Very unusual for us and almost unheard of at The National. Fabulous cast: Toby Jones, Clare Higgins, Karl Johnson, Michael Culkin, Gary Lydon, Declan Conlon, Monica Dolan, Tony Rohr.
What went wrong? In truth, we don’t tend to recall the bad experiences unless they are bad for a memorable reason Let’s see if the reviews help me.
Twos tars from Michael Billington…”dated Dublin Ionesco”…that’s NOT good:
By gosh was I pleased when I learnt that my local, The Gate Theatre in Notting Hill, was to put on this play. Some years earlier, I had bought a book of European plays in translation and had read this play, along with some narrative about it, with a mixture of fascination and wonderment. Part of my wonderment was thinking about how on earth the play might be performed, but I suspected at the time that I would never see the piece in production.
Unlike my “how on earth might this play be performed?” musings, it worked remarkably well in this imaginative production in the Gate’s small-scale, theatre-above-a-pub environment. The Gate has reliably been extremely good at doing this sort of thing over the years.
Superb…
…was my single word verdict, which summed it up for both me and Janie.
Our friend, Michael Billington, gave a similar verdict in The Guardian, lauding performers Sean Gallagher and Jenny Quayle, plus translator Thomas Fisher in particular:
Susannah Clapp gave it a glowing and quite lengthy review in the Observer, especially praising the director, Gordon Anderson and the designer, Jane Singleton: