Category: Theatre

My First Weekend At Clanricarde: Encountering Van Morrison, Single Spies by Alan Bennett, National Theatre, With Bobbie & Bridge At Pam & Michael’s Place, 3 & 4 December 1988

Saturday 3 December: Much sorting to do re flat – went to see Single Spies in eve – B came back to mine

My appointments diary informs me that my Zanussi washing machine was delivered to the flat that morning. I remember going for my first local shopping expedition after the machine arrived.

I am fairly sure that it was on that very first Saturday’s shopping spree that I found myself face-to-face with Van Morrison on the traffic island which divides the north from the south side of the Bayswater Road. We exchanged glances. I nodded, in as much of a “cool, nodding acquaintance” manner as I could muster.

Van-Morrison

I remember thinking that the Van encounter proved that I had really arrived in a hip, happening place – I was going to be rubbing shoulders with Van Morrison and people of that sort all the time from now on. Well, to some extent I suppose I have got to meet quite a lot of such media folk in the neighbourhood since, but that traffic island encounter with Van the Man was, sadly, a one-off. “No Van is an island”, I suppose.

Single Spies is actually two Alan Bennett plays: An Englishman Abroad and A Question Of Attribution. Both are about the Cambridge Spy Ring. The first of the two plays had been knocking around for a few years before this production – it is primarily about actress Coral Browne’s encounters with Guy Burgess. The second play was about Anthony Blunt’s role as art advisor to the Queen.

Here is a link to the Theatricalia entry.

According to the National Theatre’s historical notes, A Question of Attribution contained:

the first representation on the British stage of a living monarch, in a scene in which Sir Anthony Blunt has a discussion with ‘HMQ’.

Prunella Scales and Simon Callow played the leads in both plays. I think this was the first time I saw Prunella Scales on stage, although she had seen me ponce about in tights some 10 years earlier:

Twelfth Night, Alleyn’s School, 12, 14, 15 & 16 December 1978

I thought the production (Single Spies, I mean, not Twelfth Night) was very good and said so in my notes. I’m pretty sure Bobbie liked the production too. I think we might have eaten at the National that evening – I can’t believe that I was geared up to cook yet at Clanricarde.

Below is Michael Billington’s Guardian review:

Billington on Single SpiesBillington on Single Spies Sat, Dec 3, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on SpiesRatcliffe on Spies Sun, Dec 4, 1988 – 44 · The Observer (London, Greater London, England) · Newspapers.com

Sunday 4 December: Went to Pam & Michael’s in eve for dinner and bridge

I wonder who made the fourth for bridge that evening? It was before my irregular social group had emerged, so it wouldn’t have been Andrea on that occasion. I’ll guess it was a friend of Pam & Michael’s – perhaps one of the Setty/Gareh family or possibly it was Ralph Glasser. The diary is silent on such details – never mind.

I’ll have walked there and back, learning that Clanricarde Gardens to Pam & Michael’s place only takes around 15 minutes on foot. Cool.

A Busy Weekend Socialising, Hoity-Toitying At The National Theatre And Setting Up My New Flat, 25 to 27 November 1988

Celebrated clinching the deal for the flat with Bobbie on the Friday evening, starting with an early evening visit to the National Theatre to see a platform talk about Kenneth Tynan. I think those Platform things were a new idea that autumn…an idea that is now more than 30 years old. Our first one had been Tony Sher some weeks earlier.

This Kenneth Tynan one was in the Cottesloe and was a really interesting, varied panel: Adrian Mitchell, Jonathan Miller, Edward Petherbridge, Kathleen Tynan and Irving Wardle.

As the diary says (if you can read it) we went on to the Archduke afterwards for dinner.

On the Saturday I collected the keys to Clanricarde Gardens and did some shopping. I remember spending more than a few bob in Tylers (which was up on Westbourne Grove back then) – I probably still have one or two of the items I bought that day – I’m pretty sure I am still on my first clothes horse, for example.

I also bought food for the Sunday, but the crowd that visited that day – John, Mandy, Ali Dabbs, Valerie and Bobbie would all have traipsed to Woodfield Avenue for that meal – I must have shlepped the grub from Notting Hill to Streatham Hill on the Saturday evening – the new flat was not yet fit for habitation.

What did I cook that day? Can’t remember. Bound to have been Chinese and/or South-East Asian food though…just possibly Southern Asian for that crowd. It would have been good, whatever it was, though I say so myself. I must have been knackered by the Sunday, though. What a week it had been.

Mrs Klein by Nicholas Wright, Cottesloe Theatre, Followed By Dinner at RSJ, 19 November 1988

The diary is quite clear about this one:

I rated the play/production very good indeed at the time. I am pretty sure that Bobbie rated this highly too.

Here is a link to the Theatricalia entry for this production. Some cast: Gillian Barge, Francesca Annis and Zoe Wanamaker. Peter Gill directed.

There is a page about this production on Zoe Wanamaker’s website – here.

Below is Michael Billington’s Guardian review:

Billington on Mrs KleinBillington on Mrs Klein Fri, Aug 12, 1988 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael ratcliffe’s Observer review:

Ratcliffe on Mrs KleinRatcliffe on Mrs Klein Sun, Aug 14, 1988 – 37 · The Observer (London, Greater London, England) · Newspapers.com

More than 20 years later, Janie and I went to see the revival of this play at the Almeida – which I also rated highly:

Mrs Klein by Nicholas Wright, Almeida Theatre, 24 October 2009

Bobbie and I went to RSJ’s after seeing the 1988 production. RSJ was one of our favourite places back then. I recall Janie liking that place too. It is still there in 2018 but apparently with a different formula.

That was a top notch evening back in November 1988.

Cymbeline by William Shakespeare, Olivier Theatre, With Bobbie, 15 November 1988

This production started its life at the Cottesloe, then went on tour and then returned to the National at the Olivier. Bobbie and I caught it on its return.

Theatricalia lists the production here.

I recall not much liking this play. We had seen a cast comprising mostly this ensemble perform The Tempest some months earlier, which I had loved. I think it was that experience that drew us to Cymbeline.

I also realised by then that I prefer smaller spaces than the Olivier – there was a comparatively impersonal feel to the Cymbeline and I remember wondering whether I would have liked it more in the Cottesloe.

Still, it was a fine production with an excellent cast. I wonder what Bobbie thought of it and/or recalls about it?

Below is Michael Billington’s Guardian review of Cymbeline:

Billington on CymbelineBillington on Cymbeline Mon, May 23, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review, which also covers The Tempest:

Ratcliffe on Tempest & CybelineRatcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

This was my last week working for Newman Harris, I was doing exam marking for Financial Training college to make a few extra bucks and on the preceding Monday my parents went on holiday. How do I remember all that?:

Went To See An Enemy Of The People by Henrik Ibsen (Arthur Miller Adaptation), With Bobbie & Ashley, Young Vic, 9 November 1988

What a super production this was. I remember being much taken with it, although, strangely, while I clearly recall seeing this with Bobbie, I did not recall Ashley joining us for this one. But the diary is clear:

What a cast and crew too. Here is the Theatricalia page for it. A young Tom Wilkinson and Connie Booth playing the big leads, with lots of good folk in support. David Thacker directed.

This was the Arthur Miller adaptation of the Ibsen play. WhatsOnStage.com listed this production as one of the six best Miller productions – with a tribute from Jeremy Herrin. So there.

I’m pretty sure this production was in the round and I remember feeling a sense of claustrophobia being so close to the action and the intense dilemmas and pain of the central characters.

This play, its morality and injustices came to my mind so many years later, in the late teenies, when the British gutter press started to brand anti-Brexit folk as “Enemies of the People”. Although I had seen a good production of the play subsequent to this 1988 production, it is Tom Wilkinson’s agonies, witnessed at close quarters so long ago, that sprang into my mind.

I’m struggling to remember the rest of the evening, but perhaps Bobbie and/or Ashley will recall it. I’m guessing that Ashley stayed with Bobbie on that occasion, as she was, by then, ensconced in her natty new pad in DuCane Court, whereas I was still plotting my imminent escape from my parents’ house – which I pulled off just a few week’s later.

Left My Job At Newman Harris, Moved To Clanricarde Gardens And Started Work For Binder Hamlyn Management Consultants, 18 November to 1 December 1988

We three won’t simply have parted company at the doors of the Young Vic, that’s for sure. I’m guessing we might have taken a late meal at the Archduke or perhaps RSJs at that time. Anyone remember?

Postscript: Ashley Fletcher has chimed in to deny all involvement in this particular evening. The Ashley mention must have been Ashley Michaels, my (by then former) colleague from Newman Harris. I’ll pick Bobbie’s brain if/when I get the chance, but I suspect she’ll do that, “I can’t even remember what I did last week” routine.

Fortunately my subscription to the clippings service yields some retained memory – here is Michael ratcliffe’s Observer review:

Ratcliffe on EnemyRatcliffe on Enemy Sun, Oct 16, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington’s Guardian review is shown below:

Billington on EnemyBillington on Enemy Sat, Oct 15, 1988 – 36 · The Guardian (London, Greater London, England) · Newspapers.com

Mountain Language by Harold Pinter, Lyttelton Theatre, 25 October 1988

Wow – this was a real experience in the theatre. Only a short piece – not even half an hour long – Bobbie and I will have both traipsed to the National after work, spending far more time traipsing than watching. But the memory of this piece lingers long in the memory.

Here is the Wikipedia entry about the play.

What a cast – see this Theatricalia entry for details. Michael Gambon, Miranda Richardson, Tony Haygarth, Eileen Atkins…

…Pinter himself directing…

…Julian Wadham was also in it – I seem to recall that Bobbie was working with his sister at that time.

I rated it very good indeed in my log and I remember talking and thinking about the piece long after the curtain call.

Below is Michael Billington’s Guardian review:

Billington on Mountain LanguageBillington on Mountain Language Sat, Oct 22, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on Mountain LanguageRatcliffe on Mountain Language Sun, Oct 23, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

I subsequently saw the piece again, in a double bill with Ashes To Ashes at the Royal Court, with Janie second time around. It is a very strong piece and no doubt can still shock and make the audience realise how bad regimes exert their power in part through the suppression and abuse of language.

What an honour to have seen the first production of this important, though short, piece of drama.

Hedda Gabler by Henrik Ibsen, Hampstead Theatre, 18 October 1988

Everyone remembers their first time and I was lucky enough to have my first experience with the wonderful actress, Lindsay Duncan.

Seeing Hedda Gabler, I’m talking about – what did you think I meant?

This was another midweek theatre visit with Bobbie, during that brief period of a few months when I was between qualifying and moving on to my next, fully-fledged career.

I rated this experience as “very good” in my log and why not? Lindsay Duncan as Hedda, Jonathan Coy as Tesman, Dermot Crowley as Lovborg…

…here is a link to the Theatricalia entry for this production.

Most unusually, I have been to see this play with Janie on (at the time of writing) three further occasions. I guess that Lindsay Duncan as Hedda is a bit like a highly addictive drug – you keep chasing that first high, hoping to experience it again. In truth, it did take us a while to land a really good production; the one at the Almeida in 2005 – all to be written up in future Ogblogs.

But back in October 1988, I was already a bit of an Ibsen fan and for sure was really taken with this production. Trevor Nunn had a hand in it, apparently…

..who’d have thought, back then in 1988, that I’d end up meeting Trevor Nunn socially a few years later? Another matter for another Ogblog piece.

Below is Nicholas de Jongh’s Guardian review:

de Jongh on Heddade Jongh on Hedda Mon, Oct 17, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s short review in the Observer:

Ratcliffe on HeddaRatcliffe on Hedda Sun, Oct 23, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

The Father by August Strindberg, Cottesloe Theatre, 15 October 1988

Oh I do love a bit of Strindberg and this was an especially memorable production of one of Strindberg’s best plays. Not familiar with the play? – Wikipedia can help – click here.

A Saturday evening with Bobbie at the National.

I rated this one “very good indeed” in my log.

We saw a preview of this one. The press night is listed some 10 days after our preview, so we must have seen one of the first previews.

A fine cast – set out in Theatricalia.com if you click here. Alun Armstrong as The Captain. The late lamented Susan Fleetwood as Laura.

At the time of writing, strangely, I have recently seen Alun Armstrong again, I think for the first time in those 30 years, in The Cane at the Royal Court:

The Cane by Mark Ravenhill, Royal Court Theatre, 8 December 2018

But returning to the Father I remember the production and Armstrong’s performance clearly – both really were memorably good.

Below is Michael Billington’s Guardian review:

Billington on The FatherBillington on The Father Fri, Oct 28, 1988 – 35 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Michael ratcliffe on The FatherMichael ratcliffe on The Father Sun, Nov 6, 1988 – 43 · The Observer (London, Greater London, England) · Newspapers.com

Hello And Goodbye by Athol Fugard, Almeida Theatre, 6 September 1988

My log says that this play/production was superb and I certainly remember it as so.

The play is one of Fugard’s earliest – a two-hander about a brother and sister in the Eastern Cape; somewhat down-at-heel Afrikaners. Here is a link to a Jhu article about this lesser-known Fugard play.

This might have been my first sight of Tony Sher performing live and it was, I think, my first ever visit to the Almeida Theatre. Those things were oft-repeated after this night.

I don’t think I have ever seen Estelle Kohler perform since, but I recall thinking that her performance, as well as Tony Sher’s, was acting from the very top drawer.

But then what did I know? Or indeed what do I know? Except that, on Googling this production, it seems that both performers picked up Olivier Award nominations for their performances in this one that year – click here.

I saw this production with Bobbie midweek – on a Tuesday – whatever next?

I wonder whether Ivan Shakespeare sold us the programme or ushered us to our seats – I didn’t know him back then, but I believe he was volunteering at the Almeida for many years before I met him through NewsRevue.

The production was actually an RSC thing – a brief exile from the Barbican at the Almeida.

Here is a link to the Theatricalia entry on this production.

Below is Nicholas de Jongh’s Guardian review:

Nicholas de Jongh on Hello & GoodbyeNicholas de Jongh on Hello & Goodbye Tue, Aug 9, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below in Michael Ratcliffe’s Observer review:

Ratclliffe on Hello & GoodbyeRatclliffe on Hello & Goodbye Sun, Aug 7, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

This was a really memorable night at the theatre – more than 30 years later, I can still visualise the Johnny and Hester characters hollering at each other – I can still almost feel their pain.

The Fancy Man by Mike Stott, Hampstead Theatre, 17 August 1988

Hmm – I really don’t remember this one. A midweek visit to the Hampstead Theatre with Bobbie. Nothing in the log other than a record of the fact that we went.

And the programme.

Most Mike Stott plays have more “on the record”/on-line than this one. I’m going to guess it didn’t do so well.

A grim -sounding Pennines story about a young man who strangles his wife a year or so after they married. He was more a comedy man, was Mike Stott, but perhaps this grim story turns to comedy.

Ian Mercer and Julia Lane playing the leads.

No reviews to be found, just listings and this type of clipping:

Fancy Man Fringe clipFancy Man Fringe clip Mon, Aug 15, 1988 – 31 · The Guardian (London, Greater London, England) · Newspapers.com

I couldn’t even find out that much about Mike Stott, apart from the fact that he was the author of Funny Peculiar – but I did find this obituary for him – click here.

I’m going to guess that we didn’t get a great deal out of this one. perhaps the diary will reveal more – e.g. why we went/whether or not we went with some other people that evening.