The Father by August Strindberg, Cottesloe Theatre, 15 October 1988

Oh I do love a bit of Strindberg and this was an especially memorable production of one of Strindberg’s best plays. Not familiar with the play? – Wikipedia can help – click here.

A Saturday evening with Bobbie at the National.

I rated this one “very good indeed” in my log.

We saw a preview of this one. The press night is listed some 10 days after our preview, so we must have seen one of the first previews.

A fine cast – set out in Theatricalia.com if you click here. Alun Armstrong as The Captain. The late lamented Susan Fleetwood as Laura.

At the time of writing, strangely, I have recently seen Alun Armstrong again, I think for the first time in those 30 years, in The Cane at the Royal Court:

The Cane by Mark Ravenhill, Royal Court Theatre, 8 December 2018

But returning to the Father I remember the production and Armstrong’s performance clearly – both really were memorably good.

Below is Michael Billington’s Guardian review:

Billington on The FatherBillington on The Father Fri, Oct 28, 1988 – 35 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Michael ratcliffe on The FatherMichael ratcliffe on The Father Sun, Nov 6, 1988 – 43 · The Observer (London, Greater London, England) · Newspapers.com

Hello And Goodbye by Athol Fugard, Almeida Theatre, 6 September 1988

My log says that this play/production was superb and I certainly remember it as so.

The play is one of Fugard’s earliest – a two-hander about a brother and sister in the Eastern Cape; somewhat down-at-heel Afrikaners. Here is a link to a Jhu article about this lesser-known Fugard play.

This might have been my first sight of Tony Sher performing live and it was, I think, my first ever visit to the Almeida Theatre. Those things were oft-repeated after this night.

I don’t think I have ever seen Estelle Kohler perform since, but I recall thinking that her performance, as well as Tony Sher’s, was acting from the very top drawer.

But then what did I know? Or indeed what do I know? Except that, on Googling this production, it seems that both performers picked up Olivier Award nominations for their performances in this one that year – click here.

I saw this production with Bobbie midweek – on a Tuesday – whatever next?

I wonder whether Ivan Shakespeare sold us the programme or ushered us to our seats – I didn’t know him back then, but I believe he was volunteering at the Almeida for many years before I met him through NewsRevue.

The production was actually an RSC thing – a brief exile from the Barbican at the Almeida.

Here is a link to the Theatricalia entry on this production.

Below is Nicholas de Jongh’s Guardian review:

Nicholas de Jongh on Hello & GoodbyeNicholas de Jongh on Hello & Goodbye Tue, Aug 9, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below in Michael Ratcliffe’s Observer review:

Ratclliffe on Hello & GoodbyeRatclliffe on Hello & Goodbye Sun, Aug 7, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

This was a really memorable night at the theatre – more than 30 years later, I can still visualise the Johnny and Hester characters hollering at each other – I can still almost feel their pain.

The Fancy Man by Mike Stott, Hampstead Theatre, 17 August 1988

Hmm – I really don’t remember this one. A midweek visit to the Hampstead Theatre with Bobbie. Nothing in the log other than a record of the fact that we went.

And the programme.

Most Mike Stott plays have more “on the record”/on-line than this one. I’m going to guess it didn’t do so well.

A grim -sounding Pennines story about a young man who strangles his wife a year or so after they married. He was more a comedy man, was Mike Stott, but perhaps this grim story turns to comedy.

Ian Mercer and Julia Lane playing the leads.

No reviews to be found, just listings and this type of clipping:

Fancy Man Fringe clipFancy Man Fringe clip Mon, Aug 15, 1988 – 31 · The Guardian (London, Greater London, England) · Newspapers.com

I couldn’t even find out that much about Mike Stott, apart from the fact that he was the author of Funny Peculiar – but I did find this obituary for him – click here.

I’m going to guess that we didn’t get a great deal out of this one. perhaps the diary will reveal more – e.g. why we went/whether or not we went with some other people that evening.

The Tempest by William Shakespeare, Cottesloe Theatre, 23 July 1988

This was a very good production of The Tempest at the National Theatre. Peter Hall directed it. Superb cast.

Here is the Theatricalia entry for this production.

Below is Michael Billington’s Guardian review of the Tempest

Billington On The TempestBillington On The Tempest Sat, May 21, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review of the Tempest and Cybeline:

Ratcliffe on Tempest & CybelineRatcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

It was part of repertory trio of productions of late Shakespeare plays, of which we also saw Cybeline a few months later:

Cymbeline by William Shakespeare, Olivier Theatre, With Bobbie, 15 November 1988

I rated this production very good. I think we benefited from seeing The Tempest in the intimate environment of the Cottesloe – certainly when compared with Cybeline at the Olivier.

Not sure what we did afterwards – the diary might have some info on that, which I shall add in the fullness of time if it does.

Aida, Earls Court Arena, 29 June 1988

Within a few weeks of Bobbie’s and my first visit to the opera together, to see The Magic Flute…

The Magic Flute, English National Opera, London Coliseum, 7 June 1988

…we went to see the opera spectacular that everyone was talking about that summer; Harvey Goldsmith’s Aida at the Earls Court Arena.

It was only running for a few nights with massive crowds. It was big news:

We went the night after Chuck & Di attended the Royal Gala evening – by all accounts an iconic event.

In truth, by the time we got there – indeed by the time Chuck and Di got there – the production had been hailed as somewhat disaster-prone:

This clip dated the day we went – 29 June 1988

…Verdi’s Aida at Earls Court, with a cast of some 600 performers was bedevilled by mishap: Miss Grace Bumbry in the title role could only manage one act of her first performance due to a throat infection and a sun god fell through a trap door on stage…

from The Spectator 2 July 1988 – subscribers can click through to the archive and read the whole article.

I don’t recall it seeming like a disaster. I do recall it feeling more like being at a rock concert than at a theatrical production. I think we had good seats but were still at some distance from the action. It was big, bold and in truth not really me.

I don’t think this one was really Bobbie either – she might remember how she felt about it.

Below is Tom Sutcliffe’s Guardian review:

Tom Sutcliffe on AidaTom Sutcliffe on Aida Tue, Jun 28, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Here is an entertaining clipping from the Observer Arts Diary a few days later:

Arts Diary AidaArts Diary Aida Sun, Jul 3, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

The Changeling by Thomas Middleton, William Rowley, Lyttelton Theatre, 25 June 1988

Hot on the heels of seeing an excellent Uncle Vanya…

Uncle Vanya by Anton Chekhov, Vaudeville Theatre, 11 June 1988

…Bobbie and I saw a very good production of The Changeling at The National.

Miranda Richardson played Beatrice-Joanna, Rebecca Pidgeon played Isabella, George Harris as De Flores, Richard Eyre directing…

…here is a link to the Theatricalia entry.

It isn’t a jolly play and I did see it again only a few years later at Stratford, with Janie:

The Changeling by Thomas Middleton & William Rowley, RSC Swan Theatre, 29 October 1992

I think this National production was the better of the two.

Below is Michael Billington’s Guardian review, plus an interview with Miranda Richardson

Billington on ChangelingBillington on Changeling Sat, Jun 25, 1988 – 18 · The Guardian (London, Greater London, England) · Newspapers.com

Kate Kellaway’s Observer review is below:

Kate Kellaway on ChangelingKate Kellaway on Changeling Sun, Jun 26, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

The diary is silent on what we did afterwards. For some reason, is think that we ate at the National that evening. It is quite a long play and I think the restaurant there was doing arrangements to eat part of your meal during and part after show at that time. But I could be mistaken.

Uncle Vanya by Anton Chekhov, Vaudeville Theatre, 11 June 1988

I rated this production very good indeed at the time and I can understand why. Superb cast, with Michael Gambon as Vanya, Imelda Staunton as Sonia, Greta Scatcchi as Yelena, Jonathan Pryce as Astrov, Michael Blakemore directing…

…here is a link to the Theatricalia entry for this production.

Bobbie and I went to this one. I recall sitting very near the front although probably not the very front row.

In 1988 I hadn’t yet formed an aversion to those old-fashioned theatre-land theatres, although we didn’t go to those places all that frequently.

I suspect that we had a late evening Chinese meal in Soho after the show – perhaps Poons, perhaps Mayflower, perhaps Joy King Lau…

A pretty darned good evening as I recall it.

Below is Michael Billington’s Guardian review of the production:

Billington on VanyaBillington on Vanya Thu, May 26, 1988 – 19 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Ratcliffe’s Observer review is below:

Ratcliffe on VanyaRatcliffe on Vanya Sun, May 29, 1988 – 38 · The Observer (London, Greater London, England) · Newspapers.com

The Magic Flute, English National Opera, London Coliseum, 7 June 1988

Now I’m not one to point the finger or anything like that, but my guess is that it was primarily Bobbie’s idea to give opera a go, not least because so many of her law reporting pals were into opera.

I’m pretty sure my previous experience of opera would have been Carmen in the early 1970s; a semi-professional production by the Putney Operatic Society who chose to typecast me and several of my primary school mates as urchins.

But I digress.

Roll the clock forward some 15 years and, like buses, it’s not one but two that come along at more or less the same time – i.e. two opera visits during June 1988. That’s quite a lot of opera just a few week’s before my Accountancy finals. The Magic Flute was the first of them.

Jeremy Sams directed it – I have seen a great deal of his work in the theatre of course. Nicholas Hytner produced it – I’ve seen a lot of his theatre stuff too. The production was sort-of revived many years later and the trailer for the revival is embedded below, so that should give you a feel for it.

The Magic Flute from English National Opera on Vimeo.

We went midweek – on a Tuesday – which will have been quite a late night. I was on study leave by then I think, so I suppose I felt that I was master of my own time management.

In truth I don’t remember all that much about this production, other than lots going on and rather liking the music because it’s Mozart and I rather like Mozart.

Bobbie might have more profound memories of it than me. I’ll ask her.

Below is Tom Sutcliffe’s Guardian review:

Tom Sutcliffe on Magic FluteTom Sutcliffe on Magic Flute Fri, Apr 1, 1988 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Below is BOGOF (buy one get one free) review by Nicholas Kenyon – two productions of Flute (including our one) reviewed together:

Nicholas Kenyon reviews two flutesNicholas Kenyon reviews two flutes Sun, Apr 3, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

Danger: Memory! – I Can’t Remember Anything and Clara by Arthur Miller, Hampstead Theatre, 21 May 1988

The irony in the fact that I can hardly remember anything about this double bill of Arthur Miller plays is not wasted on me.

Nor is that irony likely to be wasted on Bobbie, with whom I saw this double bill at the Hampstead Theatre in 1988, but I’m guessing she remembers little about it. Nor on Janie, with whom I saw it all again at the Orange Tree in 2006.

There is a Theatricalia entry for this production – here.

I’m pretty sure this production was the UK premier of this double bill, which probably felt like an exciting prospect.

But I think we came away from the experience feeling that this was not top notch Miller.

This on-line review from the Guardian, of a subsequent London production, explains the synopses and supports my limited memory.

Here is a link to Frank Rich’s review of the original Lincoln Centre production in New York.

Below is Nicholas De Jongh’s Guardian review:

Nicholas De Jongh Danger: Memory!Nicholas De Jongh Danger: Memory! Fri, Apr 8, 1988 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Blake Morrison’s Observer review:

Blake Morrison on Danger: Memory!Blake Morrison on Danger: Memory! Sun, Apr 10, 1988 – 37 · The Observer (London, Greater London, England) · Newspapers.com

Who needs memory once you have subscribed to a Newspaper clippings service?

Faust by Johann Wolfgang Von Goethe, Lyric Hammersmith, 11 & 18 May 1988

This was a rare opportunity to see Goethe’s Faust in all of its glory – not only the better known Part One but also Part Two.

Bobbie and I saw it over two Wednesday evenings – these were late midweek nights I seem to remember, but I also recall that it was very much worth it.

Simon Callow played Faust. Paul Brightwell played Wagner. Andy Serkis, Linda Kerr Scott, Caroline Bliss…it was quite a cast and crew. Here is the Theatricalia entry.

My log for both evenings reads “very good indeed”.

I do recall that Part One made more sense to me than the ethereal, impressionistic Part Two. But both parts were very entertaining and well worth seeing.

Below are Michael Billington’s Guardian reviews:

Billington On Faust Part OneBillington On Faust Part One Fri, Apr 8, 1988 – 29 · The Guardian (London, Greater London, England) · Newspapers.com Billington on Faust Part TwoBillington on Faust Part Two Wed, Apr 13, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Ratcliffe reviewed it in the Observer over two weeks. His short Part One review is appended to his Common Pursuit review, embedded in my piece on The Common Pursuit.

Here is Ratcliffe’s review of the whole Faust thing/Part Two:

Ratcliffe On Faust Part TwoRatcliffe On Faust Part Two Sun, Apr 17, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com