I remember quite liking the play and being impressed by the cast, while feeling that “we can get all that at home”…or at least, at Doug and Paul’s home.
Excellent cast: Mark Bonner, James McAvoy, Linda Bassett, Sean Gallagher, Michele Austin and Vilma Hollingbery, directed by Kathy Burke.
Charles Spencer in The Telegraph rather liked this one:
On the Friday evening, we saw Feelgood. We would have eaten at Harry Morgans before the show. I remember this play having a superb cast: Jeremy Swift, Henry Goodman, Amita Dhiri, Nigel Planer, Pearce Quigley, Sian Thomas, Nigel Cooke and Jonathan Cullen (according to my log), and being lots of fun. Max Stafford-Clark directed it. It transferred to the Garrick with a slightly different cast – Peter Capaldi taking Jeremy Swift’s place. Here’s the Theatricalia entry for that one.
Nicholas de Jongh really liked it in The Standard, especially heaping praise on Henry Goodman’s performance:
Billington concludes that article with a statement that seems oh so apposite as I write 25 years later:
…theatre is a place of information as well as entertainment and the more it cuts itself off from society – and relies on a mixture of anodyne musicals and Hollywood-star casting, the more it is doomed to glamorous irrelevance.
…yet it fails to register in my usual lookup places (Wikipedia, Theatricalia) on lists of Shelagh Stephenson’s work.
It looks as though Janie booked this one almost as an afterthought. Perhaps she thought we’d have no time before the Christmas madness and then felt ready and at a loose end just ahead of the Saturday. She’s written:
A9 & 10, £40.35 Joanna Pearce playing Bea.
Perhaps a client recommended it to her.
Let’s see what the critics said. Our friend, Michael Billington, liked it despite its flaws:
I must say the scenario looks like the sort of play we would actively avoid now, so my guess is that it is well writ and was very well acted by an excellent cast, not least Dermot Crowley & Joanne Pearce.
Neither Janie nor I remember much about this play/production. Nor did I write any comments about it in my log – just the details of the visit.
The play is about a Samaritan helping a desperate young woman and the Samaritan becoming emotionally entangled with her. Janie would doubtless look on the whole thing very differently 25 years on, having been a Samaritan since the pandemic – i.e. for over five years at the time of writing.
The leads were played by Julian Wadham and Claudie Blakely, both of whom we rate highly. I do recall that I had been to see Julian Wadham perform more than once “back in the day” with Bobbie and her work colleagues from the law reports, as Julian’s sister, Sarah, worked with them. I also recall that this theatre visit came up in conversation at Bobbie’s place a few day’s before we went to see this play, when Janie and I visited her for dinner the previous Saturday.
I recall this play/production doing less for me than I had hoped. I was expecting something quite visceral from the author of Rat In The Skull, which I had read with wide-mouthed interest back in the day.
We were keen Hampstead goers, even back then when the venue was still a portacabin down the road from the current high-class venue.
We dined at Harry Morgan’s ahead of the show, getting a fix of Jewish deli grub in St John’s Wood on our way to Swiss Cottage, as was our occasional wont back then.
The cast comprised John Gordon Sinclair, Miranda Pleasence, Andrew Woodall, Rob Spendlove, William Chubb and Kenneth Colley. The actor Denis Lawson directed the production.
I didn’t think about this play when I saw Giant by Mark Rosenblatt, but reflecting on it now, I can see how Rosenblatt managed to make similar subject matter come alive…
…whereas Burning Issues by Ron Hutchinson, a playwright who had proved that he could write good plays on tough topics, somehow couldn’t make this subject matter fizz.
In truth we don’t remember much about this one. I made no notes in my log about it. I think we quite liked it, but it felt like fairly standard Hampstead Theatre fare.
The Hampstead was still in the portacabins back then, so small, chamber-style work was all the place comfortably could do. Still, we liked the place and went occasionally.
We saw it on a Friday evening, so no doubt, in those days, we went to Harry Morgans in St John’s Wood for some crazy=cracing-J-food on the way to the theatre.
What was not to like? Maureen Lipman as Peggy Ramsey, with sound support from Tom Espiner, Selina Griffiths, Richard Platt and Crispin Redman, all ably directed by Robin Lefevre.
Paul Taylor in The Independent was entertained but thought that Maureen Lipman as Peggy was a case of miscastology…so at least Maureen got an ology I suppose and for sure she spent a lot of time during the play on the phone.
In truth I remember little about this play/production. I logged it without comment, which doesn’t help.
Super cast and crew. Stephen Moore, Charlotte Cornwell, Gemma Jones and David Horovitch, directed by Robin Lefevre.
John Gross in The Sunday Telegraph gave it a modest review, which doesn’t help the memory much, 25 years later, other than making me feel better about the fact that I remember so little about it:
My diary says I went to see this play with Jilly. Possibly someone Jilly knew/knows had something to do with it.
The performers were Tony Anthony, Denise Wong, Phil Daniels and Kate France. Materic directed the piece himself and it was a Shared Experience production; possibly the first of theirs I saw.