Tag: Pea Horsley

Mountain Language & Ashes To Ashes by Harold Pinter, & Alive From Palestine by Al Kasaba Theatre Group, Royal Court Theatre, 29 June 2001

We adjudged the event:

Triple bill proved a bit much for us that night!!

Both of us had really busy weeks in the run up to this Friday night at the theatre, with Janie taking patients early and late that week. In my case, as well as many client meetings, a very late night for me the previous evening due to the traditional Children’s Society v Z/Yen cricket match in Regents Park:

The Children’s Society v Z/Yen Cricket Match, Regent’s Park, 28 June 2001

Harold Pinter would have understood.

I had seen Mountain Language before – a most memorable production in 1988 with Michael Gambon, Eileen Atkins, Tony Haygarth and Miranda Richardson, directed by Harold himself..

Mountain Language by Harold Pinter, Lyttelton Theatre, 25 October 1988

Returning to 2001, our friend Michael Billington reviewed Alive From Palestine, but not the triple bill, giving me the sense that the piece might have had a greater effect on us had it not been preceded by the two Pinter pieces.

Alive Guardian Billington Alive Guardian Billington 30 Jun 2001 The Guardian (London, Greater London, England) Newspapers.com

Rachel Halliburton in the Standard raved about the brace of Pinter plays, while remaining silent on the Palestinian play:

Ashes Standard Halliburton Ashes Standard Halliburton 27 Jun 2001 Evening Standard (London, Greater London, England) Newspapers.com

To be fair, she reviewed the Pinter double bill ahead of the short late night run of the third play started. And at least The Standard had the good manners to trail the Alive From Palestine one:

Alive Standard preview Alive Standard preview 21 Jun 2001 Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph absolutely hated the Pinter and was utterly silent about the Palestinian play:

Ashes Telegraph Spencer Ashes Telegraph Spencer 28 Jun 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

The Weir by Conor McPherson, Duke of York’s Theatre, 2 January 1999

With the Royal Court in exile, we missed the original “Upstairs” version of this at the Ambassadors. With all the stuff we had been dealing with in 1998, this one almost passed us by completely when it transferred “downstairs” to The Duke of York’s. So when the Duke of York’s production returned to that Royal Court “home in exile”, at the start of 1999, to kick off a major tour, we booked early and were there at the outset.

Excellent play and production

I wrote.

That was to say the least. It was truly memorable and awe-inspiring drama. No wonder many critics had fawned over it when it first came out in 1997.

Here’s John Gross in The Sunday Telegraph:

Weir Gross Sunday TelegraphWeir Gross Sunday Telegraph 13 Jul 1997, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh thought that the Royal Court overdid Irish drama, but still liked this one:

Weir de Jongh StandardWeir de Jongh Standard 11 Jul 1997, Fri Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer thought it superb:

Weir Telegraph SpencerWeir Telegraph Spencer 14 Jul 1997, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

We saw a great cast and crew – most if not all the originals – Kieran Ahern, Brendan Coyle, Dermot Crowley, Michelle Fairley and Jim Norton acting, Ian Rickson directing. Here is a link to the Theatricalia entry for the production we saw. It was a privilege to have seen that production.