Tag: Andrew Wade

Unfinished Business by Michael Hastings, The Pit, 29 January 1994

Janie and I binged on The RSC/ The Barbican at the start of 1994 – this is the first of a hat trick of productions we saw there within the space of a few weeks.

We thought this one was very good. I tend to like Michael Hastings’s plays and what a line up for us to see. Emerging names such as Toby Stephens, Jasper Britton & Monica Dolan alongside established stars such as Gemma Jones, Philip Voss & John Carlisle, directed by Steven Pimlott.

The play is basically about Nazi sympathisers in the UK during the war. It was chilling although it did have its moments of humour, as is Michael hastings’s wont.

Here is a link to this play/production’s Theatricalia entry.

Here is a link to the sole contemporaneous review I can find on-line; The Independent.

Also clippings to be found – here’s Michael Billington’s review:

Billington On Unfinished BusinessBillington On Unfinished Business Fri, Jan 21, 1994 – 32 · The Guardian (London, Greater London, England) · Newspapers.com

Here’s Michael Coveney’s review:

Coveney On Unfinished BusinessCoveney On Unfinished Business Sun, Jan 23, 1994 – 67 · The Observer (London, Greater London, England) · Newspapers.com

The Gift Of The Gorgon by Peter Shaffer, The Pit, 12 December 1992

Janie and I saw a preview of this one and thought it was absoutely great. Janie has since formed an aversion to Dame Judy Dench…or perhaps Janie liked this one despite Judy.

Here is the Theatricalia entry for this one.

Below is Michael Coveney’s review from The Observer:

Gift of the Gorgon CoveneyGift of the Gorgon Coveney Sun, Dec 20, 1992 – 42 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michel Billington’s glowing review:

Gift Of teh Gorgon BillingtonGift Of teh Gorgon Billington Fri, Dec 18, 1992 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Paul Taylor in The Independent was less keen – click here.

Antony And Cleopatra by William Shakespeare, RSC Shakespeare Memorial Theatre, 31 October 1992

This was the second of the two previews Janie and I went to see on our first long weekend away together in Stratford-Upon-Avon.

It seems that Janie decided to “give Shakespeare a go” with me (we have done a few in our time) but in truth she has never got on with Shakespeare. I have got on with Shakespeare but didn’t get on so well with this play and/or this production.

It is a very long play and in truth I don’t think one of Shakespeare’s best. My log records:

We didn’t go great guns on this one.

Good cast: Richard Johnson (Antony), John Nettles (Caesar) and Clare Higgins (Cleopatra).

There is a single fixed camera video of the production apparently, click here for details, including lots of details about exactly who played whom and stuff and where you might find the odd review.

This production probably helped to put Janie off The Bard, but fortunately did not seem to put her off me, despite the fact that (as I recall) the back-aching and thirst-inducing length of the play did little for our moods, especially mine.

Here is the Theatricalia entry for this production.

Below is Michael Coveney’s Observer review:

Changeling, Antony & Cleopatra, Michael CoveneyChangeling, Antony & Cleopatra, Michael Coveney Sun, Nov 8, 1992 – 57 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s Guardian review:

Changeling, Antony & Cleopatra Michael BillingtonChangeling, Antony & Cleopatra Michael Billington Mon, Nov 9, 1992 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

The Changeling by Thomas Middleton & William Rowley, RSC Swan Theatre, 29 October 1992

Here is the Theatricalia entry for this production.

This was the first of two plays Janie and I went to see on our first long weekend away together in Stratford-Upon-Avon.

I had seen The Changeling before, at the RNT in 1988, thought highly of it as a Jacobean revenge tragedy and thought Janie might like it. I didn’t yet realise that she was not so keen on classics/old plays. I’m not sure she realised it yet either.

My log reports:

Not quite to Janie’s taste – I rather liked it.

It was a superb production. Looking through the cast and creatives list you can see why. Cheryl Campell as Beatrice-Joanna, Malcolm Storry as De Flores, Michael Attenborough directing. Also a stellar list of youngsters who would break through in their own right later; Sophie Okeonedo, Barnaby Kay, Dominic Cooke (assisting Attenborough). Even Tracy-Ann Oberman (prior to her NewsRevue & SportsRevue days) puts in an appearance as an inmate of the asylum.

The Swan is an ideal venue for this type of play, much better than the Lyttleton. Very high production quality both times though – hard for me to rank one production above the other.

There’s a picture from The Swan production in a Guardian Gallery – click here and scroll down – but no on-line reviews of course.

Below is Michael Coveney’s Observer review:

Changeling, Antony & Cleopatra, Michael Coveney

Changeling, Antony & Cleopatra, Michael Coveney Sun, Nov 8, 1992 – 57 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s Guardian review:

Changeling, Antony & Cleopatra Michael Billington

Henry IV Parts One & Two by William Shakespeare, Royal Shakespeare Theatre, Part Of A Back-Aching Weekend In Stratford With Bobbie, 27 to 29 September 1991

Back in the day, when I didn’t look much like the bard, Bobbie and I were partial to a bit of Shakespeare.

This sounded like the real deal, with Robert Stephens as Falstaff and Michael Maloney as Hal. A little-known (at that time) actress Linda Bassett played Mistress Quickly and Adrian Noble directed the thing.

Besides, I had studied Henry IV Part One for my English ‘O’ Level, so obviously I knew what I was talking about.

Here is a link to the Theatricalia entry for Henry IV Part One – which we saw on Friday 27 September.

My log for Henry IV Part One reads:

Back-aching but worth it

Whereas for Henry IV Part Two, which we saw on Saturday 28 September, it reads:

Seriously back-aching but still worth it

Here is a link to the Theatricalia entry for Henry IV Part Two.

Both plays were long – hence the back ache. I was still suffering the aftermath of my multiple lower back disc prolapses the previous year.

They were very good productions though.

Below is Michael Coveney’s Observer review of Henry IV Part One:

Coveney on Henry IV Part OneCoveney on Henry IV Part One Sun, Apr 21, 1991 – 56 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s take on Part One in the Guardian

Billington on Henry IV Part OneBillington on Henry IV Part One Thu, Apr 18, 1991 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review of Part Two

Kate Kellaway on Henry Part TwoKate Kellaway on Henry Part Two Sun, Jun 2, 1991 – 72 · The Observer (London, Greater London, England) · Newspapers.com

Here’s Michael Billington in The Guardian ecstatic about the pair after seeing Part Two

Billington On Part TwoBillington On Part Two Sat, Jun 1, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

We stayed in an unmemorable B&B on the edge of town. I vaguely recall a bossy (i.e. rule-laden) owner.

I think we ate good food. Fatty Arbuckle’s or Lambs, and then The Glory Hole, if I recall correctly. I’m pretty sure the latter on the Saturday night because Henry IV Part Two was so darned, back-achingly long, there was only one eatery in Stratford open that late in those days.

We suffered for our art, going to Stratford, back then.

The Seagull by Anton Chekhov, Barbican Theatre, 14 September 1991

Stellar cast for this RSC production of the great Chekhov play. Alfred Burke, Simon Russell Beale, Amanda Root, John Carlisle, Susan Fleetwood, Roger Allam…to name but a few. In the capable hands of Terry Hands.

The Theatricalia entry for this one can be found here.

Bobbie and I both enjoyed this production a lot.

I hadn’t realised that this production was Terry Hands’s swansong for the RSC, but Nicholas de Jongh made much of that fact while praising the production in The Guardian:

De Jongh on SeagullDe Jongh on Seagull Sat, Jul 13, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Much Ado About Nothing by William Shakespeare, Shakespeare Memorial Theatre, 17 November 1990

I went up to Stratford with Moose (Mara Frank) where we saw this wonderful production of Much Ado. My log, I think mistakenly, suggests that we also saw Troilus And Cressida on that trip, but I suspect that I saw a preview of Troilus on my tod in April when in the Midlands for other reasons, perhaps procuring the programme when returning to Stratford with Moose and thus confusing myself a few years later.

Anyway…

…this was a great show. Susan Fleetwood as Beatrice, Roger Allam as Benedick, John Carlisle as Don Pedro, a fine supporting ensemble and the very capable hands of Bill Alexander directing.

Here is the Theatricalia entry for this production.

Michael Billington in The Guardian enthused…sort of:

Billington on Much AdoBillington on Much Ado Thu, Apr 12, 1990 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in the Observer hated it. But what did he know?

Coveney on Much AdoCoveney on Much Ado Sun, Apr 15, 1990 – 56 · The Observer (London, Greater London, England) · Newspapers.com

Singer by Peter Flannery, The Pit, 9 June 1990

I saw this one with Bobbie and I recall we both found it very powerful, although a bit long for its relatively slight story.

What fine acting. Antony Sher & Malcolm Storrey in particular, but a fine supporting cast and Terry Hands directing.

The Theatricalia entry for this one can be found here.

Nicholas de Jongh gave it a good but not ecstatic review in The Guardian:

de Jongh on Singerde Jongh on Singer Sat, Mar 31, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Troilus And Cressida by William Shakespeare, Swan Theatre, 19 April 1990

Writing this one up more than 30 years later, I am a bit confused about when I saw it and with whom, if indeed anyone else. I do know for sure that I saw this production at The Swan and was very taken with it.

I took a week off work just after Easter that year, visiting various friends about the place. I’ll write that up as best I can in due course. But in my appointments diary it clearly states “Troilus” 19 April.

Roll the clock forward to November, I saw Much Ado at the Royal Shakespeare Memorial with Moose. Tucked in with the Much Ado programme is the Troilus programme.

So did I simply pick up the programme in November having seen a preview of Troilus on my tod in April, or did I duck out in April and see this in the autumn with Moose? I think the former, but I’ll see if Moose can help me unpick this one.

Anyway, what a cast and what a fine production I recall. Ralph Fiennes was Troilus and I think it might have been a conversation with him at Lambton Place (my health club, latterly BWW) that encouraged me to see a preview of this production at Stratford.

Amanda Root played Cressida very well and David Troughton was a top notch Hector, Paterson Joseph a fine Patroclus. Wonderful supporting cast full of names that latterly became big. Sam Mendes was a bit of a Shakespeare novice back then.

Here is the Theatricalia entry for this production.

Nicholas de Jongh seemed pretty convinced in the Guardian:

de Jongh on Troilusde Jongh on Troilus Sat, Apr 28, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney loved it in the Observer…

Coveney on TroilusCoveney on Troilus Sun, Apr 29, 1990 – 54 · The Observer (London, Greater London, England) · Newspapers.com

…as did I. I only wish I could remember the peripheral details of my visit.