Tag: Terry King

Redundant by Leo Butler, Royal Court Theatre, 8 September 2001

Another weekend, another preview. I’m not sure what drew us to this one. Coincidentally we had seen some of Leo Butler’s work just a few week’s earlier in the young writers’ fest Cutting Through the Carnival…

Cutting Through The Carnival: Several Sketches & Short Pieces By Various Young Writers, Royal Court Theatre Upstairs, 17 August 2001

…but I’m pretty sure we must have booked Redundant prior to seeing Carnival.

Anyway, Redundant was our first sighting of Leo Butler’s full length plays and we were mighty impressed if I remember correctly. Lyndsey Marshal starred and Dominic Cooke directed. It was grim, in many ways, yet tinged with humour and hope. Very Royal Court. Dominic Cooke must have rated Butler and this piece to put it on downstairs – a rare 21st century example of a debut on the main stage of the Royal Court. There is a coup de theatre in the play that required it, I suppose. Risky writing.

The Standard previewed it (after we had seen it) thusly:

Redundant Standard Preview Redundant Standard Preview 12 Sept 2001 Evening Standard (London, Greater London, England) Newspapers.com

We didn’t see the shocking, late addition of an Osama Bin Laden mention, which dominated the press afterwards, by dint of seeing a preview prior to 11 September.

Patrick Marmion was seduced by the production, if not the character:

Redundant Marmion Standard Redundant Marmion Standard 13 Sept 2001 Evening Standard (London, Greater London, England) Newspapers.com

John Gross in The Sunday Telegraph wrote little, but was left feeling a little low by it:

Redundant Gross Sunday Telegraph Redundant Gross Sunday Telegraph 16 Sept 2001 Sunday Telegraph (London, Greater London, England) Newspapers.com

Susannah Clapp in The Observer deemed Leo Butler not quite reader for main stage exposure:

Redundant Clapp Observer Redundant Clapp Observer 16 Sept 2001 The Observer (London, Greater London, England) Newspapers.com

Lynn Gardner in The Guardian was even more damning, awarding The Royal Court production a rare meagre two stars:

Redundant Gardner Guardian Redundant Gardner Guardian 14 Sept 2001 The Guardian (London, Greater London, England) Newspapers.com

It certainly didn’t displease us in that way – we noted Leo Butler as one to watch and watch him we did as he matured into a top notch playwright. Possibly if we saw this one again, we’d spot the youthful writing in it. A bit like Chekhov’s Platonov the week before.

Platonov by Anton Chekov, Almeida At Kings Cross, 1 September 2001

This was a very good production with a top notch cast, performed in that pop-up coach station of a theatre that the Almeida used while the main theatre was getting its major revamp. I’m pretty sure we saw a preview.

Helen McCrory and Aidan Gillen led the way, ably supported by solid performers such as Adrian Scarborough and Jodhi May, directed by Jonathan Kent – one of his last productions at The Almeida.

Here is a link to the Theatricalia entry for this play/production.

This is not the greatest Chekhov play – it is an early play that shows traces of the brilliance to come. Chekhov recycled some of the best bits of this one into his later, now classic plays. This production was based on an adaptation by David Hare.

It was a very good evening at the theatre, as I remember it, albeit rather a bum-numbing long one.

Nicholas de Jongh spoke highly of the production in The Standard:

Platonov de Jongh Standard Platonov de Jongh Standard 12 Sept 2001 Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington also wrote highly of it:

Platonov Billington Guardian Platonov Billington Guardian 13 Sept 2001 The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph was less sure:

Platonov Spencer Telegraph Platonov Spencer Telegraph 13 Sept 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Marriage Play & Finding The Sun by Edward Albee, Cottesloe Theatre, 5 May 2001

Janie and I have a very clear memory of the opening of Marriage Play, in which Bill Paterson’s character, Jack, repeatedly taunts his wife, played by Sheila Gish, with the phrase “I’m leaving you”. It’s a bit “Who’s Afraid…” meets “Dances of Death”, I suppose. But we both recall really enjoying Marriage Play, while we thought a lot less of the second half’s short play, Finding The Sun.

What did the critics think?

Our friend, Michael Billington, was not wild about the evening as a whole, much preferring Marriage Play:

Marriage Billington Guardian Marriage Billington Guardian 9 May 2001 The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer seems to have seen it similarly, while gushing even more about Sheila Gish and Bill Paterson.

Marriage Spencer Telegraph Marriage Spencer Telegraph 10 May 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh, on the other hand, was much taken by both plays, even preferring Finding The Sun:

Marriage de Jongh Standard Marriage de Jongh Standard 9 May 2001 Evening Standard (London, Greater London, England) Newspapers.com

Earlier that day, Janie and I had warmed up for our evening at the theatre by seeing Greta for massage (in my case) and pilates in Janie’s case.

Lulu by Frank Wedekind, Almeida Theatre At Kings Cross, 24 March 2001

To the bus station we went that Saturday to see Lulu very early in the Almeida run. The theatre was being refurbished that season – hence the bus station.

This play might have benefitted from the more intimate atmosphere of the Almeida Theatre itself. The coldness of the bus station served to emphasise the absence of warmth in a sex worker’s craft.

With Anna Friel, Oliver Milburn and Alan Howard taking lead roles and Jonathan Kent directing, it was always going to be a well put together show. Here is a link to the Theatricalia entry.

Nicholas de Jongh was captivated by Anna Friel’s Lulu, but several of his critic colleagues were not. The following piece from the Standard shows the critical divide.

Lulu de Jongh Standard Lulu de Jongh Standard 20 Mar 2001 Evening Standard (London, Greater London, England) Newspapers.com

Janie and I were similarly conflicted over this one It wasn’t just about the bus station setting. Wedekind’s work is open to wide interpretation and this version seemed to be hedging its bets.

Our friend, Michael Billington, expressed similar sentiments well:

Lulu Billington Guardian Lulu Billington Guardian 20 Mar 2001 The Guardian (London, Greater London, England) Newspapers.com

Susannah Clapp was kinder to it than most:

Lulu & Boston Marriage, Clapp Observer Lulu & Boston Marriage, Clapp Observer 25 Mar 2001 The Observer (London, Greater London, England) Newspapers.com

Were we glad to have seen this production? Of course we were.

Entertaining Mr Sloane by Joe Orton, The Arts Theatre, 27 January 2001

After the hoo-ha of being grounded from the Royal Court revival of this play in 1975 …

The Production We Didn’t See – Entertaining Mr Sloane by Joe Orton, Duke of York Theatre, Possibly 7 July 1975

…Entertaining Mr Sloane had been on my bucket list (not that bucket lists had been invented back then) for more than a quarter of a century.

So the chance to see Alison Steadman reprise the role of Kath at the Arts Theatre seemed too good to miss.  I recall she was a very good Kath, ably supported by Neil Stuke as Sloane, Bryan Pringle as Kemp and Clive Francis as Ed.  Variety magazine was less sure about Steadman, but still rated the production.

Did the play still have what it takes, nearly 40 years on?  Michael Billington certainly thought so.  Janie wasn’t so sure – she’s never been convinced by Orton. I thought this one worked better than the revival of What the Butler Saw at the National, which I recall disappointed me, so I didn’t find it dated; but  Tom Keatinge did.

But who cares – I’ve seen the play now and mum couldn’t stop me this time.

Hamlet by William Shakespeare, Lyttelton Theatre, 4 November 2000

It was a bit of a Shakespeare week for us, that week. From Ivan Shakespeare at the Canal Cafe on the Sunday…

A Night For Ivan, (A Random Act Of Kindness & Tribute To The Works Of Ivan Shakespeare), Canal Café Theatre, 29 October 2000

…to one of the Bard’s most famous plays at The National on the Saturday.

Janie isn’t naturally drawn to Shakespeare, but she had never seen Hamlet before and Simon Russell Beale in the eponymous role was a big draw.

I had seen Hamlet before…and at the National before. I had a rare sighting of Daniel Day Lewis in the role before he famously withdrew early in the run to be replaced by Ian Charleson.

Hamlet by William Shakespeare, Olivier Theatre, 18 March 1989

Anyway, The National obviously felt the urge to have another go at Hamlet less than 12 years later, with Simon Russell Beale, Peter McEnery, Sara Kestleman and Denis Quilley to name but a few.

Janie remembers being impressed by the acting, but still not really relating to or engaging with Shakespeare. I remember feeling that I had probably previously seen the best production of Hamlet I was ever going to see, despite thinking that this was pretty darned good; especially Simon Russell Beale’s performance.

Very good indeed.

That’s what I wrote in my log.

But you don’t want to listen to us. Here are some reviews. First up – Nicholas de Jongh, who also liked Simon Russell Beale more than he liked the production

Hamlet de Jongh Standard Hamlet de Jongh Standard 6 Sept 2000 Evening Standard (London, Greater London, England) Newspapers.com

Similarly, our friend Michael Billington applauds SRB’s performance and John Caird’s directing of it, but feels that the production strips out the big picture political aspects of the play:

Hamlet Billington Guardian Hamlet Billington Guardian 6 Sept 2000 The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer, similarly, applauds the performances but finds the production too stripped back for his taste:

Hamlet Spencer Telegraph Hamlet Spencer Telegraph 7 Sept 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Janie noted in her diary that the play ran for 3 hours and fifteen minutes, so I’ll guess that she was grateful for John Caird’s cuts of the political elements – goodness knows how long the play would have taken in John Caird’s hands if we’d also had the Fortinbras sub-plot to deal with.

Still, to summarise the critics – they warmed to the production almost exclusively because of Simon Russell Beale’s quality. I’m surprised that no-one gave their review the headline, “Saved By the Beale”. They missed a trick there.

Macbeth by William Shakespeare, Young Vic Theatre, 3 June 2000

This was a great production. I recall gently persuading Janie to see Macbeth again – she’s no fan of Shakespeare and felt that she had “done” Macbeth when seeing the 1994 Jacobi version.

Macbeth by William Shakespeare, Barbican Theatre, 19 February 1994

It was the pull of Tony Sher and Harriet Walter that won Janie round, firstly to attending and in the end to admitting what a fabulous production this production at The Young Vic was. It was fast, it was furious, it was very memorable. Greg Doran knows a thing or two about doing Shakespeare.

The Theatricalia entry reminds me that the 2000 version was an RSC touring production that started at the Swan in late 1999 and ended up at The Young Vic in mid 2000.

Here’s Charles Spencer’s review from the Swan:

Macbeth Spencer Telegraph

Article from 18 Nov 1999 The Daily Telegraph (London, Greater London, England)

While Spencer gushed, Susannah Clapp really raved about it in the Observer:

Macbeth Clapp Observer

Article from 21 Nov 1999 The Observer (London, Greater London, England)

Paul Taylor also spoke very highly of it in The Independent:

Macbeth Taylor Independent

Article from 17 Nov 1999 The Independent (London, Greater London, England)

Here’s Nicholas de Jongh’s take on the production, once it landed at The Young Vic:

Macbeth de Jongh Standard

Article from 28 Apr 2000 Evening Standard (London, Greater London, England)

Is the ultimate accolade five stars from our friend, Michael Billington?

Macbeth Billington Guardian

Article from 17 Nov 1999 The Guardian (London, Greater London, England)

Of course not – the ultimate accolade is Janie admitting that this was an exciting, jaw-dropping production of a play she didn’t much like.

My Best Friend by Tamsin Oglesby, Hampstead Theatre, 11 February 2000

In truth we don’t remember much about this one. I made no notes in my log about it. I think we quite liked it, but it felt like fairly standard Hampstead Theatre fare.

The Hampstead was still in the portacabins back then, so small, chamber-style work was all the place comfortably could do. Still, we liked the place and went occasionally.

Paul Taylor in the Indy liked it:

Best Friend Taylor IndyBest Friend Taylor Indy 05 Feb 2000, Sat The Independent (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph also liked it quite a bit:

Best Friend Spencer TelegraphBest Friend Spencer Telegraph 27 Jan 2000, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

On the other hand, Nicholas de Jongh in The Standard described it as bland:

Best Friend de Jongh StandardBest Friend de Jongh Standard 25 Jan 2000, Tue Evening Standard (London, Greater London, England) Newspapers.com

We saw it on a Friday evening, so no doubt, in those days, we went to Harry Morgans in St John’s Wood for some crazy=cracing-J-food on the way to the theatre.

Battle Royal by Nick Stafford, Lyttelton Theatre, 11 December 1999

Our verdict on this one:

Had its moments.

That is not a rave review.

This production was awash with star names; Zoe Wanamaker, Simon Russell Beale, Gemma Jones, Suzanne Burden, Brendan Coyle, Matthew Macfadyen…

…directed by Howard Davies.

Here is the Theatricalia link for this play/production.

The production and talent on show was all very high quality – I don’t think the play did it for us.

It didn’t seem to please all the critics either. Nick Curtis in the Standard gave it the dreaded blob:

Battle Curtis StandardBattle Curtis Standard 10 Dec 1999, Fri Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor, in the Independent, also panned it.

Battle Taylor IndependentBattle Taylor Independent 10 Dec 1999, Fri The Independent (London, Greater London, England) Newspapers.com

On the other hand, Charles Spencer in the Telegraph rather liked it:

Battle Spencer TelegraphBattle Spencer Telegraph 10 Dec 1999, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

But our charitable friend, Michael Billington, awarded it a rare mediocre two stars:

Battle Billington GuardianBattle Billington Guardian 11 Dec 1999, Sat The Guardian (London, Greater London, England) Newspapers.com

Bad Weather by Robert Holman, The Other Place, 19 June 1998

Superb…

…was our verdict on this one.

We saw this one as part of an extraordinary whistle-stop long weekend which took in three plays at Stratford (this the first of them), a motorised hike to the Welsh Borders for lunch at The Walnut Tree before going on to Hay-On-Wye for some overnight- second-hand-book-buying on my part before stopping off for a long lunch at Raymond Blanc’s place (Le Manoir aux Quat’Saisons) in Oxfordshire and then home. Friday to Monday. The other bits have been written up separately from this piece – click here or below:

A Long Weekend In Stratford-Upon-Avon & Hay-On-Wye, Including Trips To The Walnut Tree & Le Manoir Aux Quat’Saisons, 19 to 22 June 1998

I think we stayed in the Shakespeare for this trip. Janie booked it but only wrote down “Twelfth Night Room £115 per night” which I suspect in those days was a suite or certainly a superior room. I looked after most of the rest of the trip, including The Old Black Lion in Hay and Le Manoir.

Fabulous cast for Bad Weather – Emma Handy, Paul Popplewell, Ryan Pope, Susan Brown, Barry Stanton & Susan Engel, directed by Steven Pimlott. Here is a link to the Theatricalia entry for this one.

Nick Curtis in The Standard liked it:

Curtis Standard WeatherCurtis Standard Weather 11 May 1998, Mon Evening Standard (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, liked the performances more than the play:

Billington Guardian WeatherBillington Guardian Weather 09 May 1998, Sat The Guardian (London, Greater London, England) Newspapers.com

Whereas Richard Edmonds in The Birmingham Post loved the piece and the performances:

Edmonds Brum Post WeatherEdmonds Brum Post Weather 09 May 1998, Sat The Birmingham Post (Birmingham, West Midlands, England) Newspapers.com