Tahrir Square, 2011 (Mona sosh), CC BY 2.0
This was a fabulous play/production at the Orange Tree Theatre in Richmond.
It’s about revolting young people in Cairo – i.e. the story, over several years, of several engaging, well-crafted characters, initially caught up in the revolution which started in 2011.
This Orange Tree link shows you all you might want to know about the play/production.
No programme for this production, but there is a care pack – click here – this must be the modern way.
The playwright AHLAM is anonymous/pseudonymous, perhaps a proxy for the “always in danger blogger” character Osman, played very well by Tarrick Benham.
The play covers well the politics of those years – from hope through frustration to fear and desperation. In particular the revolutionary blogger character Osman and his gay friend Rafik, played well by Nezar Alderazi, illustrate the big picture.
But it is also a tale of interpersonal relationships. The younger characters, girls at the outset, Lina (played by Eleanor Nawal) and Maya (played by Yasemin Özdemir) getting in and out of trouble with boys and with each-other.
The whole production was very well acted and very well produced. The night we went, Hanna Khogali was indisposed, so assistant director Riwa Saab stood in for her at the last minute. Riwa is clearly a very talented young thing but not a actress – nevertheless she is a performer when not directing and carried the part astonishingly well in the circumstances, as did all the others, in particular Moe Bar-El whose character had to interact with Riwa’s character the most. Theirs was a “star-crossed lovers” story; him from a Coptic family and her from a Muslim family of cops.
It sounds a bit cheesy when described in simple sentences about the plot, but the stories dance between each other and across time to make a wonderfully engaging evening of theatre.
100 minutes without an interval, but at no point did it feel like a drag.
Mostly excellent reviews – see the headlines on The Orange Tree link or click here for links to the raw review material.
Funnily enough, Janie and I did find ourselves in Cairo, in 2012, when one of the secondary bouts of revolution kicked off. We could smell the tear gas when we visited the National Museum on the edge of Tahrir Square.
Janie and I have not been to the theatre much these past few months. We’ll be going a fair bit over the next few months. This one certainly started our “new season” of theatre going with a bang…and I don’t mean tear gas canisters going off in Tahrir Square.