Stevie by Hugh Whitemore, Hampstead Theatre, 6 March 2015

We rather liked this one. Not as much as the critics, who mostly lapped it up, but we did enjoy the play.

It’s about the poet Stevie Smith and of course Zoë Wannamaker is a superb actress; indeed all three of the cast were.

It’s a bit twee; both the setting (but then Stevie Smith did live a twee suburban life in Palmers Green) and also the play, which is a little old-fashioned in style. It reminded me of the sort of play that did well in the Hampstead Theatre’s portacabin glory days, back in the eighties and nineties.

Excellent Hampstead on-line resource saves me most of the trouble – click here – reviews too but of course only those effusive ones.

I think we were still going to Harry Morgan pre-theatre back then; the Friday evening Hampstead theatre gig worked that way most times.

Clubland by Roy Williams, Royal Court Theatre Upstairs, 23 June 2001

We are very partial to modern plays in Royal Court Theatre Upstairs and this play by Roy Williams did not disappoint.

I think this was our first sighting of a Roy Williams play – we started picking him after seeeing this.

Here’s Nicholas de Jongh in The Standard speaking quite highly of it:

Clubland de Jongh Standard Clubland de Jongh Standard 20 Jun 2001 Evening Standard (London, Greater London, England) Newspapers.com

Jonathan Myerson in the Independent was not so sure:

Clubland Myerson Independent Clubland Myerson Independent 20 Jun 2001 The Independent (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, suggested that this play was not as good as Roy Williams earlier material and that he needed to branch out a bit. I think he was probably right, as we really went for some of William’s later plays even more than this one, but it was good enough to get us hooked:

Clubland Billington Guardian better Clubland Billington Guardian better 23 Jun 2001 The Guardian (London, Greater London, England) Newspapers.com

Singer by Peter Flannery, The Pit, 9 June 1990

I saw this one with Bobbie and I recall we both found it very powerful, although a bit long for its relatively slight story.

What fine acting. Antony Sher & Malcolm Storrey in particular, but a fine supporting cast and Terry Hands directing.

The Theatricalia entry for this one can be found here.

Nicholas de Jongh gave it a good but not ecstatic review in The Guardian:

de Jongh on Singerde Jongh on Singer Sat, Mar 31, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com