Tag: William Shakespeare

Twelfth Night by William Shakespeare, Cottesloe Theatre, 15 January 2011

Janie really isn’t into Shakespeare, but Twelfth Night is a play close to my heart, having “done it” at Alleyn’s for the Dramatic Society in 1978.

Twelfth Night, Alleyn’s School, 12, 14, 15 & 16 December 1978

Ever since, I had been keen to see productions of Twelfth Night when they came around. Further, this production with Rebecca Hall as Viola and possibly a last chance to see a by then 80 year old Peter Hall directing…Janie said yes.

In truth, I don’t think this was the best Twelfth Night I have ever seen. It was of course very well acted, directed and produced, but it was a little old-fashioned in style for my taste; it felt like the sort of Shakespeare production I might have seen at the National 20-25 years earlier. I guess I should have expected.

It certainly didn’t do anything to improve Janie’s view on Shakespeare. I explained how much better it was done in the hands of Alleyn’s schoolkids in 1978 and Janie said she could understand exactly what I must mean.

She wasn’t humouring me, was she?

“After all,” said Janie, “you are practically a reincarnation of The Bard, are you not?”

Anyway, here is a link to a search term that finds reviews and other resources on this production. The reviews are a little mixed; mostly suggesting that it was a good, but not great production, which I think sums it up pretty well.

Othello by William Shakespeare, Cottesloe Theatre, 2 August 1997

I don’t think Othello & I get on.

I was underwhelmed when I saw this play for the first time, with Bobbie, in 1989.

Again, this time with Janie, we saw a stellar cast and the work of a fine director (Sam Mendes rather than Trevor Nunn).

My log says:

Sadly, Janie hated it and I had pulled my neck, so we bowed out gracefully at half time. (Well, Janie bowed, I couldn’t bow of course).

My neck condition was doubtless not improved by Janie’s manifest disquiet and the length of the play. Perhaps I had overdone it the previous weekend at Andrea’s BBQ party on the Saturday and Kim & Micky’s evening do the next day.

Apologies to the fine cast who had to do without us for the second half of that evening; Simon Russell Beale, David Harewood & Claire Skinner leading the pack. Trevor Peacock, Colin Tierney, Indira Varma and others supporting well no doubt. It’s either me, or the play, or me & the play…it’s not you, loves. The Theatricalia entry gives you chapter and verse on the cast and crew.

There was a hoo-ha in the press that summer about whether or not Othello could or should be played by a white actor. Having seen Willard White in 1989 and David Harewood in 1997, I was not really party to the phenomenon that Othello is usually played by a white actor and that the play is increasingly rarely performed because some people are uncomfortable about skin colour with regard to that part.

Janie and I saw a preview long before the press night of this production – indeed before most of that press hoo-ha kicked off, which made the hoo-ha seem even more weird to us.

Anyway, Charles Spencer seemed very impressed with the production once press night came around:

Othello Spencer TelegraphOthello Spencer Telegraph 18 Sep 1997, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh seemed to quite like it in The Standard

Othello de Jongh StandardOthello de Jongh Standard 17 Sep 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington found it “brilliant” in the Guardian:

Othello Billington GuardianOthello Billington Guardian 18 Sep 1997, Thu The Guardian (London, Greater London, England) Newspapers.com

I am happy to concede that the critics were right and/but this simply isn’t a play for Janie and probably (even though i am far more partial to Shakespeare than she) not for me either. A pain in the neck is how I remember it.

Twelfth Night by William Shakespeare, Shakespeare Memorial Theatre, 5 November 1994

If my memory serves me correctly, we saw Peer Gynt as a matinee on the Saturday and then Twelfth Night in the evening. It might have been the other way around.

Anyway, Janie and I voted this one very good, as indeed we voted Peer Gynt.

Coincidentally, I realise at the time of writing (October 2019, almost exactly 25 years later), Janie and I saw Emma Fielding star at Stratford again last week in A Museum In Baghdad.

A Museum In Baghdad by Hannah Khalil, Royal Shakespeare Company, Swan Theatre, 14 October 2019

I also realise that this Twelfth Night experience was almost exactly 15 years after my own “legendary” Alleyn’s School production of Twelfth Night:

Twelfth Night, Alleyn’s School, 12, 14, 15 & 16 December 1978

Gosh.

Anyway, this 1994 production of Twelfth Night has all the cast and crew listed on Theatricalia – here.

Just one on-line review – Paul Taylor in The Independent, who hated it while admitting that his was probably a minority view.

Also this Michael Billington clipping to be had:

Billington On Twelfth NightBillington On Twelfth Night Fri, May 27, 1994 – 32 · The Guardian (London, Greater London, England) · Newspapers.com

Also Michael Coveney’s review is there to be clipped:

Coveney On Twelfth NightCoveney On Twelfth Night Sun, May 29, 1994 – 73 · The Observer (London, Greater London, England) · Newspapers.com

We really liked it. Des Barrit an obvious highlight but Emma Fielding was excellent as always and Tony Britton made an excellent Belch…as it were.

I vaguely remember dining at the Shakespeare after theatre that night…or did we do the Shakespeare after Pentecost and Fatty’s after this? Who cares?

Macbeth by William Shakespeare, Barbican Theatre, 19 February 1994

Janie is not partial to Shakespeare, but this production directed by Adrian Noble with Derek Jacobi as Macbeth and Cheryl Campbell as Lady Macbeth was quite special and we both thought it very good.

Theatricalia sets out the deal here.

I now learn that one of the three witches was Tracy-Ann Oberman, who went on (shortly after this production I think), to perform in NewsRevue/SportsRevue. Not our first sighting of her, that was in The Changeling at Stratford:

The Changeling by Thomas Middleton & William Rowley, RSC Swan Theatre, 29 October 1992

Returning to The Scottish Play, though, this is one of two productions Janie and I have seen; the other being the Tony Sher/Harriet Walter production to be Ogblogged “in the fullness”.

A couple of contemporaneous reviews survive on-line:

Here is Michael Billington’s review:

Billington On MacbethBillington On Macbeth Sat, Dec 18, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Here’s the Michael Coveney clipping:

Coveney On MacbethCoveney On Macbeth Sun, Dec 19, 1993 – 58 · The Observer (London, Greater London, England) · Newspapers.com

Not brilliantly well received, then.

Antony And Cleopatra by William Shakespeare, RSC Shakespeare Memorial Theatre, 31 October 1992

This was the second of the two previews Janie and I went to see on our first long weekend away together in Stratford-Upon-Avon.

It seems that Janie decided to “give Shakespeare a go” with me (we have done a few in our time) but in truth she has never got on with Shakespeare. I have got on with Shakespeare but didn’t get on so well with this play and/or this production.

It is a very long play and in truth I don’t think one of Shakespeare’s best. My log records:

We didn’t go great guns on this one.

Good cast: Richard Johnson (Antony), John Nettles (Caesar) and Clare Higgins (Cleopatra).

There is a single fixed camera video of the production apparently, click here for details, including lots of details about exactly who played whom and stuff and where you might find the odd review.

This production probably helped to put Janie off The Bard, but fortunately did not seem to put her off me, despite the fact that (as I recall) the back-aching and thirst-inducing length of the play did little for our moods, especially mine.

Here is the Theatricalia entry for this production.

Below is Michael Coveney’s Observer review:

Changeling, Antony & Cleopatra, Michael CoveneyChangeling, Antony & Cleopatra, Michael Coveney Sun, Nov 8, 1992 – 57 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s Guardian review:

Changeling, Antony & Cleopatra Michael BillingtonChangeling, Antony & Cleopatra Michael Billington Mon, Nov 9, 1992 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Henry IV Parts One & Two by William Shakespeare, Royal Shakespeare Theatre, Part Of A Back-Aching Weekend In Stratford With Bobbie, 27 to 29 September 1991

Back in the day, when I didn’t look much like the bard, Bobbie and I were partial to a bit of Shakespeare.

This sounded like the real deal, with Robert Stephens as Falstaff and Michael Maloney as Hal. A little-known (at that time) actress Linda Bassett played Mistress Quickly and Adrian Noble directed the thing.

Besides, I had studied Henry IV Part One for my English ‘O’ Level, so obviously I knew what I was talking about.

Here is a link to the Theatricalia entry for Henry IV Part One – which we saw on Friday 27 September.

My log for Henry IV Part One reads:

Back-aching but worth it

Whereas for Henry IV Part Two, which we saw on Saturday 28 September, it reads:

Seriously back-aching but still worth it

Here is a link to the Theatricalia entry for Henry IV Part Two.

Both plays were long – hence the back ache. I was still suffering the aftermath of my multiple lower back disc prolapses the previous year.

They were very good productions though.

Below is Michael Coveney’s Observer review of Henry IV Part One:

Coveney on Henry IV Part OneCoveney on Henry IV Part One Sun, Apr 21, 1991 – 56 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s take on Part One in the Guardian

Billington on Henry IV Part OneBillington on Henry IV Part One Thu, Apr 18, 1991 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review of Part Two

Kate Kellaway on Henry Part TwoKate Kellaway on Henry Part Two Sun, Jun 2, 1991 – 72 · The Observer (London, Greater London, England) · Newspapers.com

Here’s Michael Billington in The Guardian ecstatic about the pair after seeing Part Two

Billington On Part TwoBillington On Part Two Sat, Jun 1, 1991 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

We stayed in an unmemorable B&B on the edge of town. I vaguely recall a bossy (i.e. rule-laden) owner.

I think we ate good food. Fatty Arbuckle’s or Lambs, and then The Glory Hole, if I recall correctly. I’m pretty sure the latter on the Saturday night because Henry IV Part Two was so darned, back-achingly long, there was only one eatery in Stratford open that late in those days.

We suffered for our art, going to Stratford, back then.

Much Ado About Nothing by William Shakespeare, Shakespeare Memorial Theatre, 17 November 1990

I went up to Stratford with Moose (Mara Frank) where we saw this wonderful production of Much Ado. My log, I think mistakenly, suggests that we also saw Troilus And Cressida on that trip, but I suspect that I saw a preview of Troilus on my tod in April when in the Midlands for other reasons, perhaps procuring the programme when returning to Stratford with Moose and thus confusing myself a few years later.

Anyway…

…this was a great show. Susan Fleetwood as Beatrice, Roger Allam as Benedick, John Carlisle as Don Pedro, a fine supporting ensemble and the very capable hands of Bill Alexander directing.

Here is the Theatricalia entry for this production.

Michael Billington in The Guardian enthused…sort of:

Billington on Much AdoBillington on Much Ado Thu, Apr 12, 1990 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in the Observer hated it. But what did he know?

Coveney on Much AdoCoveney on Much Ado Sun, Apr 15, 1990 – 56 · The Observer (London, Greater London, England) · Newspapers.com

The Tragedy of Richard III by William Shakespeare, Lyttelton Theatre, 28 July 1990

Bobbie & I were both very keen to see this one – hence our appearance on the first Saturday after press night, booking the tickets long before.

We weren’t disappointed. My log reads:

Superb. The setting was 1930’s style and they made a movie based on this production.

Below is a link to a National Theatre clip:

While below is a clip from the 1995 movie:

Janie would have got less out of this than Bobbie and I did – she is not so keen on Shakespeare, Sir Ian McKellen nor Dame Maggie. (The latter was not in the National Theatre stage production – Susan Engel played Queen Margaret.)

Here is a link to the Theatricalia entry for that Richard Eyre stage production.

Below is Michael Billington’s Guardian review. He also thought this production excellent:

Billington on Dick The ShitBillington on Dick The Shit Fri, Jul 27, 1990 – 31 · The Guardian (London, Greater London, England) · Newspapers.com

In The Observer, Michael Coveney reviewed this Dick The Shit production and also the King Lear with which it was repping:

Coveney on Dick Shit & LearCoveney on Dick Shit & Lear Sun, Jul 29, 1990 – 51 · The Observer (London, Greater London, England) · Newspapers.com

While Kate Kellaway (also in the Observer) interviewed the two protagonists, Ian McKellen (Dick) & Brian Cox (Lear).

Kate Kellaway with Cox & McKellenKate Kellaway with Cox & McKellen Sun, Jul 29, 1990 – 51 · The Observer (London, Greater London, England) · Newspapers.com

Troilus And Cressida by William Shakespeare, Swan Theatre, 19 April 1990

Writing this one up more than 30 years later, I am a bit confused about when I saw it and with whom, if indeed anyone else. I do know for sure that I saw this production at The Swan and was very taken with it.

I took a week off work just after Easter that year, visiting various friends about the place. I’ll write that up as best I can in due course. But in my appointments diary it clearly states “Troilus” 19 April.

Roll the clock forward to November, I saw Much Ado at the Royal Shakespeare Memorial with Moose. Tucked in with the Much Ado programme is the Troilus programme.

So did I simply pick up the programme in November having seen a preview of Troilus on my tod in April, or did I duck out in April and see this in the autumn with Moose? I think the former, but I’ll see if Moose can help me unpick this one.

Anyway, what a cast and what a fine production I recall. Ralph Fiennes was Troilus and I think it might have been a conversation with him at Lambton Place (my health club, latterly BWW) that encouraged me to see a preview of this production at Stratford.

Amanda Root played Cressida very well and David Troughton was a top notch Hector, Paterson Joseph a fine Patroclus. Wonderful supporting cast full of names that latterly became big. Sam Mendes was a bit of a Shakespeare novice back then.

Here is the Theatricalia entry for this production.

Nicholas de Jongh seemed pretty convinced in the Guardian:

de Jongh on Troilusde Jongh on Troilus Sat, Apr 28, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney loved it in the Observer…

Coveney on TroilusCoveney on Troilus Sun, Apr 29, 1990 – 54 · The Observer (London, Greater London, England) · Newspapers.com

…as did I. I only wish I could remember the peripheral details of my visit.

Othello by William Shakespeare, RSC at the Young Vic, 4 November 1989

My log says that this was a transfer from The Other Place in Stratford and that I (possibly we – Bobbie was with me) was/were not 100% sure about it.

What was there not to be sure about? Splendid cast: Willard White as Othello, Ian McKellen as Iago, Imogen Stubbs as Desdemona, Zoe Wannamaker as Emilia…Trevor Nunn directing.

Well, actually, I think I have a bit of a problem with this play. Janie and I saw a National Theatre production about eight years later and I just couldn’t get on with that either.

Othello by William Shakespeare, Cottesloe Theatre, 2 August 1997

I also have a feeling that the 1989 RSC production felt a little over-theatrical to me. There is a certain Trevor Nunn style. Little did I know then that Janie and I would meet Trevor and Imogen – strangely around about the time we saw the 1997 RNT Othello.

Here is the Theatricalia entry for this one.

Here are Ian McKellen’s thoughts on the matter.

Bobbie might be full of memories of this one and chime in…let’s see!

Michael Ratcliffe in The Observer wrote this:

Ratcliffe On OthelloRatcliffe On Othello Sun, Aug 27, 1989 – 36 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington in the Guardian wrote this:

Billington on OthelloBillington on Othello Sat, Aug 26, 1989 – 20 · The Guardian (London, Greater London, England) · Newspapers.com