The New Real by David Edgar, The Other Place, 14 October 2024

Not to be confused with The Other Palace, in Westminster, which I visited with my old school pals a few days earlier…

…this visit to The Other Place, in Stratford-Upon-Avon, was the excuse for me and Janie to take a short break in that wonderful town this autumn.

We’re big fans of David Edgar’s plays. Indeed, this was our second David Edgar premier in the past few weeks – his plays seem to come along with the regularity of London buses these days (nothing for ages, then two together):

But in truth I cannot rave about The New Real the way I raved about Here In America.

There was a lot to like about The New Real. Terrific cast who all acted superbly well. Excellent production using the traverse stage and screen effects well. But the overall effect of this rather long play was a sense of over-stimulation by the end of it. So many ideas about politics. So many screen and stage effects. And relatively little human drama to illustrate rather than declaim the points David Edgar wanted to make.

Anyway, despite both coming out of the experience with headaches of over-stimulation, we’re both glad that we have seen this play.

Here is a link to the RSC resources on this one, which will tell you all about the cast and creatives and that sort of thing.

Here is a Google search which should find reviews for this play/production. I believe many/most reviews express a similar view on this play/production to ours…but perhaps with a bit more critical heft than I choose to muster.

English by Sanaz Toossi, The Other Place, 13 May 2024

We saw a preview on our first night in Stratford-Upon-Avon. The next day, we went back for a talk and discussion with several of the creatives for this production.

Janie and I really enjoyed this play/production. We had just arrived in Stratford on a four-day short break and were quite tired that evening. Nevertheless this play held our attention throughout, making us smile., laugh and think in equal measure.

It is set in an “English As A Foreign Language” class in Karaj, Iran, c2008. A class of four, each with their own reason for wanting or needing to attend this class and gain a “Test-Of-English-As-A -Foreign-Language” certificate are taught by a hugely enthusiastic Iranian woman who loves the English language and tries to instil that enthusiasm in her variously enthusiastic, reluctant and/or cognitively-conflicted students.

A recipe for some interesting drama, which is exactly what we got.

The RSC does good stubs for its productions these days – here is a link that tells you all about it, so I don’t have to.

As we saw one of the last previews, I suspect that little will have changed since we saw this production. Having said that, as we ascertained at the talk/discussion the next day, director Diyan Zoya is very hands-on in working with a cast to improve continuously throughout and beyond the preview period.

In the discussion, we saw and heard from not only Diyan Zoya but also Maria Tarokh (movement and cultural advisor) and Sara Amini (assistant director text and dialect). The discussion was led by Conrad Lynch, who has produced the show.

We thought the play and production excellent. Reviews have started to come out (he says, writing just a few days after the press night). This link is a search term that should find most or all of them. The reviews so far have been mixed, with Dominic Cavendish in The Telegraph not liking it a lot and Arifa Akbar in The Guardian slamming it. Yet it gets good or excellent reviews from Amya Ryan in the Times, Michael Davies in WhatsOnStage and Catherine Love in The Stage to name but three others.

Perhaps best to see it and judge for yourselves – Janie and I thought it was 90 minutes very well spent in the theatre.

Goodnight Children Everywhere by Richard Nelson, The Other Place, 20 June 1998

Very good…

…was my conclusion on this one.

Janie and I were partial to a bit of Richard Nelson at that time – the RSC put on several of his works in the late 1990s.

We saw this one as part of an extraordinary whistle-stop long weekend which took in three plays at Stratford (this the third of them), a motorised hike to the Welsh Borders for lunch at The Walnut Tree before going on to Hay-On-Wye for some overnight- second-hand-book-buying on my part before stopping off for a long lunch at Raymond Blanc’s place (Le Manoir aux Quat’Saisons) in Oxfordshire and then home. Friday to Monday. The other bits have been written up separately from this piece – click here or below.

I think we stayed in the Shakespeare for this trip. Janie booked it but only wrote down “Twelfth Night Room £115 per night” which I suspect in those days was a suite or certainly a superior room. I did the rest of the trip, including The Old Black Lion in Hay.

I guess the RSC was on a nostalgia-trip for its older audience at that time, with Talk Of the City at The Swan about the cloud of Nazism and this one at The Other Place set just after the Second World War.

Excellent cast, as you’d expect from the RSC. Catheryn Bradshaw, Sara Markland, Robin Weaver and Simon Scadifield to name but a few. Here is a link to the Theatricalia entry.

Charles Spencer didn’t like the play, but it did pick up an Olivier award so what does he know?

Spencer Telegraph GoodnightSpencer Telegraph Goodnight 11 Dec 1997, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh absolutely hated the play. But it did pick up an Olivier Award so what does he know?

de Jongh Standard Goodnightde Jongh Standard Goodnight 10 Dec 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

Richard Edmonds in The Birmingham Post loved it:

Birmingham Post Edmonds GoodnightBirmingham Post Edmonds Goodnight 12 Dec 1997, Fri The Birmingham Post (Birmingham, West Midlands, England) Newspapers.com

Bad Weather by Robert Holman, The Other Place, 19 June 1998

Superb…

…was our verdict on this one.

We saw this one as part of an extraordinary whistle-stop long weekend which took in three plays at Stratford (this the first of them), a motorised hike to the Welsh Borders for lunch at The Walnut Tree before going on to Hay-On-Wye for some overnight- second-hand-book-buying on my part before stopping off for a long lunch at Raymond Blanc’s place (Le Manoir aux Quat’Saisons) in Oxfordshire and then home. Friday to Monday. The other bits have been written up separately from this piece – click here or below:

I think we stayed in the Shakespeare for this trip. Janie booked it but only wrote down “Twelfth Night Room £115 per night” which I suspect in those days was a suite or certainly a superior room. I looked after most of the rest of the trip, including The Old Black Lion in Hay and Le Manoir.

Fabulous cast for Bad Weather – Emma Handy, Paul Popplewell, Ryan Pope, Susan Brown, Barry Stanton & Susan Engel, directed by Steven Pimlott. Here is a link to the Theatricalia entry for this one.

Nick Curtis in The Standard liked it:

Curtis Standard WeatherCurtis Standard Weather 11 May 1998, Mon Evening Standard (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, liked the performances more than the play:

Billington Guardian WeatherBillington Guardian Weather 09 May 1998, Sat The Guardian (London, Greater London, England) Newspapers.com

Whereas Richard Edmonds in The Birmingham Post loved the piece and the performances:

Edmonds Brum Post WeatherEdmonds Brum Post Weather 09 May 1998, Sat The Birmingham Post (Birmingham, West Midlands, England) Newspapers.com

Everyman by Anon, RSC, The Other Place, 21 April 1997

Very good, surprisingly moving…

…was Janie’s and my verdict on this late-medieval morality play.

Our friend, Michael Billington, was not so sure:

Billington Guardian EverymanBillington Guardian Everyman 16 Nov 1996, Sat The Guardian (London, Greater London, England) Newspapers.com

Unusually, Charles Spencer was more in tune with our thinking on this one:

Spencer Telegraph EverymanSpencer Telegraph Everyman 18 Nov 1996, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

It was sort-of a Complicite thing. Here is the Theatricalia entry on it.

Nicholas De Jongh in The Standard didn’t much like it either.

De Jongh Standard EverymanDe Jongh Standard Everyman 15 Nov 1996, Fri Evening Standard (London, Greater London, England) Newspapers.com

But we did like it – so there!

The Herbal Bed by Peter Whelan, The Other Place, 20 September 1996

I described this play/production as:

…magical…

…in my log.

Janie and I took a short break in Stratford, starting, I think, on the Wednesday afternoon. Details in my diary are scant and Janie’s 1996 has gone walkies (perhaps only temporarily).

I am pretty sure we stayed at The Shakespeare, as was our wont at that time. I mentioned in our 1994 visit:

we stayed at The Shakespeare Hotel that time; I think for the second and possibly the last time. We found the room a bit pokey…

…but on reflection I think this 1996 visit was also the Shakespeare and quite possibly the last visit to that hotel.

As for the play/production, we absolutely loved it. The cast included several people who went on to great things, not least Joseph Fiennes, David Tennant, Stephen Boxer, Teresa Banham and director Michael Attenborough. Here is the Theatricalia entry for the play/production.

One memorable thing about the night we visited was the excitement around the presence of HRH The Prince Of Wales and Camilla (subsequently Duchess of Cornwall). The Other Place isn’t really that sort of place, so the royal attendance was more than a bit of a surprise.

The play/production was very well received, for good reasons.

Here is Michael Billington’s take:

Herbal Bed Billington GuardianHerbal Bed Billington Guardian 24 May 1996, Fri The Guardian (London, Greater London, England) Newspapers.com

Here is a preview from The Evening Standard:

Herbal Bed Standard PreviewHerbal Bed Standard Preview 22 May 1996, Wed Evening Standard (London, Greater London, England) Newspapers.com

Here is Michael Coveney’s Observer review:

Herbal Bed Coveney ObserverHerbal Bed Coveney Observer 26 May 1996, Sun The Observer (London, Greater London, England) Newspapers.com

See, I told you. Magical.

Pentecost by David Edgar, The Other Place, 4 November 1994

In amongst the heave of getting Z/Yen started that autumn, Janie and I did make the time for a solitary long weekend in Stratford-Upon-Avon, during which we saw three plays.

Not exactly a rest cure…

…said Janie, when I latterly (c25 years later, October 2019) showed her the evidence of that weekend.

The evidence shows that we stayed at The Shakespeare Hotel that time; I think for the second and possibly the last time. We found the room a bit pokey.

Anyway, we saw this David Edgar play on the Friday evening and thought it superb. I’ve always been a fan of Edgar’s plays and this is a good example of his work.

Wikipedia is not all that forthcoming about the play – click here – but I learn that we saw the premier and that it won an Evening Standard Award the following year on transfer to The Young Vic.

Theatricalia sets out the cast and crew here.

I’ve managed to find a contemporaneous review of this one on-line – Paul Taylor from the Independent – click here…

…scraped to here just in case the above link goes down.

Here’s a Michael Billington clipping:

Billingtpn On PentecostBillingtpn On Pentecost Fri, Oct 28, 1994 – 40 · The Guardian (London, Greater London, England) · Newspapers.com

Billington On Pentecost Part TwoBillington On Pentecost Part Two Fri, Oct 28, 1994 – 41 · The Guardian (London, Greater London, England) · Newspapers.com

Here’s Michael Coveney’s take:

Coveney On PentecostCoveney On Pentecost Sun, Oct 30, 1994 – 79 · The Observer (London, Greater London, England) · Newspapers.com

Anyway, we loved this play/production, that’s for sure. The notion of art and culture fusing/transferring both from west to east and from east to west is more or less received wisdom now, but the debate in the play, especially while the southern slavic region of Europe was still in turmoil, felt very topical and of the moment in 1994.

Did we eat in Fatty Arbuckle’s that evening? Quite possibly, but unless more evidence turns up we’ll not know for sure.