Tag: Ilona Sekacz

Stanley by Pam Gems, Cottesloe Theatre, 13 February 1996

My log and indeed my memory is unequivocal about this one:

Quite outstanding. One of the very, very best.

A rare visit to the theatre midweek, I’m guessing that our impending trip to Thailand & Vietnam restricted our choices of dates for this one. Such was our desire to see it, we booked a midweek evening to be sure of seeing the production.

Both Antony Sher and Deborah Warner were superb in their roles, as indeed was the whole supporting cast.

Here is the Theatricalia entry for this play/production.

In truth, Stanley Spencer’s art is not really my bag, but his story is strange and peculiarly touching, certainly as told in this excellent play by Pam Gems.

Strangely, I cannot find a Guardian review for this one, but Michael Simons previewed it:

Michael Simons Previews StanleyMichael Simons Previews Stanley Mon, Jan 22, 1996 – 57 · The Guardian (London, Greater London, England) · Newspapers.com

Paul Taylor gave the play & production rich praise in The Independent.

Michael Coveney in The Observer agreed the play was excellent and enjoyed the production too:

Coveney On StanleyCoveney On Stanley Sun, Feb 4, 1996 – 68 · The Observer (London, Greater London, England) · Newspapers.com

It picked up awards and stuff, did Stanley. But there’s no praise higher than the Ged & Daisy accolade quoted at the top of this piece.

Pentecost by David Edgar, The Other Place, 4 November 1994

In amongst the heave of getting Z/Yen started that autumn, Janie and I did make the time for a solitary long weekend in Stratford-Upon-Avon, during which we saw three plays.

Not exactly a rest cure…

…said Janie, when I latterly (c25 years later, October 2019) showed her the evidence of that weekend.

The evidence shows that we stayed at The Shakespeare Hotel that time; I think for the second and possibly the last time. We found the room a bit pokey.

Anyway, we saw this David Edgar play on the Friday evening and thought it superb. I’ve always been a fan of Edgar’s plays and this is a good example of his work.

Wikipedia is not all that forthcoming about the play – click here – but I learn that we saw the premier and that it won an Evening Standard Award the following year on transfer to The Young Vic.

Theatricalia sets out the cast and crew here.

I’ve managed to find a contemporaneous review of this one on-line – Paul Taylor from the Independent – click here…

…scraped to here just in case the above link goes down.

Here’s a Michael Billington clipping:

Billingtpn On PentecostBillingtpn On Pentecost Fri, Oct 28, 1994 – 40 · The Guardian (London, Greater London, England) · Newspapers.com

Billington On Pentecost Part TwoBillington On Pentecost Part Two Fri, Oct 28, 1994 – 41 · The Guardian (London, Greater London, England) · Newspapers.com

Here’s Michael Coveney’s take:

Coveney On PentecostCoveney On Pentecost Sun, Oct 30, 1994 – 79 · The Observer (London, Greater London, England) · Newspapers.com

Anyway, we loved this play/production, that’s for sure. The notion of art and culture fusing/transferring both from west to east and from east to west is more or less received wisdom now, but the debate in the play, especially while the southern slavic region of Europe was still in turmoil, felt very topical and of the moment in 1994.

Did we eat in Fatty Arbuckle’s that evening? Quite possibly, but unless more evidence turns up we’ll not know for sure.

Antony And Cleopatra by William Shakespeare, RSC Shakespeare Memorial Theatre, 31 October 1992

This was the second of the two previews Janie and I went to see on our first long weekend away together in Stratford-Upon-Avon.

It seems that Janie decided to “give Shakespeare a go” with me (we have done a few in our time) but in truth she has never got on with Shakespeare. I have got on with Shakespeare but didn’t get on so well with this play and/or this production.

It is a very long play and in truth I don’t think one of Shakespeare’s best. My log records:

We didn’t go great guns on this one.

Good cast: Richard Johnson (Antony), John Nettles (Caesar) and Clare Higgins (Cleopatra).

There is a single fixed camera video of the production apparently, click here for details, including lots of details about exactly who played whom and stuff and where you might find the odd review.

This production probably helped to put Janie off The Bard, but fortunately did not seem to put her off me, despite the fact that (as I recall) the back-aching and thirst-inducing length of the play did little for our moods, especially mine.

Here is the Theatricalia entry for this production.

Below is Michael Coveney’s Observer review:

Changeling, Antony & Cleopatra, Michael CoveneyChangeling, Antony & Cleopatra, Michael Coveney Sun, Nov 8, 1992 – 57 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s Guardian review:

Changeling, Antony & Cleopatra Michael BillingtonChangeling, Antony & Cleopatra Michael Billington Mon, Nov 9, 1992 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Much Ado About Nothing by William Shakespeare, Shakespeare Memorial Theatre, 17 November 1990

I went up to Stratford with Moose (Mara Frank) where we saw this wonderful production of Much Ado. My log, I think mistakenly, suggests that we also saw Troilus And Cressida on that trip, but I suspect that I saw a preview of Troilus on my tod in April when in the Midlands for other reasons, perhaps procuring the programme when returning to Stratford with Moose and thus confusing myself a few years later.

Anyway…

…this was a great show. Susan Fleetwood as Beatrice, Roger Allam as Benedick, John Carlisle as Don Pedro, a fine supporting ensemble and the very capable hands of Bill Alexander directing.

Here is the Theatricalia entry for this production.

Michael Billington in The Guardian enthused…sort of:

Billington on Much AdoBillington on Much Ado Thu, Apr 12, 1990 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in the Observer hated it. But what did he know?

Coveney on Much AdoCoveney on Much Ado Sun, Apr 15, 1990 – 56 · The Observer (London, Greater London, England) · Newspapers.com

Singer by Peter Flannery, The Pit, 9 June 1990

I saw this one with Bobbie and I recall we both found it very powerful, although a bit long for its relatively slight story.

What fine acting. Antony Sher & Malcolm Storrey in particular, but a fine supporting cast and Terry Hands directing.

The Theatricalia entry for this one can be found here.

Nicholas de Jongh gave it a good but not ecstatic review in The Guardian:

de Jongh on Singerde Jongh on Singer Sat, Mar 31, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

The Secret Rapture by David Hare, Lyttelton Theatre, 11 February 1989

Superb cast and crew, as listed on Theatricalia – click here.

No on-line reviews of the late 1980’s production we saw, of course, but here is a Michael Billington job on a revival some 15 years later.

Below is a clipping of Michael Billington’s review of the original production we saw:

Billington on Secret RaptureBillington on Secret Rapture Thu, Oct 6, 1988 – 25 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on RaptureRatcliffe on Rapture Sun, Oct 9, 1988 – 43 · The Observer (London, Greater London, England) · Newspapers.com

David Hare plays have a tendency to irritate me, especially those plays that seem to come at moral and/or political issues with some preachy certainty – even if I agree with Hare’s position, which often I do.

I recall The Secret Rapture having enough moral dilemma and ambiguity about Thatcherism to keep the thought and concentration going throughout the play and for some time afterwards too.

A synopsis can be found by clicking here.

They made a movie of this play a few years later…mostly different cast…

…I don’t really recognise the play I saw from this trailer at all:

In short, I remember thinking the play/production that we saw was very good. I went with Bobbie.

I’m not sure what we did afterwards; perhaps we ate out or perhaps I prepared some food for afterwards, as I was in the mode to do that in those early days at Clanricarde Gardens.

Cat On A Hot Tin Roof by Tennessee Williams, Lyttelton Theatre, 12 March 1988

Bobbie and I were on a bit of a roll, theatre-wise, at the start of that year, seeing some great productions. This was certainly one of them.

Lindsay Duncan was a most memorable Maggie The Cat and Ian Charleson was superb as Brick; tragically Charleson died just a couple of years after this production. The cast also included Eric Porter, Alison Steadman, Henry Goodman…plus many other fine performers. Howard Davies directed.

Here is the Theatricalia entry for the production.

The Lyttelton is not my favourite place for this sort of play, but somehow this one seemed to work in that space. I seem to recall it received superb notices and for good reason.

Michael Billington loved this production – his review clipped below:

Billington On CatBillington On Cat Fri, Feb 5, 1988 – 18 · The Guardian (London, Greater London, England) · Newspapers.com

Clearly Michael Ratcliffe liked it too:

Michael Ratcliffe On CatMichael Ratcliffe On Cat Sun, Feb 7, 1988 – 26 · The Observer (London, Greater London, England) · Newspapers.com

There’s little on-line about this particular production, given its antiquity, but if you have no idea even what the piece looks/feels like, here is a clip of Paul Newman and Elisabeth Taylor from the 1950’s film version:

…while the following clip is from a subsequent National theatre production of Cat:

https://youtu.be/GobBM0Tt0j4

Anyway, the Lindsay Duncan & Ian Charleson version will live long in my memory. Bobbie’s too, I’ll guess. I’d better ask her.