Gagarin Way by Gregory Burke, Cottesloe Theatre, 28 September 2001

Janie and I must have been very keen to see this one – a rare sojourn to the South Bank on a Friday evening for us. In those days we still found it hard to finish our work on a Friday and get to a place like the National Theatre in good time. We had both strategically kept the afternoon light, appointment-wise, I can see.

I believe we saw a preview at the Cottesloe, but the production had already stormed-it at Edinburgh a few week’s earlier.

I liked it, Janie hated it.

Split jury. That said, I recall that we were both a little disappointed by this play/production. Not that I thought it was poor – I liked it – but I recall us both thinking that it didn’t quite live up to the hype.

Fine cast, direction and production, as you might expect. Billy McElhaney, Michael Moreland, Michael Nardone, and Maurice Roëves starred, John Tiffany directed. Here is a link to the Theatricalia entry.

Charles Spencer gave the Edinburgh run a glowing review in the Telegraph…

Gagarin, Spencer Telegraph Gagarin, Spencer Telegraph 10 Aug 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

…as did Susannah Clapp in The Observer:

Gagarin Clapp Observer Gagarin Clapp Observer 12 Aug 2001 The Observer (London, Greater London, England) Newspapers.com

Roll the clock forward a few weeks and a few hundred miles south. Michael Billington somewhat summed up why he felt that Gagarin Way didn’t work so well just a few weeks later at The National.

Gagarin Billington Guardian Gagarin Billington Guardian 6 Oct 2001 The Guardian (London, Greater London, England) Newspapers.com

Nicholas de Jongh in the Standard echoed those Billington sentiments:

Gagarin de Jongh Standard Gagarin de Jongh Standard 4 Oct 2001 Evening Standard (London, Greater London, England) Newspapers.com

Riddance by Linda McLean, Paines Plough, Lyric Hammersmith Studio, 25 September 1999

I wrote “very good indeed” in my log for this one, which means that we both must have thought it very good indeed.

Paines Plough tended to do good stuff and Vicky Featherstone knows how to direct. This long precedes her dystopian miserabilist phase at The Royal Court, of course, although it had traces of misery in it.

In those days the Lyric Hammersmith Studio was putting on quite a lot of good stuff of this kind and getting good notices in places that mattered too.

Here’s Kate Bassett in the Telegraph:

Riddance Telegraph BassettRiddance Telegraph Bassett 27 Sep 1999, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

This production had clearly taken the Edinburgh Fringe by storm, as the following preview from the Feltham Chronicle attests:

Riddance Feltham GauntRiddance Feltham Gaunt 16 Sep 1999, Thu The Feltham Chronicle (Hounslow, London, England) Newspapers.com

According to my diary, we ate at Riso in Chiswick afterwards. I cannot find anything about it on-line and cannot remember anything much about the place. My handy copy of the 2003 Harden’s suggest that the place was not so memorable. That might explain it.

Still, the play/production was memorable, which matters more.