Tag: Stephanie Baird

Dancing At Lughnasa by Brian Friel, Lyttelton Theatre, 22 December 1990

Wow.

I have strong memories of this one. Just one word in my log:

Superb.

It was a convoluted process getting to see it, as I was really suffering with my back knack when this production opened in London (October 1990; it had spent the spring and summer at the Abbey Theatre in Dublin).

Anyway, Bobbie and I sorted out some good tickets for just before Christmas and my goodness this one was worth seeing.

Excellent cast, including Brid Brennan, Stephen Dillane and Alec McCowen. In truth I don’t know Director Patrick Mason for anything else but he can come visit again.

I remember early the next year recommending it to a Dutch software developer, Gerard Mey, who was working on a project with me in London and asked me to recommend a show. I wondered if it was too challenging for someone who does not boast English as a first language. Gerard told me how much he enjoyed it, while admitting that he found some of the language difficult, but said that his head had been full of so many interesting thoughts and ideas since seeing it. That’s a recommendation in my book!

I’ll leave it to the experts to explain in their words just how good this show was.

Michael Billington spoke very highly of it in The Guardian

Billington on LughnasaBillington on Lughnasa Wed, Oct 17, 1990 – 38 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney gushed about it in The Observer when he saw it at the Abbey in the spring:

Coveney on LughnasaCoveney on Lughnasa Sun, May 6, 1990 – 57 · The Observer (London, Greater London, England) · Newspapers.com

Bent by Martin Sherman, Lyttelton Theatre, 13 January 1990

I have very limited recollection of this one, other than finding it shocking and hard to watch.

My diary is ludicrously light on detail and I got confused between this one and another production I failed to get a programme for. In this case, I think we saw a preview and the programmes weren’t ready.

I dined with (presumably) Bobbie at the Archduke before the theatre and we then went on to Jilly’s place, presumably for a birthday party. The diary suggests we had lunch on Sunday also.

Fortunately for the theatre element of the weekend, there are Theatricalia entries and reviews to help me out. Here is the former – click here.

Below is Michael Billington’s top notch review of this production:

Billington on BentBillington on Bent Mon, Jan 22, 1990 – 38 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in The Observer described it as “grim”. Hard to disagree.

Coveney on BentCoveney on Bent Sun, Jan 28, 1990 – 60 · The Observer (London, Greater London, England) · Newspapers.com

The Voysey Inheritance by Harley Granville-Barker, Cottesloe Theatre, 1 July 1989

I noted that this was a very good production and I’m sure that was true. Richard Eyre in charge of an infeasibly good cast in that intimate little Cottesloe Theatre.

Here is the Theatricalia entry for the production with so many top notch theatrical names on the list…

…David Burke, Michael Bryant, Jeremy Northam, Graham Crowden, Sarah Winman, Stella Gonet, Selina Cadell, Suzanne Burden, Wendy Nottingham… it was difficult to work out which names from the cast list to leave out from this highlights version of the list.

In truth I don’t think Granville-Barker is really for me. I find his plays stylised and very Edwardian – which is, after all, what they are.

This one is at least replete with interesting moral dilemmas but in truth it’s not Ibsen.

But I do recall really enjoying this particular evening in the theatre and I suspect that this is the best Granville-Barker experience I have ever had and ever will.

Below is Michael Billington’s Guardian review:

Billington on VoyseyBillington on Voysey Thu, Jun 29, 1989 – 24 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review:

Kellaway on VoyseyKellaway on Voysey Sun, Jul 2, 1989 – 41 · The Observer (London, Greater London, England) · Newspapers.com

I don’t recall exactly what Bobbie thought of it but I think she, like me, was much taken with the production. I also don’t recall what we did (i.e. where we ate) afterwards. Bobbie might just remember.

Speed-the-Plow by David Mamet, Lyttelton Theatre, 4 March 1989

I liked this play/production a lot. I don’t think I’d seen Alfred Molina before and was very taken with his acting. Colin Stinton was excellent too, as was Rebecca Pidgeon.

It’s a play about the movie business. As is often the case with Mamet plays about the world of work, Mamet captures the pressure-cooker atmosphere of the work place extremely well – an aspect that is often lacking in plays – perhaps because playwrights haven’t spent much of their lives in the actual hard-nosed world of work.

Theatricalia has an entry for this one – click here.

Wikipedia explains the play’s synopsis and it’s run history. Madonna played the female lead in the original Broadway production just a few months before this National production – who knew?

There are some #MeToo elements to this play that, obviously, weren’t perceived as #MeToo at the time because #MeToo hadn’t been invented – although movie business males belittling movie business females had been invented.

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on PlowRatcliffe on Plow Sun, Jan 29, 1989 – 45 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s Guardian review:

Billington on PlowBillington on Plow Thu, Jan 26, 1989 – 24 · The Guardian (London, Greater London, England) · Newspapers.com

Anyway, point is, this was an excellent Saturday evening of theatre with Bobbie…

…by which I mean Bobbie Scully, not Bobby Gould, the lead character in the play…

…well, actually an excellent Saturday evening with both Bobbies, now I come to think of it.

The Secret Rapture by David Hare, Lyttelton Theatre, 11 February 1989

Superb cast and crew, as listed on Theatricalia – click here.

No on-line reviews of the late 1980’s production we saw, of course, but here is a Michael Billington job on a revival some 15 years later.

Below is a clipping of Michael Billington’s review of the original production we saw:

Billington on Secret RaptureBillington on Secret Rapture Thu, Oct 6, 1988 – 25 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on RaptureRatcliffe on Rapture Sun, Oct 9, 1988 – 43 · The Observer (London, Greater London, England) · Newspapers.com

David Hare plays have a tendency to irritate me, especially those plays that seem to come at moral and/or political issues with some preachy certainty – even if I agree with Hare’s position, which often I do.

I recall The Secret Rapture having enough moral dilemma and ambiguity about Thatcherism to keep the thought and concentration going throughout the play and for some time afterwards too.

A synopsis can be found by clicking here.

They made a movie of this play a few years later…mostly different cast…

…I don’t really recognise the play I saw from this trailer at all:

In short, I remember thinking the play/production that we saw was very good. I went with Bobbie.

I’m not sure what we did afterwards; perhaps we ate out or perhaps I prepared some food for afterwards, as I was in the mode to do that in those early days at Clanricarde Gardens.

My First Weekend At Clanricarde: Encountering Van Morrison, Single Spies by Alan Bennett, National Theatre, With Bobbie & Bridge At Pam & Michael’s Place, 3 & 4 December 1988

Saturday 3 December: Much sorting to do re flat – went to see Single Spies in eve – B came back to mine

My appointments diary informs me that my Zanussi washing machine was delivered to the flat that morning. I remember going for my first local shopping expedition after the machine arrived.

I am fairly sure that it was on that very first Saturday’s shopping spree that I found myself face-to-face with Van Morrison on the traffic island which divides the north from the south side of the Bayswater Road. We exchanged glances. I nodded, in as much of a “cool, nodding acquaintance” manner as I could muster.

Van-Morrison

I remember thinking that the Van encounter proved that I had really arrived in a hip, happening place – I was going to be rubbing shoulders with Van Morrison and people of that sort all the time from now on. Well, to some extent I suppose I have got to meet quite a lot of such media folk in the neighbourhood since, but that traffic island encounter with Van the Man was, sadly, a one-off. “No Van is an island”, I suppose.

Single Spies is actually two Alan Bennett plays: An Englishman Abroad and A Question Of Attribution. Both are about the Cambridge Spy Ring. The first of the two plays had been knocking around for a few years before this production – it is primarily about actress Coral Browne’s encounters with Guy Burgess. The second play was about Anthony Blunt’s role as art advisor to the Queen.

Here is a link to the Theatricalia entry.

According to the National Theatre’s historical notes, A Question of Attribution contained:

the first representation on the British stage of a living monarch, in a scene in which Sir Anthony Blunt has a discussion with ‘HMQ’.

Prunella Scales and Simon Callow played the leads in both plays. I think this was the first time I saw Prunella Scales on stage, although she had seen me ponce about in tights some 10 years earlier:

Twelfth Night, Alleyn’s School, 12, 14, 15 & 16 December 1978

I thought the production (Single Spies, I mean, not Twelfth Night) was very good and said so in my notes. I’m pretty sure Bobbie liked the production too. I think we might have eaten at the National that evening – I can’t believe that I was geared up to cook yet at Clanricarde.

Below is Michael Billington’s Guardian review:

Billington on Single SpiesBillington on Single Spies Sat, Dec 3, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on SpiesRatcliffe on Spies Sun, Dec 4, 1988 – 44 · The Observer (London, Greater London, England) · Newspapers.com

Sunday 4 December: Went to Pam & Michael’s in eve for dinner and bridge

I wonder who made the fourth for bridge that evening? It was before my irregular social group had emerged, so it wouldn’t have been Andrea on that occasion. I’ll guess it was a friend of Pam & Michael’s – perhaps one of the Setty/Gareh family or possibly it was Ralph Glasser. The diary is silent on such details – never mind.

I’ll have walked there and back, learning that Clanricarde Gardens to Pam & Michael’s place only takes around 15 minutes on foot. Cool.

Mrs Klein by Nicholas Wright, Cottesloe Theatre, Followed By Dinner at RSJ, 19 November 1988

The diary is quite clear about this one:

I rated the play/production very good indeed at the time. I am pretty sure that Bobbie rated this highly too.

Here is a link to the Theatricalia entry for this production. Some cast: Gillian Barge, Francesca Annis and Zoe Wanamaker. Peter Gill directed.

There is a page about this production on Zoe Wanamaker’s website – here.

Below is Michael Billington’s Guardian review:

Billington on Mrs KleinBillington on Mrs Klein Fri, Aug 12, 1988 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael ratcliffe’s Observer review:

Ratcliffe on Mrs KleinRatcliffe on Mrs Klein Sun, Aug 14, 1988 – 37 · The Observer (London, Greater London, England) · Newspapers.com

More than 20 years later, Janie and I went to see the revival of this play at the Almeida – which I also rated highly:

Mrs Klein by Nicholas Wright, Almeida Theatre, 24 October 2009

Bobbie and I went to RSJ’s after seeing the 1988 production. RSJ was one of our favourite places back then. I recall Janie liking that place too. It is still there in 2018 but apparently with a different formula.

That was a top notch evening back in November 1988.

Tis Pity She’s A Whore by John Ford, Olivier Theatre, 16 April 1988

A superb run of seeing amazing productions started to break down just a little with this one.

Again a Saturday evening, again with Bobbie. My log says the production was good. It also says:

Suzan Sylvester was indisposed that day, so we saw Michelle Evans understudy the lead

Tis pity that, as I think Suzan Sylvester must have been a very good Annabella opposite Rupert Graves as Giovanni. I do remember Bobbie and I feeling that the understudy did well, though.

My friend Michael Simkins was also in it, as Soranzo. Coincidental at the time of writing, in early 2019, as we saw Michael at the Hampstead Downstairs just a couple of weeks ago:

Eden by Hannah Patterson, Hampstead Theatre Downstairs, 16 February 2019

Here is the Theatricalia entry for this production.

Alan Ayckbourn directed the production – there is some additional information about it on his site – click here.

It’s not a happy story and matters unsurprisingly…spoiler alert…do not end well for the protagonists. The Wikipedia entry gives a good synopsis.

In those days I think we were quite partial to some Jacobean blood and gore. It’s only latterly that I’ve gone all snowflake.

Below is Michael Radcliffe’s review from The Observer:

Tis Pity RadcliffeTis Pity Radcliffe Sun, Mar 6, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington in The Guardian found this production “too tasteful”:

Tis Pity BillimgtonTis Pity Billimgton Sat, Mar 5, 1988 – 16 · The Guardian (London, Greater London, England) · Newspapers.com