Category: Theatre

Dancing At Lughnasa by Brian Friel, Lyttelton Theatre, 22 December 1990

Wow.

I have strong memories of this one. Just one word in my log:

Superb.

It was a convoluted process getting to see it, as I was really suffering with my back knack when this production opened in London (October 1990; it had spent the spring and summer at the Abbey Theatre in Dublin).

Anyway, Bobbie and I sorted out some good tickets for just before Christmas and my goodness this one was worth seeing.

Excellent cast, including Brid Brennan, Stephen Dillane and Alec McCowen. In truth I don’t know Director Patrick Mason for anything else but he can come visit again.

I remember early the next year recommending it to a Dutch software developer, Gerard Mey, who was working on a project with me in London and asked me to recommend a show. I wondered if it was too challenging for someone who does not boast English as a first language. Gerard told me how much he enjoyed it, while admitting that he found some of the language difficult, but said that his head had been full of so many interesting thoughts and ideas since seeing it. That’s a recommendation in my book!

I’ll leave it to the experts to explain in their words just how good this show was.

Michael Billington spoke very highly of it in The Guardian

Billington on LughnasaBillington on Lughnasa Wed, Oct 17, 1990 – 38 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney gushed about it in The Observer when he saw it at the Abbey in the spring:

Coveney on LughnasaCoveney on Lughnasa Sun, May 6, 1990 – 57 · The Observer (London, Greater London, England) · Newspapers.com

Piano by Trevor Griffiths, Cottesloe Theatre, 15 December 1990

My log says:

no recollection really. Possibly went with Moose. Had to give away earlier tickets due to back injury.

The reason I think I might have gone with Moose (Mara) is because my diary says I spent the previous evening with Moose and her mum Rita and her mum’s friend Mave. Click the link if you are wondering who these people are and where they fitted in to the grand scheme of things at that time…as if there was or is a grand scheme of things.

If it wasn’t Moose that evening, I think it would have been Bobbie, but my guess is that Bobbie took the October tickets from me when I was too knacked to go.

An exceptional cast for this Trevor Griffiths piece. The Theatricalia entry can be found here. Penelope Wilton, Stephen Moore, Stephen Rea and a terrific National Theatre ensemble directed by Howard Davies.

I don’t think I was as impressed as the critics had been. Chekhovian only tends to work for me when it is actual Chekhov, as the great man was the master of that kind of drama. Chekhovian in the hands of others generally seems a bit slow and pointless. I’m possibly being a bit unfair on this one.

Michael Billington in The Guardian spoke highly of the play/production:

Billington on PianoBillington on Piano Fri, Aug 10, 1990 – 31 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in The Observer was quite taken with it:

Coveney on Piano & HastingsCoveney on Piano & Hastings Sun, Aug 12, 1990 – 50 · The Observer (London, Greater London, England) · Newspapers.com

Much Ado About Nothing by William Shakespeare, Shakespeare Memorial Theatre, 17 November 1990

I went up to Stratford with Moose (Mara Frank) where we saw this wonderful production of Much Ado. My log, I think mistakenly, suggests that we also saw Troilus And Cressida on that trip, but I suspect that I saw a preview of Troilus on my tod in April when in the Midlands for other reasons, perhaps procuring the programme when returning to Stratford with Moose and thus confusing myself a few years later.

Anyway…

…this was a great show. Susan Fleetwood as Beatrice, Roger Allam as Benedick, John Carlisle as Don Pedro, a fine supporting ensemble and the very capable hands of Bill Alexander directing.

Here is the Theatricalia entry for this production.

Michael Billington in The Guardian enthused…sort of:

Billington on Much AdoBillington on Much Ado Thu, Apr 12, 1990 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in the Observer hated it. But what did he know?

Coveney on Much AdoCoveney on Much Ado Sun, Apr 15, 1990 – 56 · The Observer (London, Greater London, England) · Newspapers.com

The Shape Of The Table by David Edgar, Cottesloe Theatre, 10 November 1990

Lots of memories from this one.

It was my “get out of jail” weekend. Michael Durtnall (my chiropractor) had insisted that I “lock down” for a month to enable my back to start healing – otherwise he wouldn’t treat me. More on that elsewhere, but basically this weekend was the end of my confinement and boy did I make the most of it with Bridge on Friday, this theatre visit on Saturday and a wedding on the Sunday.

I am very keen on David Edgar so we (me & Bobbie) will have long before booked to see this just after press night. I was very pleased to have negotiated my way out of lockdown to see this.

All I wrote in my log is:

Very good. Neil Kinnock and his entourage were there the night we went.

At the time Neil Kinnock was leader of the opposition. I don’t know whether he and/or his entourage took notes during this paly, but it was a political drama to be sure.

It is set in an unspecified former communist country that resembles the former Czechoslovakia.

Excellent cast; Karl Johnson, Stratford Johns and Katrin Cartlidge standing out in my mind.

Here is the Theatricalia entry for the production.

Michael Billington spoke highly of it in the Guardian:

Billington on The TableBillington on The Table Sat, Nov 10, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in the Observer was also impressed:

Coveney on tableCoveney on table Sun, Nov 11, 1990 – 62 · The Observer (London, Greater London, England) · Newspapers.com

My Children! My Africa! by Athol Fugard, Lyttelton Theatre, 15 September 1990

I’m very partial to Athol Fugard’s work, but thirty years on, I remember very little about this one. Even the log, which was only a few years after the event, says:

Little recollection, strangely.

I saw this with Bobbie Scully, who seemed keen to see Fugard with me back then. Janie also has a taste for his work.

Here is the Wikipedia entry for this play/production.

I think the problem for me/us was that it was a story that pre-dated Nelson Mandela’s release but we were seeing it very soon after that momentous event. In that sense it felt a bit like old news, although of course the injustices and arguments depicted were still (are still) relevant.

Michael Billington in the Guardian loved it:

Billington on My Children!Billington on My Children! Sat, Sep 8, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in The Observer was less sure, finding it, unusually for Fugard, overly sentimental.

Coveney on My Children!Coveney on My Children! Sun, Sep 9, 1990 – 50 · The Observer (London, Greater London, England) · Newspapers.com

A Dream Of People by Michael Hastings, The Pit, 18 August 1990

I’ve long been partial to a bit of Michael Hastings; I think he is under-rated as a playwright and novelist. So I no doubt chose this one on the back of its authorship.

It’s quite an odd play; sort-of about the welfare state ideal in the hands of a quirky civil service idealogue. Typical Hastings in its untypicality.

Bobbie and I both liked it.

I was reminded of this piece, without remembering exactly which piece I was being reminded of, when Janie and I saw Really Old, Like 45 at The Cottesloe some 20 years later:

Really Old, Like Forty Five by Tamsin Oglesby, Cottesloe Theatre, 30 January 2010

Peter McEnery played the lead and Janet Suzman directed the piece. The Theatricalia entry for the production can be found here. Not yet ever revived (he says in January 2021), I imagine a re-read would quickly determine whether it is now due for a revival or explain why it has not yet been revived.

Michael Billington in The Guardian clearly liked it while peppering his piece with a bit of Billingtonian faint praise.

Billington on HastingsBillington on Hastings Sat, Aug 4, 1990 – 19 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in The Observer was also fascinated but not entirely convinced:

Coveney on Piano & HastingsCoveney on Piano & Hastings Sun, Aug 12, 1990 – 50 · The Observer (London, Greater London, England) · Newspapers.com

The Tragedy of Richard III by William Shakespeare, Lyttelton Theatre, 28 July 1990

Bobbie & I were both very keen to see this one – hence our appearance on the first Saturday after press night, booking the tickets long before.

We weren’t disappointed. My log reads:

Superb. The setting was 1930’s style and they made a movie based on this production.

Below is a link to a National Theatre clip:

While below is a clip from the 1995 movie:

Janie would have got less out of this than Bobbie and I did – she is not so keen on Shakespeare, Sir Ian McKellen nor Dame Maggie. (The latter was not in the National Theatre stage production – Susan Engel played Queen Margaret.)

Here is a link to the Theatricalia entry for that Richard Eyre stage production.

Below is Michael Billington’s Guardian review. He also thought this production excellent:

Billington on Dick The ShitBillington on Dick The Shit Fri, Jul 27, 1990 – 31 · The Guardian (London, Greater London, England) · Newspapers.com

In The Observer, Michael Coveney reviewed this Dick The Shit production and also the King Lear with which it was repping:

Coveney on Dick Shit & LearCoveney on Dick Shit & Lear Sun, Jul 29, 1990 – 51 · The Observer (London, Greater London, England) · Newspapers.com

While Kate Kellaway (also in the Observer) interviewed the two protagonists, Ian McKellen (Dick) & Brian Cox (Lear).

Kate Kellaway with Cox & McKellenKate Kellaway with Cox & McKellen Sun, Jul 29, 1990 – 51 · The Observer (London, Greater London, England) · Newspapers.com

The Crucible by Arthur Miller, Olivier Theatre, 30 June 1990

I rated this production very good and I remember it surprisingly well.

Howard Davies directed this one and gathered an excellent cast. Tom Wilkinson as John Proctor, Zoe Wanamaker as Elizabeth Proctor, Clare Holman as Abigail, plus a top notch RNT ensemble, as was the way at that time.

Here is the Theatricalia entry for this production.

Below is Nicholas de Jongh’s review from The Guardian:

de Jongh on The Cruciblede Jongh on The Crucible Sat, Jun 2, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

This production must have been very good, because it is quite a long play and I had “done my back” pretty dramatically the week before. Thus started a period when my back would tell me whether or not I was fully engaged in a theatrical production. For this one, I only recall the superb drama; I don’t recall the pain!

Singer by Peter Flannery, The Pit, 9 June 1990

I saw this one with Bobbie and I recall we both found it very powerful, although a bit long for its relatively slight story.

What fine acting. Antony Sher & Malcolm Storrey in particular, but a fine supporting cast and Terry Hands directing.

The Theatricalia entry for this one can be found here.

Nicholas de Jongh gave it a good but not ecstatic review in The Guardian:

de Jongh on Singerde Jongh on Singer Sat, Mar 31, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

The School For Scandal by Richard Brinsley Sheridan, Olivier Theatre, 19 May 1990

I thought this one was very good and I am pretty sure Bobbie thought so too.

An amazing cast directed by Peter Wood. Here is a link to the Theatricalia entry – feast your eyes on that list of names. the big draw names were Jane Asher, John Neville, Prunella Scales and Dennis Quilly, but there is a plethora of fine actors and actresses on that list, several on the up with small parts in this production. Also notable was Richard Bonneville, who played Charles Surface, and is latterly very well known as High Bonneville.

Michael Coveney in The Observer was not so keen on this:

Coveney on ScandalCoveney on Scandal Sun, Apr 29, 1990 – 54 · The Observer (London, Greater London, England) · Newspapers.com

Nicholas de Jongh in The Guardian seemed to like it a bit better:

de Jongh on Scandalde Jongh on Scandal Thu, Apr 26, 1990 – 24 · The Guardian (London, Greater London, England) · Newspapers.com