Tag: Maddy Grant

Nightingale And Chase by Zinnie Harris, Royal Court Theatre Upstairs, 29 September 2001

Janie and I had been most impressed by Zinnie Harris’s Further Than the Furthest Thing the previous year…

Further Than The Furthest Thing by Zinnie Harris, Cottesloe Theatre, 7 October 2000

…so made a bee-line for Zinnie Harris’s next play – this time at the Royal Court.

The subject matter of Nightingale and Chase – a woman being released from prison, was very interesting. I’m not sure this one quite worked as theatre, though.

Mark Cook gave it a short plug in the Guardian:

Nightingale Cook Guardian Nightingale Cook Guardian 22 Sept 2001 The Guardian (London, Greater London, England) Newspapers.com

Jasper Rees, meanwhile, wrote an interesting piece about Zinnie and both plays:

Zinnie Rees Telegraph Zinnie Rees Telegraph 27 Sept 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Zinnie explained all of this in her won words in the Guardian:

Zinnie on Zinnie Guardian Zinnie on Zinnie Guardian 29 Sept 2001 The Guardian (London, Greater London, England) Newspapers.com

Not many actual reviews, but you can trust our friend Michael Billington to give such a production the full works and to remind me why we wanted to like this one more than we actually did:

Nightingale Billington Guardian Nightingale Billington Guardian 5 Oct 2001 The Guardian (London, Greater London, England) Newspapers.com

Spinning Into Butter by Rebecca Gilman, Royal Court Theatre Upstairs, 13 January 2001

This was a really interesting play and it was an excellent opportunity to reciprocate David & Rachel’s hospitality from a couple of month’s earlier:

Kinky Friedman Live In Brighton With David Seidel & Rachel Barnard, 12 November 2000

Apart from the quintessentially US nature of the production and the left field approach to tackling racism through performance, it’s hard to see much similarity between the evenings.

Rebecca Gilman’s play was memorable through its “warts ‘n’ all” approach to anti-racism and political correctness on campus. Also memorable was a superb performance by Emma Fielding in the lead role. The supporting cast were also “Royal Court good”, as was Dominic Cooke’s directing.

Our friends David and Rachel found it interesting and we had plenty to discuss over grub after the play.

Our other friend, Michael Billington, gave it a very good review in the Guardian:

Spinning Guardian Billington

Article from 11 Jan 2001 The Guardian (London, Greater London, England)

Paul Taylor did not like the play, describing it as self-conrgratulatory white guilt in search of a play:

Spinning Taylor Indy

Article from 10 Jan 2001 The Independent (London, Greater London, England)

Nicholas de Jongh couldn’t put aside his issues with the play, describing it as mediocre and giving it the dreaded Standard blob:

Spinning Standard de Jongh

Article from 10 Jan 2001 Evening Standard (London, Greater London, England)

Charles Spencer thought the play flawed yet intriguing and well worth seeing:

Spinning Telegraph Spencer

Article from 11 Jan 2001 The Daily Telegraph (London, Greater London, England)

Suzannah Clapp gave it a very balanced review in The Observer, concluding that a play that makes you argue is a play worth seeing:

Spinning Observer Clapp

Article from 14 Jan 2001 The Observer (London, Greater London, England)

My Zinc Bed by David Hare, Royal Court Theatre, 9 September 2000

We saw a preview of this play/production. My log note:

very good indeed.

What else could there possibly be to say?

Steven Mackintosh, Tom Wilkinson and Julia Ormond were the superb cast. I think David Hare directed it himself…the formal reviews will probably cover that point. Let’s tale a look at those.

Paul Taylor in the Independent was impressed:

Zinc Taylor Indy

Article from 15 Sept 2000 The Independent (London, Greater London, England)

Susannah Clapp in The Observer, like Paul Taylor, especially lauds Julia Ormond’s memorable performance:

Zinc Clapp Observer

Article from 17 Sept 2000 The Observer (London, Greater London, England)

Predictably, Charles Spencer was not keen on this play – he tends to dismiss Hare plays:

Zinc Spencer Telegraph

Article from 15 Sept 2000 The Daily Telegraph (London, Greater London, England)

John Gross in the Sunday telegraph seemed to like it:

Burial Zinc Gross Sunday Telegraph

Article from 17 Sept 2000 Sunday Telegraph (London, Greater London, England)

Our friend, Michael Billington, in The Guardian, liked it for sure:

Zinc Billington Guardian

Article from 15 Sept 2000 The Guardian (London, Greater London, England)

Goodnight Children Everywhere by Richard Nelson, The Other Place, 20 June 1998

Very good…

…was my conclusion on this one.

Janie and I were partial to a bit of Richard Nelson at that time – the RSC put on several of his works in the late 1990s.

We saw this one as part of an extraordinary whistle-stop long weekend which took in three plays at Stratford (this the third of them), a motorised hike to the Welsh Borders for lunch at The Walnut Tree before going on to Hay-On-Wye for some overnight- second-hand-book-buying on my part before stopping off for a long lunch at Raymond Blanc’s place (Le Manoir aux Quat’Saisons) in Oxfordshire and then home. Friday to Monday. The other bits have been written up separately from this piece – click here or below.

A Long Weekend In Stratford-Upon-Avon & Hay-On-Wye, Including Trips To The Walnut Tree & Le Manoir Aux Quat’Saisons, 19 to 22 June 1998

I think we stayed in the Shakespeare for this trip. Janie booked it but only wrote down “Twelfth Night Room £115 per night” which I suspect in those days was a suite or certainly a superior room. I did the rest of the trip, including The Old Black Lion in Hay.

I guess the RSC was on a nostalgia-trip for its older audience at that time, with Talk Of the City at The Swan about the cloud of Nazism and this one at The Other Place set just after the Second World War.

Excellent cast, as you’d expect from the RSC. Catheryn Bradshaw, Sara Markland, Robin Weaver and Simon Scadifield to name but a few. Here is a link to the Theatricalia entry.

Charles Spencer didn’t like the play, but it did pick up an Olivier award so what does he know?

Spencer Telegraph GoodnightSpencer Telegraph Goodnight 11 Dec 1997, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh absolutely hated the play. But it did pick up an Olivier Award so what does he know?

de Jongh Standard Goodnightde Jongh Standard Goodnight 10 Dec 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

Richard Edmonds in The Birmingham Post loved it:

Birmingham Post Edmonds GoodnightBirmingham Post Edmonds Goodnight 12 Dec 1997, Fri The Birmingham Post (Birmingham, West Midlands, England) Newspapers.com