Category: Theatre

The Day I Stood Still by Kevin Elyot, Cottesloe Theatre, 24 January 1998

Superb. One of the best.

My logged comment suggest that we really liked this one. We both really did.

There is a Theatricalia entry for this one with all the details – click here. Adrian Scarborough was excellent in the lead role. Ian Rickson directed.

Nicholas de Jongh liked it in The Standard:

23 Jan 1998, Fri Evening Standard (London, Greater London, England) Newspapers.com

My friend Michael Billington liked it but didn’t love it in The Guardian:

23 Jan 1998, Fri The Guardian (London, Greater London, England) Newspapers.com

Similarly Suzannah Clapp in The Observer, whose review reminds me that the critics main reservation about this play is that they didn’t like it as much as they liked Elyot’s (also wonderful) My Night With Reg.

25 Jan 1998, Sun The Observer (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph also spoke highly of it with some limitations:

31 Jan 1998, Sat The Daily Telegraph (London, Greater London, England) Newspapers.com

The Rose Tattoo by Tennessee Williams, Questors Studio, 17 January 1998

We went to the Questor’s with The Duchess (Janie’s mum) that night. Unusually, there is no mention of a meal in a restaurant afterwards, but Janie’s diary has lots of notes about her mum going off to Tunisia on holiday the next day, so my guess is that we agreed to just go to the theatre and separately had light suppers at the respective homes afterwards.

As for the play/production, I noted that this was a:

…very good Questor’s production

Janie and I are especially partial to Tennessee Williams – it is a credit to this production that we liked it, as we sense that Williams is not easy to produce well. The Rose Tattoo is not Williams best/easiest play either.

The Questor’s has a super archive for all its productions – here is a link to the archive for this one.

I have downloaded the inside of the programme which includes a handwritten note that tells us this was the first night of the production.

A decade later, Janie and I saw a top notch professional production of this play…

The Rose Tattoo by Tennessee Williams, Olivier Theatre, 9 April 2007

It is inappropriate to compare the two – Zoe Wannamaker played the lead at The National. Suffice it to say that I remember both productions well and fondly.

Lunch/Dinner With Michael & Elisabeth Mainelli Plus The Waste Land by T S Eliot, Wilton’s Music Hall, 3 January 1998

We weren’t expecting to see a show that day. Michael and Elisabeth invited us over “for the day” being a bit unspecific about the meal time, but suggesting that we might all take a swim in the pool of their newcapartment block. But, unbeknown to us, their plan was to serve an early meal and then pop out to see Fiona Shaw perform The Waste Land under Deborah Warner’s direction in Wilton’s Music Hall – within spitting distance of Michael and Elisabeth’s new place.

Good plan.

I recorded in my log that the piece was short and OK. I’ve never been over keen on The Waste Land as a piece of poetry. Fiona Shaw is of course marvellous and would probably hold one’s attention if reciting from the telephone directory.

Janie was intrigued by the T S Eliot aspect, as she had treated and continued to treat Valerie Eliot for many years.

Most interesting about the evening was seeing Wilton’s Music Hall, which had not been used for a performance for over 100 years and looked suitably distressed. I’m not sure that the health and safety brigade would today allow a performance in a place quite so distressed, but it was great to see it at that time. It has since been somewhat more revived.

Lyn Gardner warmed to the whole idea in The Guardian:

Waste Land Guardian Gardner Waste Land Guardian Gardner 16 Dec 1997, Tue The Guardian (London, Greater London, England) Newspapers.com

In the Standard, Robin Stringer reviewed the place with Nicholas de Jongh reviewed the show:

Wilton's Waste Land Standard Stringer de Jongh Wilton’s Waste Land Standard Stringer de Jongh 15 Dec 1997, Mon Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph predictably preferred the poem to the place and grudgingly paid homage to Fiona Shaw:

Waste Land Telegraph SpencerWaste Land Telegraph Spencer 16 Dec 1997, Tue The Daily Telegraph (London, Greater London, England) Newspapers.com

David Benedict waxed lyrical about the whole thing in The Independent:

Waste Land Indy BenedictWaste Land Indy Benedict 13 Dec 1997, Sat The Independent (London, Greater London, England) Newspapers.com

A very memorable day and evening from our point of view.

The Invention Of Love by Tom Stoppard, Lyttelton Theatre, RNT, 27 December 1997

We normally liked to see these “Cottesloe-type plays” at the Cottesloe, but we missed the boat with this one, seeing it a few month’s later at the Lyttelton.

Not really our cup of tea, this one. Janie isn’t all that keen on Stoppard in general and I found this one “a bit slow”.

I suspect we were both exhausted having worked all the way up to Christmas and then done the family bit for Christmas itself. I can see that Janie arranged a cab for Pauline, so I suspect this is the Christmas that Pauline came to the house and was thoroughly rude to my mum, dad, Hilary, Jacqui and Len – Len tried snipping back – good for him.

But away from the real life drama, this Stoppard drama was about A. E. Housman, with a marvellous cast, including John Wood as “the man in old age” and Paul Rhys as “a younger version of the man”. Also a selection of the usual suspects for fine National Theatre character acting, including Michael Bryant, Robin Soans, Benjamin Whitrow and John Carlisle. Richard Eyre directing – at the National for the last time. There is a Theatricalia entry – here.

Nicholas de Jongh in The Standard loved it:

Invention Standard de JonghInvention Standard de Jongh 02 Oct 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor in the Independent also loved it:

Invention Standard de JonghInvention Standard de Jongh 02 Oct 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

My friend Michael Billington was also taken with it:

Invention Guardian BillingtonInvention Guardian Billington 02 Oct 1997, Thu The Guardian (London, Greater London, England) Newspapers.com

The Government Inspector by Nikolai Gogol, Almeida Theatre, 20 December 1997

“Back in the day” when we didn’t mind going off to the theatre in the pre-Christmas maelstrom.

Also back in the heyday of the Almeida. I’m glad we went, as this was a very good production indeed.

Tom Hollander as Khlestakov, the civil servant mistaken for the Government inspector. My neighbour, Iain McDiarmid, performing as the Lord Provost (rather than directing this time), Jonathan Kent directing. There is a Theatricalia entry for this one – here.

Nicholas de Jongh in The Standard was more taken with the production than the play…I am inclined to agree, not being a great lover of farce:

18 Dec 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

However, my friend Michael Billington in The Guardian suggests that it is the production, not the play, that, if anything, errs towards farce in this instance:

20 Dec 1997, Sat The Guardian (London, Greater London, England) Newspapers.com

John Gross in The Sunday telegraph seemed to like it, admiring its universal appeal:

Waste Land & Government Inspector Sunday telegraphWaste Land & Government Inspector Sunday telegraph 28 Dec 1997, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com

My records tell me that we ate at Granita after the show. As far as I know Janie and I didn’t make any sort of deal there in the Blair/Brown style.

A “Works Outing” To Remember, From Detroit To Fung Shing Via Scissor Happy At The Duchess Theatre, 12 December 1997

One of the more memorable Z/Yen Christmas outings, this one.

In an attempt to start to big-up the event, we tried a west end evening, with bar drinks, theatre visit and dinner in a private room.

Perhaps the bar bit was not a great idea ahead of a silly play, Scissor Happy, that was relying on audience participation for laughs.

Anyway, we started in Detroit – by which I mean the bar in Seven Dials, long since defunct as I write 25 years later – not the City in Michigan, obviously.

Then we went to see Scissor Happy at The Duchess Theatre. I wrote the following in my theatre log:

Works outing for Z/Yen – went very well.

Michael Moore’s drunken interventions were especially memorable.

Michael was the husband of one of our employees – Rachel. He was significantly older than her, indeed older than the rest of us. At first his audience interventions went down well with cast and audience, but he got carried away and for a while seemed to think that he WAS the show.

I remember several of our number being embarrassed about this – not least Rachel – although I also recall hearing on exit other audience members debating whether that funny old geezer was a plant from the show or really a member of the audience.

The Fung Shing meal was excellent in out private room. At that time Fung Shing was, in my opinion, the best restaurant in Chinatown. Writing 25 years later, it is another long-since defunct place, sadly.

Returning to Scissor Happy, though – I wonder what made us chose that play? Some sort of lowest common denominator thinking? Or perhaps it came recommended by someone…certainly not me! Not my sort of play at all.

Nor Nicholas de Jongh’s, who described it as “piffle” in the Standard:

23 Oct 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

Strangely, Charles Spencer in The Telegraph rather liked it, while admitting “it depends who is in the audience”. Too right!

24 Oct 1997, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

The Milk Train Doesn’t Stop Here Anymore by Tennessee Williams, Lyric Hammersmith, 29 November 1997

I wrote the following in my log around the time:

Unusual production; worked in many but not all respects.

Originally done at Citizens Theatre, Glasgow in October 1994.

This play is not, in my view, top notch Tennessee Williams, so there was possibly only so much that could be done with it. Philip Prowse did his best as director. Rupert Everett flamboyantly and memorably played the role of Flora Goforth.

Like us, Nicholas de Jongh was impressed by the performances but not 100% sure about the play in The Standard:

28 Oct 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Susannah Clapp in the Observer observed the performance as uber-camp

02 Nov 1997, Sun The Observer (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph didn’t like it much:

29 Oct 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Overboard by Michael Vinaver, Orange Tree Theatre, 1 November 1997

Just me and Daisy this time at The Orange Tree – The Duchess was away on some sort of a bridge holiday IIRC.

Still, this play/production still seemed to last for ever. There is a seven hour version of the play – this just felt a bit like seven hours.

My log reads:

Somewhat rambling but has its moments.

The play is potentially enormously long (7 hours) – unsure of exact length of this production, but it seemed long although it was the short version.

Paul Taylor in The Independent independently reached a similar conclusion:

Overboard Taylor IndependentOverboard Taylor Independent 10 Oct 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph truly hated it:

Overboard Spencer TelegraphOverboard Spencer Telegraph 08 Oct 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, who is usually extremely kind to orange Tree stuff, seems to have omitted to review it. Speaks volumes.

Janie and I no doubt consoled ourselves with some Don Fernando grub afterwards.

Theatre Stories by Ken Campbell, Cottesloe Theatre, Followed By Dinner At Vong, 18 October 1997

I have long been partial to a bit of Ken Campbell. This one man show comprised “more than a bit” of him, I suppose.

Superb fun.

…was my verdict. I think I got more out of it than Daisy did, but she still liked it a lot.

Patrick Marmion liked it in the Standard.

Theatre Stories Marmion StandardTheatre Stories Marmion Standard 20 Oct 1997, Mon Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor in the Independent was very taken with it.

Campbell Taylor IndyCampbell Taylor Indy 20 Oct 1997, Mon The Independent (London, Greater London, England) Newspapers.com

Dinner At Vong

Janie’s thing at that time was for us to go to a posh place for after theatre dinner. This time, we went to Vong at The Berkeley Hotel.

Andrew Lloyd Weber wrote up the place for the Telegraph a few month’s earlier:

Vong Lloyd Weber TelegraphVong Lloyd Weber Telegraph 28 Jun 1997, Sat The Daily Telegraph (London, Greater London, England) Newspapers.com

Matthew Fort in The Guardian described the place as too chic and achingly glossy in 1996 when it first opened.

Vong Fort GuardianVong Fort Guardian 24 Feb 1996, Sat The Guardian (London, Greater London, England) Newspapers.com

I remember finding the food very interesting and the price less scary than Nobu.

Electra by Sophocles, Adapted By Frank McGuinness, Richmond Theatre, 9 October 1997

Blooming heck we were culture-vulturing that autumn. This was our third theatre visit in a week – on a Thursday evening, ahead of going to a food and wine fair the next day.

Worth it though. As I put it in my log:

Electric – excellent production. Worth moving ass on a Thursday for.

Fine cast and crew – captured on Theatricalia here.

Nick Curtis wrote very highly of it in the Standard, reviewing it at Chichester. (We saw it at Richmond, on its way from the West Country to the Donmar.)

Electra Curtis StandardElectra Curtis Standard 23 Sep 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Whereas Paul Taylor, while rating it, compared it less favourably with the Shaw/Warner version a decade or more earlier:

Electra Taylor IndyElectra Taylor Indy 24 Sep 1997, Wed The Independent (London, Greater London, England) Newspapers.com