Absurdia: A Resounding Tinkle and Gladly Otherwise by N.F. Simpson, The Crimson Hotel by Michael Frayn, Donmar Warehouse, 18 August 2007

I’m not sure we were quite in the mood for a triple-bill of British Absurdist comedies. I’m not sure we’d have been in the mood for these plays even if we had been in a more appropriate mood.

Billed as being a precursor to Pythonesque comedy, the only python-like thing in the 1960s N.F. Simpson material was talk about a neighbours snake. His plays were certainly more English whimsy than European absurdism.

The Michael Frayn was a modern piece, but lesser Frayn in my view.

Great cast; it would probably seem worthwhile watching Peter Capaldi paint the ceiling. Douglas Hodge directed this production – he seems to have a good eye and ear for this sort of stuff. It’s just not really our sort of stuff.

The critics weren’t too sure either:

Boston Marriage by David Mamet, Donmar Warehouse, 31 March 2001

Janie and I are partial to a bit of David Mamet. We were also very excited to be seeing Zoe Wanamaker & Anna Chancellor (plus a young, then unknown, Lyndsey Marshal), directed by Phyllida Lloyd, early in the run at the Donmar Warehouse.

My memory and my single word log review…

pretentious

…suggests that we were a bit disappointed by the play.

Let’s see what the professionals thought of it.

Charles Spencer in the Telegraph really liked it:

Boston Spencer Telegraph Boston Spencer Telegraph 19 Mar 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Our friend Michael Billington was more critical, especially with regard to the plot -or rather, its near-absence – but still mustered four stars.

Boston Billington Guardian Boston Billington Guardian 17 Mar 2001 The Guardian (London, Greater London, England) Newspapers.com

Nicholas de Jongh, similarly, suggests that the performances trump the play to make a worthwhile production.

Boston de Jongh Standard Boston de Jongh Standard 19 Mar 2001 Evening Standard (London, Greater London, England) Newspapers.com

Janie and I defer to the wisdom of the professional critics. The performances were good, we grant. But don’t attempt this play as am-dram unless you have three superb actresses to carry the evening.