All My Sons by Arthur Miller, Cottesloe Theatre, 5 August 2000

I gave this production a one word review in my log:

Marvellous.

I remember that Janie and I had awaited this one eagerly. I remember that Ben Daniels was especially good in it, as were James Hazeldine, Paul Ritter, Julie Walters and Catherine McCormack. Howard Davies directing – and indeed the Cottesloe, now Dorfman as a location – were consistently good back then.

Charles Spencer in the Telegraph had to set aside his antipathy towards Arthur Miller because he thought this production so good:

Sons Spencer Telegraph

Article from 10 Jul 2000 The Daily Telegraph (London, Greater London, England)

Susannah Clapp loved the play and the production:

Sons Clapp Observer

Article from 9 Jul 2000 The Observer (London, Greater London, England)

Patrick Marmion in The Standard issued a rare “outstanding” mark:

Sons Marmion Standard

Article from 7 Jul 2000 Evening Standard (London, Greater London, England)

John Gross, like his mate Charles Spencer, liked the production more than the play:

Sons & Samaritan Gross Sunday Telegraph

Article from 16 Jul 2000 Sunday Telegraph (London, Greater London, England)

A rare and unexpected downbeat note comes from our friend, Michael Billington, who didn’t like the choice of play, nor did he like the production.

Sons Billington Guardian

Article from 8 Jul 2000 The Guardian (London, Greater London, England)

I guess you cannot please all of the people all of the time.

Pravda by Howard Brenton & David Hare, Olivier Theatre, 28 February 1986

Bobbie & I caught this one just before it came off and I am so glad we did. I sense that it was Bobbie’s barrister crowd – she was still doing her pupillage at that time, who had persuaded her (and me through Bobbie) that you HAD to see this play before it comes off.

The last Friday evening – probably all that was available that last weekend of the run.

Gosh this play and production was good.

Here is the Theatricalia entry for this production.

Anthony Hopkins was predictably strong as the barely disguised Rupert Murdoch-type figure, Lambert Le Roux. Ah, South African, not Australian, so couldn’t possibly be about Murdoch, m’Lud.

Super supporting cast too: probably my first sighting of a young Bill Nighy, plus Tim McInnerny, Kate Buffery, Peter Blyth…

Milton Shulman enjoyed the fun but didn’t much like the play in The Standard:

Pravda Shulman Standard Pravda Shulman Standard 3 May 1985 Evening Standard (London, Greater London, England) Newspapers.com

Similarly, John Barber in The Telegraph thought the play should have focussed a bit more on the ethics and a bit less on the boistrous fun:

Pravda Barber Telegraph Pravda Barber Telegraph 3 May 1985 The Daily Telegraph (London, Greater London, England) Newspapers.com

Even Michael Billington sort-of agrees – the play offers little insight into what might be a more ethical Fleet Street – but still the play/production was highly entertaining:

Pravda Billington Gradian Pravda Billington Gradian 3 May 1985 The Guardian (London, Greater London, England) Newspapers.com

Heck, we were kids. (Early 20s). We loved it. I remember that evening at the theatre fondly.

According to my diary, Bobbie and I went on for a “Turkish meal after, very nice”. I suspect that must have been Capital Kebab House, which was pretty much the only Turkish show in that part of town in those days. Astonishingly, that place is still there, decades later, in The Cut. I must try it again some time.