Tag: Dick Bird

Light by Complicité, Almeida Theatre, 28 October 2000

We gave this a one word review in my log:

Superb.

Janie and I had been big fans of Complicité, having cemented our getting started together at Street Of Crocodiles, some eight years earlier:

Janie and I Go On Our First Proper Date, The Street Of Crocodiles, Cottesloe Theatre, 29 August 1992

Still, we were prepared to admit that Complicité had missed if it missed – but this one was very much to our taste.

Here is a link to the Theatricalia entry.

We saw a preview of a short run that apparently was sold out on application.

Light Standard Light Standard 26 Oct 2000 Evening Standard (London, Greater London, England) Newspapers.com

It seems that Mnemonic, the year before, which we also rated superb, had really turned Complicité into a thing.

Mnemonic by Simon McBurney, Théâtre De Complicité, Riverside Studios, 18 December 1999

Paul Taylor in The Independent rated it highly, but not as highly as he rated Mnemonic:

Light Taylor Indy Light Taylor Indy 1 Nov 2000 The Independent (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, similarly was less impressed with this one than he had been with earlier Complicité pieces.

Light Billington Guardian Light Billington Guardian 1 Nov 2000 The Guardian (London, Greater London, England) Newspapers.com

Dominic Cavendish in The Telegraph agreed with us:

Light Cavendish Telegraph Light Cavendish Telegraph 2 Nov 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Outside On The Street by Wolfgang Borchert, Gate Theatre, 27 June 1998

By gosh was I pleased when I learnt that my local, The Gate Theatre in Notting Hill, was to put on this play. Some years earlier, I had bought a book of European plays in translation and had read this play, along with some narrative about it, with a mixture of fascination and wonderment. Part of my wonderment was thinking about how on earth the play might be performed, but I suspected at the time that I would never see the piece in production.

Unlike my “how on earth might this play be performed?” musings, it worked remarkably well in this imaginative production in the Gate’s small-scale, theatre-above-a-pub environment. The Gate has reliably been extremely good at doing this sort of thing over the years.

Superb…

…was my single word verdict, which summed it up for both me and Janie.

Our friend, Michael Billington, gave a similar verdict in The Guardian, lauding performers Sean Gallagher and Jenny Quayle, plus translator Thomas Fisher in particular:

Billington Guardian OutsideBillington Guardian Outside 18 Jun 1998, Thu The Guardian (London, Greater London, England) Newspapers.com

Susannah Clapp gave it a glowing and quite lengthy review in the Observer, especially praising the director, Gordon Anderson and the designer, Jane Singleton:

Clapp Observer Outside 1 of 2Clapp Observer Outside 1 of 2 21 Jun 1998, Sun The Observer (London, Greater London, England) Newspapers.com Clapp Observer Outside 2 of 2Clapp Observer Outside 2 of 2 21 Jun 1998, Sun The Observer (London, Greater London, England) Newspapers.com

Nick Curtis in the Standard, on the other hand, found it all far too bleak for his liking:

Curtis Standard OutsideCurtis Standard Outside 18 Jun 1998, Thu Evening Standard (London, Greater London, England) Newspapers.com

While John Gross gave it a short but sweet review in The Sunday Telegraph:

Gross Sunday telegraph OutsideGross Sunday telegraph Outside 28 Jun 1998, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com