From Square (14 February) To Naked The Next Weekend: Naked by Luigi Pirandello, Almeida Theatre, 21 February 1998

The Square (Restaurant), 14 February 1998

“Dinner with some chick”

…reads my diary entry for that evening…

“8:00 Valentine Night The Square Restaurant” 6 Bruton Street W1 Karine”

…reads Janie’s more helpful entry.

Janie’s diary also informs me that we went to Sound On Wheels in North Harrow that morning, where the indomitable Maurice & Ray will have sorted out the latest arrival in our household, my souped-down Honda CRX, Nobby, with a sound system.

Picture borrowed from allinlondon.co.uk

25 years on, Sound On Wheels has gone. As has The Square, which presciently closed down just before the Covid 19 pandemic.

When we went it was all the rage, having relatively recently moved to Mayfair. It was in the process of collecting its second Michelin Star had it not done so already.

Also borrowed from allinlondon.co.uk, for consistency’s sake

Janie remembers this as one of the finest meals we have had, with superb service too. It was a very special evening.

Naked by Luigi Pirandello, Almeida Theatre, 21 February 1998

There had been a lot of hype about Juliette Binoche coming to tread the Almeida boards, so we were really looking forward to this one.

Our review:

Not as good as we expected – the critics were more convinced by Ms Binoche than we were

My recollection is that we found it hard to hear what she was saying despite the fact that we were sitting in the front row.

The critics fell in love with her, though. My friend, Michael Billington, going a little overboard. I agree with him about Juliette Binoche’s “eccentric inflections” and that Oliver Ford Davies put in a blinder of a performance.

Naked Billington GuardianNaked Billington Guardian 19 Feb 1998, Thu The Guardian (London, Greater London, England) Newspapers.com

David Benedict in The Independent leapt to Juliette’s defence, like a knight in shining armour, denying even the accusation that the inflections were eccentric:

Naked Benedict IndependentNaked Benedict Independent 25 Feb 1998, Wed The Independent (London, Greater London, England) Newspapers.com

Nicholas de Jongh in The Standard hated the play but loved Juliette Binoche. I would agree that part of the problem was the play – not one of Pirandello’s best:

Naked de Jongh StandardNaked de Jongh Standard 19 Feb 1998, Thu Evening Standard (London, Greater London, England) Newspapers.com

Unsurprisingly, Charles Spencer was star struck by Juliet Binoche in The Telegraph:

Naked Spencer Telegraph (for real)Naked Spencer Telegraph (for real) 19 Feb 1998, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

I stand by our own review – we couldn’t hear clearly what Juliet Binoche was saying in a play that, in any case, would have been a fairly difficult watch.

We ate at Pasha afterwards. Another once-excellent eatery that is no longer there 25 years later:

A hat trick of thanks for pictures to allinlondon.co.uk

The Cripple Of Inishmaan by Martin McDonagh, Cottesloe Theatre, 1 February 1997

We were neither of us too sure about this play/production.

Granted, it was extremely well received. Granted, we recognised Martin McDonagh’s talent and said we’d like to see more of his work, which subsequently we have done.

But this particular play/production felt like a pastiche of a pre war Irish play to us and left us a bit cold.

Here is a link to the production’s Theatricalia entry.

Charles Spencer in The Telegraph shared some of our concerns:

Inishmaan Charles Spencer TelegraphInishmaan Charles Spencer Telegraph 09 Jan 1997, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh similarly:

Inishmaan Nicholas de Jongh StandardInishmaan Nicholas de Jongh Standard 08 Jan 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

While Michael Billington praised the work highly while also signalling that he felt McDonagh could achieve yet greater things:

Inishmaan Billington GuardianInishmaan Billington Guardian 09 Jan 1997, Thu The Guardian (London, Greater London, England) Newspapers.com

Dancing At Lughnasa by Brian Friel, Lyttelton Theatre, 22 December 1990

Wow.

I have strong memories of this one. Just one word in my log:

Superb.

It was a convoluted process getting to see it, as I was really suffering with my back knack when this production opened in London (October 1990; it had spent the spring and summer at the Abbey Theatre in Dublin).

Anyway, Bobbie and I sorted out some good tickets for just before Christmas and my goodness this one was worth seeing.

Excellent cast, including Brid Brennan, Stephen Dillane and Alec McCowen. In truth I don’t know Director Patrick Mason for anything else but he can come visit again.

I remember early the next year recommending it to a Dutch software developer, Gerard Mey, who was working on a project with me in London and asked me to recommend a show. I wondered if it was too challenging for someone who does not boast English as a first language. Gerard told me how much he enjoyed it, while admitting that he found some of the language difficult, but said that his head had been full of so many interesting thoughts and ideas since seeing it. That’s a recommendation in my book!

I’ll leave it to the experts to explain in their words just how good this show was.

Michael Billington spoke very highly of it in The Guardian

Billington on LughnasaBillington on Lughnasa Wed, Oct 17, 1990 – 38 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney gushed about it in The Observer when he saw it at the Abbey in the spring:

Coveney on LughnasaCoveney on Lughnasa Sun, May 6, 1990 – 57 · The Observer (London, Greater London, England) · Newspapers.com