Tag: Sheila Burnett

Riddance by Linda McLean, Paines Plough, Lyric Hammersmith Studio, 25 September 1999

I wrote “very good indeed” in my log for this one, which means that we both must have thought it very good indeed.

Paines Plough tended to do good stuff and Vicky Featherstone knows how to direct. This long precedes her dystopian miserabilist phase at The Royal Court, of course, although it had traces of misery in it.

In those days the Lyric Hammersmith Studio was putting on quite a lot of good stuff of this kind and getting good notices in places that mattered too.

Here’s Kate Bassett in the Telegraph:

Riddance Telegraph BassettRiddance Telegraph Bassett 27 Sep 1999, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

This production had clearly taken the Edinburgh Fringe by storm, as the following preview from the Feltham Chronicle attests:

Riddance Feltham GauntRiddance Feltham Gaunt 16 Sep 1999, Thu The Feltham Chronicle (Hounslow, London, England) Newspapers.com

According to my diary, we ate at Riso in Chiswick afterwards. I cannot find anything about it on-line and cannot remember anything much about the place. My handy copy of the 2003 Harden’s suggest that the place was not so memorable. That might explain it.

Still, the play/production was memorable, which matters more.

Eurydice by Jean Anouilh, Whitehall Theatre, 24 July 1999

In truth, I don’t remember all that much about this production. I’ve long been partial to a bit of Anouilh, which would have been the main reason we booked it.

Excellent cast, including Orlando Seale, Edward de Souza, Desmond Barrit, Ray Llewellyn, Roz McCutcheon, Amy Marston, Susan Tracy & Geoffrey Beevers.

Here is a link to the Theatricalia entry for this one.

Charles Spencer suggests that he unexpectedly liked it:

Eurydice Spencer TelegraphEurydice Spencer Telegraph 15 Jul 1999, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Dominic Cavendish also wrote well of it in the Indy:

Eurydice Cavendish IndyEurydice Cavendish Indy 14 Jul 1999, Wed The Independent (London, Greater London, England) Newspapers.com

Similarly, our friend, Michael Billington, seemed surprisingly pleased with it:

Eurydice Billington GuardianEurydice Billington Guardian 14 Jul 1999, Wed The Guardian (London, Greater London, England) Newspapers.com

The Late Middle Classes by Simon Gray, Richmond Theatre, 22 May 1999

Very good indeed. Thought provoking.

That’s what I wrote in my log at the time.

Janie booked this one, so I can report that we sat in seats D6, D7 & D8…and that she paid £20 a pop for this excellent evening at the theatre. I suppose £20 really was £20 back then. Still sounds like value.

The third ticket was for “The Duchess” (Janie’s mum).

Harold Pinter directed an excellent cast including Nicholas Woodeson, Harriet Walter & Angela Pleasence. Here is a link to the Theatricalia entry.

Our friend, Michael Billington, liked it in The Guardian:

Late Middle Guardian BillingtonLate Middle Guardian Billington 27 Mar 1999, Sat The Guardian (London, Greater London, England) Newspapers.com

Paul Taylor in The Indy also thought highly of this production:

Late Middle Taylor IndyLate Middle Taylor Indy 27 Mar 1999, Sat The Independent (London, Greater London, England) Newspapers.com

We’ll have eaten at Don Fernando’s after theatre, because in those days, if we went to Richmond for theatre, that’s what we did afterwards. {Insert your own joke about “the late-dining middle classes” here].

The Garden Of Habustan by Rebecca Wolman, Tricycle Theatre, 27 April 1999

I remember Janie spotting this one in a Tricycle brochure and suggesting that the subject matter – the Israeli/Palestinian dispute, looked interesting.

“Written and directed by Rebecca Wolman. Oh my goodness, Rebecca Wolman is an old friend of mine from BBYO,” I said…”when she was known as Marcia Wolman”.

That almost dampened Janie’s enthusiasm – not because she had anything against my old friends from BBYO, nor people who choose to change their forenames, but because Janie was on a “we ALWAYS run into people you know when we go to the theatre” kick at that time. That was far from the truth – just occasionally we would run into someone I know – but it was Janie’s perception and that’s what mattered.

Anyway, Janie’s enthusiasm for the subject matter won through, so we went…

…and yes, we did run into someone I knew at the theatre – Rebecca – somewhat predictably. It was really nice to see her after so many years.

We were also able to tell Rebecca, truthfully, that we really liked the play and production.

Click here for an archive listing for the play/production.

In fact Janie was, if anything, more enthusiastic about it than I was. Janie was particularly taken with the allegory about the garden. Janie has often referred to this play since, in positive terms, usually when criticising other less subtle plays about such delicate subjects.

I was reminded of this play/production at the time of writing (March 2018) when Janie and I saw an excellent dramatisation of Returning To Haifa by Ghassan Kanafani at the Finborough theatre – click here or below:

Returning To Haifa by Ghassan Kanafani, Finborough Theatre, 9 March 2018

But returning to The Garden Of Habustan – I think the piece deserved a wider audience (as indeed I feel about Returning To Haifa). Hows about someone out there having a go at reviving it?