Tag: Linda Shannon

Translations by Brian Friel, Questors Theatre, 12 May 2001

Another Saturday evening at The Questors with Janie’s mum, The Duchess.

The commercial arrangements for the evening will have been scrupulously fair:

  • The Duchess will have done The Questors tickets – we found out many years later she got a certain number of guest freebies per year with her subscription which she scrupulously deployed on us;
  • Janie and I will have done the interval drinks and dinner afterwards. On this occasion we went to Monty’s in Ealing – a place where you could get a late night tandoori or ruby and the Duchess would be allowed as many “last smokes” as she fancied without us being thrown out.

As always, The Questors will have been a very acceptable quality of production – the top end of am dram; semi-professional really.

And as always, The Questors has an exceptional archive – far better than most professional theatres, enabling you, dear reader, to read all about it, including the whole programme, without additional help from me, by clicking this link.

The Rose Tattoo by Tennessee Williams, Questors Studio, 17 January 1998

We went to the Questor’s with The Duchess (Janie’s mum) that night. Unusually, there is no mention of a meal in a restaurant afterwards, but Janie’s diary has lots of notes about her mum going off to Tunisia on holiday the next day, so my guess is that we agreed to just go to the theatre and separately had light suppers at the respective homes afterwards.

As for the play/production, I noted that this was a:

…very good Questor’s production

Janie and I are especially partial to Tennessee Williams – it is a credit to this production that we liked it, as we sense that Williams is not easy to produce well. The Rose Tattoo is not Williams best/easiest play either.

The Questor’s has a super archive for all its productions – here is a link to the archive for this one.

I have downloaded the inside of the programme which includes a handwritten note that tells us this was the first night of the production.

A decade later, Janie and I saw a top notch professional production of this play…

The Rose Tattoo by Tennessee Williams, Olivier Theatre, 9 April 2007

It is inappropriate to compare the two – Zoe Wannamaker played the lead at The National. Suffice it to say that I remember both productions well and fondly.