan 1997, Fri The Guardian (London, Greater London, England) Newspapers.com

Cardiff East by Peter Gill, Cottesloe Theatre, 22 February 1997

My log is quite clear about our opinion of this piece:

It was dreadful. We walked out at half time.

But wait – look at the stellar cast. Here’s the Theatricalia entry for it. Kenneth Cranham, Karl Johnson, Elizabeth Estensen, Windsor Davis…

…and Di Botcher. Di Botcher who directed Newsrevue in 1994 and seemed so keen on my stuff. Where’s the mutual support?

Well, in truth I do think that Di Botcher can act. Her role in this miserablist piece, as far as I could tell, was mostly to stand around looking miserable. Di stood around looking miserable with aplomb.

Here’s what our friend Michael Billington had to say…and you know for sure that when he uses the phrases “important” and “not an easy evening” that misery must be part of it:

Billington On Cardiff EastBillington On Cardiff East Thu, Feb 13, 1997 – 2 · The Guardian (London, Greater London, England) · Newspapers.com

East of Cardiff…

Michael Coveney in the Observer speaks more highly of it…

Michael Coveney on Cardiff EastMichael Coveney on Cardiff East Sun, Feb 16, 1997 – 73 · The Observer (London, Greater London, England) · Newspapers.com

…perhaps we should have stuck it out to the second half after all. But we were about to fly off to Lebanon & Syria just over a week later, so time was at a premium…and they really know how to play for sympathy over there.

We didn’t learn our lesson about Peter Gill’s miserablist Welsh plays, because just over 10 years later we went to see a revival of Small Change at the Donmar and got precious little out of that one either:

Small Change by Peter Gill, Donmar Warehouse, 12 April 2008

Some folk never learn, mark you.

The Cripple Of Inishmaan by Martin McDonagh, Cottesloe Theatre, 1 February 1997

We were neither of us too sure about this play/production.

Granted, it was extremely well received. Granted, we recognised Martin McDonagh’s talent and said we’d like to see more of his work, which subsequently we have done.

But this particular play/production felt like a pastiche of a pre war Irish play to us and left us a bit cold.

Here is a link to the production’s Theatricalia entry.

Charles Spencer in The Telegraph shared some of our concerns:

Inishmaan Charles Spencer TelegraphInishmaan Charles Spencer Telegraph 09 Jan 1997, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh similarly:

Inishmaan Nicholas de Jongh StandardInishmaan Nicholas de Jongh Standard 08 Jan 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

While Michael Billington praised the work highly while also signalling that he felt McDonagh could achieve yet greater things:

Inishmaan Billington GuardianInishmaan Billington Guardian 09 Jan 1997, Thu The Guardian (London, Greater London, England) Newspapers.com

Elsinore by Robert Lepage, Lyttelton Theatre, 4 January 1997

Elsinore image borrowed from Ex Machina website – click here.

Fewer than 24 hours after my hive-ridden return from the frozen north of England, Janie and I went to see this Robert Lepage/Ex Machina production from The Great White North (Canada).

In truth I remember little about it. I think I was squirming in my seat only in part because of the hives.

At the time, this sort of multimedia theatrical experience was novel, but it did seem, to us, that the technological wonder of it was rather superseding the drama and/or tension that we normally experience at the theatre.

Carole Woddis, in The Independent, made some rather similar points.

Here’s Charles Spencer’s take from the Telegraph:

Elsinore Charles Spencer TelegraphElsinore Charles Spencer Telegraph 22 Nov 1996, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

Nick Curtis in the Standard truly rubbished the production.

06 Jan 1997, Mon Evening Standard (London, Greater London, England) Newspapers.com

Perhaps this piece worked better in colder climes.

Blinded By The Sun by Stephen Poliakoff, Cottesloe Theatre, 31 August 1996

I wrote in my log:

Yes, we saw it before it opened. Yes, it was very good.

Press night was early the following week.

I was always partial to a bit of Poliakoff, so this will have felt like a bit of a birthday treat, opening at that time of year.

In fact, we had been due to go to the Proms on my actual birthday that year, but “Proms 7:30” is scribbled out in my diary for the preceding Wednesday. Not sure what went wrong there – probably we simply failed to get tickets (Claudio Abbado & The Berlin Phil doing Brahms – very popular).

But I digress.

Stellar cast for this one – as was the way back then with Poliakoff at the National or the RSC: Douglas Hodge and Frances de la Tour the biggest names; Graham Crowden & Hermione Norris also standout performers. Here is the Theatricalia entry for this production.

This is Lyn Gardner’s review from The Guardian:

Blinded Lyn Gardner GuardianBlinded Lyn Gardner Guardian 04 Sep 1996, Wed The Guardian (London, Greater London, England) Newspapers.com

Here is Michael Coveney’s Observer review:

Blinded Coveney ObserverBlinded Coveney Observer 08 Sep 1996, Sun The Observer (London, Greater London, England) Newspapers.com

Paul Taylor in the Independent also liked it a lot:

Blinded Paul Taylor IndyBlinded Paul Taylor Indy 05 Sep 1996, Thu The Independent (London, Greater London, England) Newspapers.com

John Gabriel Borkman, Henrik Ibsen, Lyttelton Theatre, 20 July 1996

This was a great production of great play.  Paul Scofield as the big man, Vanessa Redgrave as the long-suffering wife, Eileen Atkins, Michael Bryant, a great supporting cast, Richard Eyre directing, what was not to like?

Here is a link to the Theatricalia entry for this production.

Janie doesn’t tend to like “classics” but tends to makes an exception for Ibsen. This production was no exception to her exception.

As is often the case, the Lyttleton did the play no favours, too big and set back for intimacy yet not quite big enough or shaped right to be the big stage. But when the only criticism one can muster is that, the fact is that this was a great night at the theatre and I am so glad we saw this production.

Paul Taylor in the Independent loved it – click here.

Here’s another little review archive link – click here.

Michael Billington in the Guardian waxed lyrical about it:

Billington on BorkmanBillington on Borkman Sat, Jul 13, 1996 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

But in truth, you had to be there.  One of the more memorable evenings at the theatre.

The Designated Mourner, Wallace Shawn, Cottesloe Theatre, 1 June 1996

What an amazing piece of theatre this was.  The late great Mike Nichols, better known as a director of course, acted brilliantly, with Miranda Richardson and David de Keyser, all wonderful.

David Hare, better known as a playwright but also a talented director, did a grand job with the piece.

Wallace Shawn, perhaps better known as an actor than as a playwright, although also a very talented playwright, wrote it.  Not his best known; indeed possibly not his best piece, but, an excellent play.

Here is the Theatricalia entry for this play/production.

Despite all that role rotation, it came off superbly well for us.

Janie and I recognised the unmistakable back of Wallace Shawn’s head just in front of us that night.  A few years later, we chatted with Wallace Shawn at the Almeida when he turned up to see Miranda Richardson in Aunt Dan and Lemon; he waxed lyrical about how wonderful he thinks she is, seemed genuinely self-effacing about his writing and genuinely delighted that we had been inspired to seek out his plays by seeing this piece and of course My Dinner With Andre, one of my favourite films ever.

Wikipedia explains the plot – click here.

Bit early in the life of the web for on-line reviews, but I found this rather informative thing – click here.

Michael Billington was very taken with the play and production in the Guardian:

Billington on MournerBillington on Mourner Thu, Apr 25, 1996 – 2 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney seemed less sure but still speaks well of it:

Coveney on MournerCoveney on Mourner Sun, Apr 28, 1996 – 65 · The Observer (London, Greater London, England) · Newspapers.com

We were really taken with it; discussing the issues for the rest of the weekend and beyond.

Blue Remembered Hills by Dennis Potter, Lyttelton Theatre, 25 May 1996

I’ve long been partial to a bit of Potter, as has Daisy.

I had seen the original TV film of this one and to some extent had my doubts about it, as I have never much enjoyed the conceit of adult actors playing the role of children.

Still, the chance to see a National production of a Potter won the day. Many members of this fine cast went on to bigger and bolder things. Steve Coogan, Nigel Lindsay, Debra Gillett, Geraldine Somerville. Patrick Marber directed it.

The Theatricalia entry for this play/production can be found here.

Michael Coveney in The Observer hated it:

Coveney on HillsCoveney on Hills Sun, May 5, 1996 – 65 · The Observer (London, Greater London, England) · Newspapers.com

Whereas Michael Billington wrote highly of it, finding it more translatable from screen to stage than most Potter and describing it as “Potter at his best”:

Billington on HillsBillington on Hills Sat, May 4, 1996 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

We were both ambivalent about it. It was clearly a fine production. It pleased me more than the TV version. But that “adults playing children” thing still didn’t really work for me.

Below is an excerpt from the original 1979 TV film:

Blue Remembered Hills _ Scene 1+2 from rob blake on Vimeo.