Bad Weather by Robert Holman, The Other Place, 19 June 1998

Superb…

…was our verdict on this one.

We saw this one as part of an extraordinary whistle-stop long weekend which took in three plays at Stratford (this the first of them), a motorised hike to the Welsh Borders for lunch at The Walnut Tree before going on to Hay-On-Wye for some overnight- second-hand-book-buying on my part before stopping off for a long lunch at Raymond Blanc’s place (Le Manoir aux Quat’Saisons) in Oxfordshire and then home. Friday to Monday. The other bits have been written up separately from this piece – click here or below:

I think we stayed in the Shakespeare for this trip. Janie booked it but only wrote down “Twelfth Night Room £115 per night” which I suspect in those days was a suite or certainly a superior room. I looked after most of the rest of the trip, including The Old Black Lion in Hay and Le Manoir.

Fabulous cast for Bad Weather – Emma Handy, Paul Popplewell, Ryan Pope, Susan Brown, Barry Stanton & Susan Engel, directed by Steven Pimlott. Here is a link to the Theatricalia entry for this one.

Nick Curtis in The Standard liked it:

Curtis Standard WeatherCurtis Standard Weather 11 May 1998, Mon Evening Standard (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, liked the performances more than the play:

Billington Guardian WeatherBillington Guardian Weather 09 May 1998, Sat The Guardian (London, Greater London, England) Newspapers.com

Whereas Richard Edmonds in The Birmingham Post loved the piece and the performances:

Edmonds Brum Post WeatherEdmonds Brum Post Weather 09 May 1998, Sat The Birmingham Post (Birmingham, West Midlands, England) Newspapers.com

The Day I Stood Still by Kevin Elyot, Cottesloe Theatre, 24 January 1998

Superb. One of the best.

My logged comment suggest that we really liked this one. We both really did.

There is a Theatricalia entry for this one with all the details – click here. Adrian Scarborough was excellent in the lead role. Ian Rickson directed.

Nicholas de Jongh liked it in The Standard:

23 Jan 1998, Fri Evening Standard (London, Greater London, England) Newspapers.com

My friend Michael Billington liked it but didn’t love it in The Guardian:

23 Jan 1998, Fri The Guardian (London, Greater London, England) Newspapers.com

Similarly Suzannah Clapp in The Observer, whose review reminds me that the critics main reservation about this play is that they didn’t like it as much as they liked Elyot’s (also wonderful) My Night With Reg.

25 Jan 1998, Sun The Observer (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph also spoke highly of it with some limitations:

31 Jan 1998, Sat The Daily Telegraph (London, Greater London, England) Newspapers.com

The Herbal Bed by Peter Whelan, The Other Place, 20 September 1996

I described this play/production as:

…magical…

…in my log.

Janie and I took a short break in Stratford, starting, I think, on the Wednesday afternoon. Details in my diary are scant and Janie’s 1996 has gone walkies (perhaps only temporarily).

I am pretty sure we stayed at The Shakespeare, as was our wont at that time. I mentioned in our 1994 visit:

we stayed at The Shakespeare Hotel that time; I think for the second and possibly the last time. We found the room a bit pokey…

…but on reflection I think this 1996 visit was also the Shakespeare and quite possibly the last visit to that hotel.

As for the play/production, we absolutely loved it. The cast included several people who went on to great things, not least Joseph Fiennes, David Tennant, Stephen Boxer, Teresa Banham and director Michael Attenborough. Here is the Theatricalia entry for the play/production.

One memorable thing about the night we visited was the excitement around the presence of HRH The Prince Of Wales and Camilla (subsequently Duchess of Cornwall). The Other Place isn’t really that sort of place, so the royal attendance was more than a bit of a surprise.

The play/production was very well received, for good reasons.

Here is Michael Billington’s take:

Herbal Bed Billington GuardianHerbal Bed Billington Guardian 24 May 1996, Fri The Guardian (London, Greater London, England) Newspapers.com

Here is a preview from The Evening Standard:

Herbal Bed Standard PreviewHerbal Bed Standard Preview 22 May 1996, Wed Evening Standard (London, Greater London, England) Newspapers.com

Here is Michael Coveney’s Observer review:

Herbal Bed Coveney ObserverHerbal Bed Coveney Observer 26 May 1996, Sun The Observer (London, Greater London, England) Newspapers.com

See, I told you. Magical.

Twelfth Night by William Shakespeare, Shakespeare Memorial Theatre, 5 November 1994

If my memory serves me correctly, we saw Peer Gynt as a matinee on the Saturday and then Twelfth Night in the evening. It might have been the other way around.

Anyway, Janie and I voted this one very good, as indeed we voted Peer Gynt.

Coincidentally, I realise at the time of writing (October 2019, almost exactly 25 years later), Janie and I saw Emma Fielding star at Stratford again last week in A Museum In Baghdad.

I also realise that this Twelfth Night experience was almost exactly 15 years after my own “legendary” Alleyn’s School production of Twelfth Night:

Gosh.

Anyway, this 1994 production of Twelfth Night has all the cast and crew listed on Theatricalia – here.

Just one on-line review – Paul Taylor in The Independent, who hated it while admitting that his was probably a minority view.

Also this Michael Billington clipping to be had:

Billington On Twelfth NightBillington On Twelfth Night Fri, May 27, 1994 – 32 · The Guardian (London, Greater London, England) · Newspapers.com

Also Michael Coveney’s review is there to be clipped:

Coveney On Twelfth NightCoveney On Twelfth Night Sun, May 29, 1994 – 73 · The Observer (London, Greater London, England) · Newspapers.com

We really liked it. Des Barrit an obvious highlight but Emma Fielding was excellent as always and Tony Britton made an excellent Belch…as it were.

I vaguely remember dining at the Shakespeare after theatre that night…or did we do the Shakespeare after Pentecost and Fatty’s after this? Who cares?

Pentecost by David Edgar, The Other Place, 4 November 1994

In amongst the heave of getting Z/Yen started that autumn, Janie and I did make the time for a solitary long weekend in Stratford-Upon-Avon, during which we saw three plays.

Not exactly a rest cure…

…said Janie, when I latterly (c25 years later, October 2019) showed her the evidence of that weekend.

The evidence shows that we stayed at The Shakespeare Hotel that time; I think for the second and possibly the last time. We found the room a bit pokey.

Anyway, we saw this David Edgar play on the Friday evening and thought it superb. I’ve always been a fan of Edgar’s plays and this is a good example of his work.

Wikipedia is not all that forthcoming about the play – click here – but I learn that we saw the premier and that it won an Evening Standard Award the following year on transfer to The Young Vic.

Theatricalia sets out the cast and crew here.

I’ve managed to find a contemporaneous review of this one on-line – Paul Taylor from the Independent – click here…

…scraped to here just in case the above link goes down.

Here’s a Michael Billington clipping:

Billingtpn On PentecostBillingtpn On Pentecost Fri, Oct 28, 1994 – 40 · The Guardian (London, Greater London, England) · Newspapers.com

Billington On Pentecost Part TwoBillington On Pentecost Part Two Fri, Oct 28, 1994 – 41 · The Guardian (London, Greater London, England) · Newspapers.com

Here’s Michael Coveney’s take:

Coveney On PentecostCoveney On Pentecost Sun, Oct 30, 1994 – 79 · The Observer (London, Greater London, England) · Newspapers.com

Anyway, we loved this play/production, that’s for sure. The notion of art and culture fusing/transferring both from west to east and from east to west is more or less received wisdom now, but the debate in the play, especially while the southern slavic region of Europe was still in turmoil, felt very topical and of the moment in 1994.

Did we eat in Fatty Arbuckle’s that evening? Quite possibly, but unless more evidence turns up we’ll not know for sure.

The Birthday Party by Harold Pinter, Lyttelton Theatre, 25 June 1994

We do like a bit of Pinter. I was especially keen to see this one. I’d never seen the play performed live; this 1994 production was the first London production since the West End production in the 1960s. But I had seen the wonderful 1980s TV version with Pinter himself as Goldberg.

I’d also previously seen excerpts from the play performed live; not least by my own school mates in the late 1970’s when Dan O’Neill was selected for the role of Goldberg ahead of me because he could do a much better Goldberg accent than me. I don’t bear grudges but I do retain a sense of unjust cultural appropriation to this day, not least because I still cannot do a Goldberg-style accent. I played Aston in The Caretaker instead, but I digress.

Here is the Theatricalia entry for the version Janie and I saw in June 1994. My log says we thought it was very good. A young, then little-known Sam Mendes directed it. Bob Peck was Goldberg, Anton Lesser was Stanley. Dora Bryan and Trevor Peacock were Meg and Petey.

Here is a contemporaneous review from Irving Wardle in the Independent in 1994.

Below is the Michael Billington review:

Billington On The Birthday PartyBillington On The Birthday Party Sat, Mar 19, 1994 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Here is Michael Coveney’s review:

Coveney On the Birthday PartyCoveney On the Birthday Party Sun, Mar 20, 1994 – 85 · The Observer (London, Greater London, England) · Newspapers.com

In truth, my memory for this play remains full of the wonderful BBC TV production from the 1980s…

…and Dan O’Neill’s Goldberg at school of course.

Oleanna by David Mamet, Royal Court Theatre, 24 July 1993

These days (he says, writing more than 25 years later), I do most of the running with regard to booking theatre. But back then, Janie was more proactive.

There are notes in her diary from weeks before, working out when this was going to open and when we might be available. Then, for the day itself (as one might now find in my diary) notes on exactly which seats she’d booked (Row J) and how long the play might be (8:00 to 10:10).

For sure I would have been a willing participant in seeing the latest Mamet – I had been a bit of a Mamet fan for years by 1993. David Suchet and Lia Williams? yes please. Harold Pinter directing? just tell me where I need to go and when. Here is a link to the Theatricalia entry.

I remember it being a very good production of an extremely powerful play. Here is a link to the Wikipedia entry on the play.

It was in fact a very controversial play and Mamet had written more than one ending for it. There was much debate in the press.

Below is Michael Billington’s review:

Billington's Review Of OleannaBillington’s Review Of Oleanna Fri, Jul 2, 1993 – 37 · The Guardian (London, Greater London, England) · Newspapers.com

Here are links to The Guardian with some fascinating opinions published the following week:

Oleanna OpinionsOleanna Opinions Wed, Jul 7, 1993 – 20 · The Guardian (London, Greater London, England) · Newspapers.com

<ore Oleanna Opinions<ore Oleanna Opinions Wed, Jul 7, 1993 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Finally, here is Michael Coveney’s review.

Michael Coveney On OleannaMichael Coveney On Oleanna Sun, Jul 4, 1993 – 56 · The Observer (London, Greater London, England) · Newspapers.com

This was a stunning, unforgettable night at the theatre; Janie and I are privileged to have seen this production.

Singer by Peter Flannery, The Pit, 9 June 1990

I saw this one with Bobbie and I recall we both found it very powerful, although a bit long for its relatively slight story.

What fine acting. Antony Sher & Malcolm Storrey in particular, but a fine supporting cast and Terry Hands directing.

The Theatricalia entry for this one can be found here.

Nicholas de Jongh gave it a good but not ecstatic review in The Guardian:

de Jongh on Singerde Jongh on Singer Sat, Mar 31, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Troilus And Cressida by William Shakespeare, Swan Theatre, 19 April 1990

Writing this one up more than 30 years later, I am a bit confused about when I saw it and with whom, if indeed anyone else. I do know for sure that I saw this production at The Swan and was very taken with it.

I took a week off work just after Easter that year, visiting various friends about the place. I’ll write that up as best I can in due course. But in my appointments diary it clearly states “Troilus” 19 April.

Roll the clock forward to November, I saw Much Ado at the Royal Shakespeare Memorial with Moose. Tucked in with the Much Ado programme is the Troilus programme.

So did I simply pick up the programme in November having seen a preview of Troilus on my tod in April, or did I duck out in April and see this in the autumn with Moose? I think the former, but I’ll see if Moose can help me unpick this one.

Anyway, what a cast and what a fine production I recall. Ralph Fiennes was Troilus and I think it might have been a conversation with him at Lambton Place (my health club, latterly BWW) that encouraged me to see a preview of this production at Stratford.

Amanda Root played Cressida very well and David Troughton was a top notch Hector, Paterson Joseph a fine Patroclus. Wonderful supporting cast full of names that latterly became big. Sam Mendes was a bit of a Shakespeare novice back then.

Here is the Theatricalia entry for this production.

Nicholas de Jongh seemed pretty convinced in the Guardian:

de Jongh on Troilusde Jongh on Troilus Sat, Apr 28, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney loved it in the Observer…

Coveney on TroilusCoveney on Troilus Sun, Apr 29, 1990 – 54 · The Observer (London, Greater London, England) · Newspapers.com

…as did I. I only wish I could remember the peripheral details of my visit.