Tag: Bobbie Scully

Cymbeline by William Shakespeare, Olivier Theatre, With Bobbie, 15 November 1988

This production started its life at the Cottesloe, then went on tour and then returned to the National at the Olivier. Bobbie and I caught it on its return.

Theatricalia lists the production here.

I recall not much liking this play. We had seen a cast comprising mostly this ensemble perform The Tempest some months earlier, which I had loved. I think it was that experience that drew us to Cymbeline.

I also realised by then that I prefer smaller spaces than the Olivier – there was a comparatively impersonal feel to the Cymbeline and I remember wondering whether I would have liked it more in the Cottesloe.

Still, it was a fine production with an excellent cast. I wonder what Bobbie thought of it and/or recalls about it?

Below is Michael Billington’s Guardian review of Cymbeline:

Billington on CymbelineBillington on Cymbeline Mon, May 23, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review, which also covers The Tempest:

Ratcliffe on Tempest & CybelineRatcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

This was my last week working for Newman Harris, I was doing exam marking for Financial Training college to make a few extra bucks and on the preceding Monday my parents went on holiday. How do I remember all that?:

Aida, Earls Court Arena, 29 June 1988

Within a few weeks of Bobbie’s and my first visit to the opera together, to see The Magic Flute…

The Magic Flute, English National Opera, London Coliseum, 7 June 1988

…we went to see the opera spectacular that everyone was talking about that summer; Harvey Goldsmith’s Aida at the Earls Court Arena.

It was only running for a few nights with massive crowds. It was big news:

We went the night after Chuck & Di attended the Royal Gala evening – by all accounts an iconic event.

In truth, by the time we got there – indeed by the time Chuck and Di got there – the production had been hailed as somewhat disaster-prone:

This clip dated the day we went – 29 June 1988

…Verdi’s Aida at Earls Court, with a cast of some 600 performers was bedevilled by mishap: Miss Grace Bumbry in the title role could only manage one act of her first performance due to a throat infection and a sun god fell through a trap door on stage…

from The Spectator 2 July 1988 – subscribers can click through to the archive and read the whole article.

I don’t recall it seeming like a disaster. I do recall it feeling more like being at a rock concert than at a theatrical production. I think we had good seats but were still at some distance from the action. It was big, bold and in truth not really me.

I don’t think this one was really Bobbie either – she might remember how she felt about it.

Below is Tom Sutcliffe’s Guardian review:

Tom Sutcliffe on AidaTom Sutcliffe on Aida Tue, Jun 28, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Here is an entertaining clipping from the Observer Arts Diary a few days later:

Arts Diary AidaArts Diary Aida Sun, Jul 3, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

The Changeling by Thomas Middleton, William Rowley, Lyttelton Theatre, 25 June 1988

Hot on the heels of seeing an excellent Uncle Vanya…

Uncle Vanya by Anton Chekhov, Vaudeville Theatre, 11 June 1988

…Bobbie and I saw a very good production of The Changeling at The National.

Miranda Richardson played Beatrice-Joanna, Rebecca Pidgeon played Isabella, George Harris as De Flores, Richard Eyre directing…

…here is a link to the Theatricalia entry.

It isn’t a jolly play and I did see it again only a few years later at Stratford, with Janie:

The Changeling by Thomas Middleton & William Rowley, RSC Swan Theatre, 29 October 1992

I think this National production was the better of the two.

Below is Michael Billington’s Guardian review, plus an interview with Miranda Richardson

Billington on ChangelingBillington on Changeling Sat, Jun 25, 1988 – 18 · The Guardian (London, Greater London, England) · Newspapers.com

Kate Kellaway’s Observer review is below:

Kate Kellaway on ChangelingKate Kellaway on Changeling Sun, Jun 26, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

The diary is silent on what we did afterwards. For some reason, is think that we ate at the National that evening. It is quite a long play and I think the restaurant there was doing arrangements to eat part of your meal during and part after show at that time. But I could be mistaken.

Uncle Vanya by Anton Chekhov, Vaudeville Theatre, 11 June 1988

I rated this production very good indeed at the time and I can understand why. Superb cast, with Michael Gambon as Vanya, Imelda Staunton as Sonia, Greta Scatcchi as Yelena, Jonathan Pryce as Astrov, Michael Blakemore directing…

…here is a link to the Theatricalia entry for this production.

Bobbie and I went to this one. I recall sitting very near the front although probably not the very front row.

In 1988 I hadn’t yet formed an aversion to those old-fashioned theatre-land theatres, although we didn’t go to those places all that frequently.

I suspect that we had a late evening Chinese meal in Soho after the show – perhaps Poons, perhaps Mayflower, perhaps Joy King Lau…

A pretty darned good evening as I recall it.

Below is Michael Billington’s Guardian review of the production:

Billington on VanyaBillington on Vanya Thu, May 26, 1988 – 19 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Ratcliffe’s Observer review is below:

Ratcliffe on VanyaRatcliffe on Vanya Sun, May 29, 1988 – 38 · The Observer (London, Greater London, England) · Newspapers.com

The Magic Flute, English National Opera, London Coliseum, 7 June 1988

Now I’m not one to point the finger or anything like that, but my guess is that it was primarily Bobbie’s idea to give opera a go, not least because so many of her law reporting pals were into opera.

I’m pretty sure my previous experience of opera would have been Carmen in the early 1970s; a semi-professional production by the Putney Operatic Society who chose to typecast me and several of my primary school mates as urchins.

But I digress.

Roll the clock forward some 15 years and, like buses, it’s not one but two that come along at more or less the same time – i.e. two opera visits during June 1988. That’s quite a lot of opera just a few week’s before my Accountancy finals. The Magic Flute was the first of them.

Jeremy Sams directed it – I have seen a great deal of his work in the theatre of course. Nicholas Hytner produced it – I’ve seen a lot of his theatre stuff too. The production was sort-of revived many years later and the trailer for the revival is embedded below, so that should give you a feel for it.

The Magic Flute from English National Opera on Vimeo.

We went midweek – on a Tuesday – which will have been quite a late night. I was on study leave by then I think, so I suppose I felt that I was master of my own time management.

In truth I don’t remember all that much about this production, other than lots going on and rather liking the music because it’s Mozart and I rather like Mozart.

Bobbie might have more profound memories of it than me. I’ll ask her.

Below is Tom Sutcliffe’s Guardian review:

Tom Sutcliffe on Magic FluteTom Sutcliffe on Magic Flute Fri, Apr 1, 1988 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Below is BOGOF (buy one get one free) review by Nicholas Kenyon – two productions of Flute (including our one) reviewed together:

Nicholas Kenyon reviews two flutesNicholas Kenyon reviews two flutes Sun, Apr 3, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

Danger: Memory! – I Can’t Remember Anything and Clara by Arthur Miller, Hampstead Theatre, 21 May 1988

The irony in the fact that I can hardly remember anything about this double bill of Arthur Miller plays is not wasted on me.

Nor is that irony likely to be wasted on Bobbie, with whom I saw this double bill at the Hampstead Theatre in 1988, but I’m guessing she remembers little about it. Nor on Janie, with whom I saw it all again at the Orange Tree in 2006.

There is a Theatricalia entry for this production – here.

I’m pretty sure this production was the UK premier of this double bill, which probably felt like an exciting prospect.

But I think we came away from the experience feeling that this was not top notch Miller.

This on-line review from the Guardian, of a subsequent London production, explains the synopses and supports my limited memory.

Here is a link to Frank Rich’s review of the original Lincoln Centre production in New York.

Below is Nicholas De Jongh’s Guardian review:

Nicholas De Jongh Danger: Memory!Nicholas De Jongh Danger: Memory! Fri, Apr 8, 1988 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Blake Morrison’s Observer review:

Blake Morrison on Danger: Memory!Blake Morrison on Danger: Memory! Sun, Apr 10, 1988 – 37 · The Observer (London, Greater London, England) · Newspapers.com

Who needs memory once you have subscribed to a Newspaper clippings service?

Faust by Johann Wolfgang Von Goethe, Lyric Hammersmith, 11 & 18 May 1988

This was a rare opportunity to see Goethe’s Faust in all of its glory – not only the better known Part One but also Part Two.

Bobbie and I saw it over two Wednesday evenings – these were late midweek nights I seem to remember, but I also recall that it was very much worth it.

Simon Callow played Faust. Paul Brightwell played Wagner. Andy Serkis, Linda Kerr Scott, Caroline Bliss…it was quite a cast and crew. Here is the Theatricalia entry.

My log for both evenings reads “very good indeed”.

I do recall that Part One made more sense to me than the ethereal, impressionistic Part Two. But both parts were very entertaining and well worth seeing.

Below are Michael Billington’s Guardian reviews:

Billington On Faust Part OneBillington On Faust Part One Fri, Apr 8, 1988 – 29 · The Guardian (London, Greater London, England) · Newspapers.com Billington on Faust Part TwoBillington on Faust Part Two Wed, Apr 13, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Ratcliffe reviewed it in the Observer over two weeks. His short Part One review is appended to his Common Pursuit review, embedded in my piece on The Common Pursuit.

Here is Ratcliffe’s review of the whole Faust thing/Part Two:

Ratcliffe On Faust Part TwoRatcliffe On Faust Part Two Sun, Apr 17, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

The Common Pursuit by Simon Gray, Phoenix Theatre, 30 April 1988

I went to see this production of The Common Pursuit with Bobbie.

It had received a lot of publicity at that time, due to its stellar cast of comedy folk: Rik Mayall, Stephen Fry, Sarah Berger, John Sessions, John Gordon Sinclair and Paul Mooney.

We didn’t realise at the time that the piece was a rewrite/revival of a play produced at the Lyric a few years earlier. The Wikipedia entry for The Common Pursuit explains.

I remember thinking it was actually a very good play. I had already formed a liking for Simon Gray plays by reading many of them in the mid 1980s. This might have been the first one I saw on the stage.

I also recall not liking the sycophantic audience who seemed to think it was hilarious if Rik Mayall or Stephen Fry merely walked onto the stage. But that was the audiences problem, not the play’s. Nor the production’s, really.

I think the play has been somewhat under-rated in the Simon Gray canon as it has not often been revived in the 30 years since.

My log registered “very good” for this one.

The next time Simon Gray was partnered with Rik Mayall and Stephen Fry in the West End was Cell Mates in 1995, which did not end up so well; especially for Stephen Fry. Janie and I missed that one as I guessed that “sycophantic audience syndrome” would displease Janie even more than it had displeased me and Bobbie in 1988. But Janie and I did go to the revival of Cell Mates at the Hampstead in 2017:

Cell Mates by Simon Gray, Hampstead Theatre, 9 December 2017

But back to The Common Pursuit. Bobbie’s memory of it has yet to be tested. I’ll get back to this piece in the unlikely event that something specific about this piece or this evening emerges.

Below is Michael Ratcliffe’s Observer review:

Ratcliffe On Common Pursuit & Faust Part OneRatcliffe On Common Pursuit & Faust Part One Sun, Apr 10, 1988 – 37 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s review:

Michael Billington On Common PursuitMichael Billington On Common Pursuit Sat, Apr 9, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

I vaguely remember taking after theatre supper with Bobbie at one of those West End restaurants after this one but cannot recall which particular restaurant it was.

Playbill: The Browning Version & Harlequinade by Terence Rattigan, The Royalty Theatre, 26 April 1988

The Browning Version is one of Rattigan’s best known plays, originally performed, as it was in the production we saw, jointly with Harlequinade. This Wikipedia piece explains all that background and has good links.

I have little recollection of this particular production and midweek evening at the theatre with Bobbie.

Starry cast, we saw, with Paul Eddington and Dorothy Tutin as the Crocker-Harris couple in The Browning Version. The same cast and crew performed/produced both plays.

Here is the Theatricalia entry for this production of The Browning Version.

Below is Steve Goldman’s Guardian review:

Steve Goldman on RattiganSteve Goldman on Rattigan Mon, Mar 21, 1988 – 32 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review:

Kate Kellaway on RattiganKate Kellaway on Rattigan Sun, Mar 20, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

I think I concluded that Rattigan isn’t really my thing when I saw these plays. It all seemed rather old-fashioned in style, although I do also recall that there were interesting themes and the plays were well written.

Bobbie might remember more…but I doubt it.

Tis Pity She’s A Whore by John Ford, Olivier Theatre, 16 April 1988

A superb run of seeing amazing productions started to break down just a little with this one.

Again a Saturday evening, again with Bobbie. My log says the production was good. It also says:

Suzan Sylvester was indisposed that day, so we saw Michelle Evans understudy the lead

Tis pity that, as I think Suzan Sylvester must have been a very good Annabella opposite Rupert Graves as Giovanni. I do remember Bobbie and I feeling that the understudy did well, though.

My friend Michael Simkins was also in it, as Soranzo. Coincidental at the time of writing, in early 2019, as we saw Michael at the Hampstead Downstairs just a couple of weeks ago:

Eden by Hannah Patterson, Hampstead Theatre Downstairs, 16 February 2019

Here is the Theatricalia entry for this production.

Alan Ayckbourn directed the production – there is some additional information about it on his site – click here.

It’s not a happy story and matters unsurprisingly…spoiler alert…do not end well for the protagonists. The Wikipedia entry gives a good synopsis.

In those days I think we were quite partial to some Jacobean blood and gore. It’s only latterly that I’ve gone all snowflake.

Below is Michael Radcliffe’s review from The Observer:

Tis Pity RadcliffeTis Pity Radcliffe Sun, Mar 6, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington in The Guardian found this production “too tasteful”:

Tis Pity BillimgtonTis Pity Billimgton Sat, Mar 5, 1988 – 16 · The Guardian (London, Greater London, England) · Newspapers.com