Buried Alive by Philip Osment, Hampstead Theatre, 27 April 2001

Janie and I thought this one was:

Good.

A fine cast, including Jane Arnfield, Louise Bush, Paul Higgins, Michelle Joseph, Veronica Roberts, John Ramm, Simon Trinder, Al Nedjari, and Gary Lilburn, directed by Mike Alfreds.

Our friend, Michael Billington, was not so impressed, praising the acting but not the play, awarding a rare, mere, two stars:

Buried Billington Guardian Buried Billington Guardian 23 Apr 2001 The Guardian (London, Greater London, England) Newspapers.com

Nicholas de Jongh described it as “disappointing” and awarded a dreaded Standard blob:

Buried de Jongh Standard Buried de Jongh Standard 23 Apr 2001 Evening Standard (London, Greater London, England) Newspapers.com

Unusually, Janie & I agreed with Charles Spencer more than Billington on this one:

Buried Spencer Telegraph Buried Spencer Telegraph 27 Apr 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

I guess we could fall for “the oldest of reactionary canards” occasionally, especially when we went to the theatre after an early Friday evening supper at Harry Morgans.

The following day we went to Kim’s birthday party, which would for sure have lightened our mood after that dark play.

Tales From Hollywood by Christopher Hampton, Donmar Warehouse, 21 April 2001

We saw a preview of this production, which I gave a one word review in my log:

Excellent.

It was memorably good.

Charles Spencer in The Telegraph clearly liked it a lot:

Hollywood Spencer Telegraph Hollywood Spencer Telegraph 3 May 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh in The Standard also reviewed it positively:

Hollywood de Jongh Standard Hollywood de Jongh Standard 2 May 2001 Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington was with us (opinion-wise) on this one too:

Hollywood Billington Guardian Hollywood Billington Guardian 2 May 2001 The Guardian (London, Greater London, England) Newspapers.com

Daniel Hope & Friends, Wigmore Hall, 16 April 2001

I think I booked this one because of the Weill/Brecht. I really like the songs from The Threepenny Opera and you don’t often see them on the Wigmore Hall listings. Janie likes a bit of Shostakovich, so we thought we’d give it a try.

The concert comprised:

  • Alfred Schnittke – Sonata No 1 for Violin and Piano
  • Dmitri Shostakovich – Sonata for Violin and Piano Op 134
  • Maurice Ravel  – Kaddish
  • William Walton – Sonata for Violin and Piano
  • Kurt Weill, Simon Mulligan & Bertolt Brecht – Songs from “The Threepenny Opera”

In truth, I think this concert convinced us that 20th century music, on the whole, is not for us.

Here’s the first movement of the Schnittke, to give you an idea:

Try the last movement of the Shostakovich

I do recall rather liking the Kaddish, which I hadn’t heard before:

Here’s the first movement of the Walton:

Finally, here is a link to a more recent recording by David Frühwirth & Henri Sigfridsson, which I think is a similar sound to that of Hope & Mulligan doing the Threepenny Opera thing, although I think Hope and Mulligan were a bit more jazzy.

Clean by Clare Duffy, & Static by Chris Thorpe, Riverside Studio 3, 12 April 2001

Two short plays at The Riverside.

In truth, 25 years later, I remember little about this evening and/or these plays.

Unusual for us to go to the theatre on a Thursday evening, so something must have inspired us to do that. Possibly the secure knowledge that after my Washington trip the week before, Passover at my parent’s place the preceding weekend, and dinner with Anthea and Mitchell arranged for the next day, this would be our only chance to see this production. I’ll write some more about the Washington trip and those other events elsewhere, when the time feels right.

Still, something else must have inspired us to choose this twinning of short plays by writers we hadn’t heard of, with cast and creatives we also hadn’t heard of.

Theatricalia can’t help me with this one.

To the rescue, Mark Cook with this preview in The Guardian.

Static Cook Guardian Static Cook Guardian 7 Apr 2001 The Guardian (London, Greater London, England) Newspapers.com

Also to the rescue, Patrick Marmion in The Standard. This pretty good review, published the very evening we went:

Static Marmion Standard Static Marmion Standard 12 Apr 2001 Evening Standard (London, Greater London, England) Newspapers.com

Boston Marriage by David Mamet, Donmar Warehouse, 31 March 2001

Janie and I are partial to a bit of David Mamet. We were also very excited to be seeing Zoe Wanamaker & Anna Chancellor (plus a young, then unknown, Lyndsey Marshal), directed by Phyllida Lloyd, early in the run at the Donmar Warehouse.

My memory and my single word log review…

pretentious

…suggests that we were a bit disappointed by the play.

Let’s see what the professionals thought of it.

Charles Spencer in the Telegraph really liked it:

Boston Spencer Telegraph Boston Spencer Telegraph 19 Mar 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Our friend Michael Billington was more critical, especially with regard to the plot -or rather, its near-absence – but still mustered four stars.

Boston Billington Guardian Boston Billington Guardian 17 Mar 2001 The Guardian (London, Greater London, England) Newspapers.com

Nicholas de Jongh, similarly, suggests that the performances trump the play to make a worthwhile production.

Boston de Jongh Standard Boston de Jongh Standard 19 Mar 2001 Evening Standard (London, Greater London, England) Newspapers.com

Janie and I defer to the wisdom of the professional critics. The performances were good, we grant. But don’t attempt this play as am-dram unless you have three superb actresses to carry the evening.

Akademie für Alte Musik Berlin, Wigmore Hall, 30 March 2001

Janie and I were partial to the Akademie für Alte Musik Berlin and also we are Telemaniacs, so this concert was an obvious one to book, even coming so soon after another delicious-looking Baroque concert on the preceding Sunday.

We were not disapointed.

We heard:

  • Georg Philipp Telemann – Volker Ouverture in B flat major TWV55:B5
  • Johann Sebastian Bach – Harpsicord Concerto in D minor BWV1052
  • Antonio Lucio Vivaldi – Concerto Grosso in A minor Op 3 No 8 RV522
  • Georg Philipp Telemann – Ouverture La Bizarre in G major TWV55:G2

Below are some good embeds of the above pieces:

Dinner In Chelsea, At Zaika, With Kim & Micky, 27 March 2001

Chef Vineet Bhatia by Ronbhat24, CC BY-SA 4.0 via Wikimedia Commons

We didn’t often go to seriously fashionable restaurants with Kim & Micky. Kim is vegetarian and tends to order “plain” more or less wherever we go. But Kim is partial to Indian food and this Chelsea place, under big name chef Vineet Bhatia, was making media waves by gaining a Michelin Star.

Just imagine – an Indian restaurant with a Michelin Star! Well, in 2001, it was unusual – indeed I think a first.

In those days Zaika was in Chelsea – so all those readers who are screaming at their screens that Kensington and Chelsea are not the same place…stop screaming. Zaika moved to Kensington a year or so after our visit.

This was, actually, a very memorable meal and memorable evening. The food was exceptionally good, as was the ambiance and everything about the experience.

All four of us were on good form. Whether that was down to Vineet’s skills or not I cannot say. We could all four be on good form without eating at a place of Zaika’s quality.

Here’s a review of the place from the Observer a few weeks before our visit. Reading it has made me feel hungry!

Zaika Flett Observer Zaika Flett Observer 11 Feb 2001 The Observer (London, Greater London, England) Newspapers.com

The Musicke Companye, Wigmore Hall, 25 March 2001

I sense that this particular collection of musicians under this particular “olde worlde nayme” did not last long, despite the plaudits.

But what a lovely concert. Sunday evening bliss.

  • Alessandro Scarlatti – Motet “Salve Regina” in F minor for soprano, alto, strings and continuo
  • Antonio Lucio Vivaldi – Concerto in G minor RV 416 for cello, strings and continuo
  • Domenico Scarlatti – Motet “Salve Regina” for soprano, alto and continuo
  • Giovanni Battista Pergolesi – Motet “Stabat Mater” for soprano, alto, strings and continuo
  • Johann Sebastian Bach – Concerto for Oboe d’Amore BWV 1055 (also transcribed Harpsicord)

I have replicated the gig below with some excellent versions in YouTube embeds.

Lulu by Frank Wedekind, Almeida Theatre At Kings Cross, 24 March 2001

To the bus station we went that Saturday to see Lulu very early in the Almeida run. The theatre was being refurbished that season – hence the bus station.

This play might have benefitted from the more intimate atmosphere of the Almeida Theatre itself. The coldness of the bus station served to emphasise the absence of warmth in a sex worker’s craft.

With Anna Friel, Oliver Milburn and Alan Howard taking lead roles and Jonathan Kent directing, it was always going to be a well put together show. Here is a link to the Theatricalia entry.

Nicholas de Jongh was captivated by Anna Friel’s Lulu, but several of his critic colleagues were not. The following piece from the Standard shows the critical divide.

Lulu de Jongh Standard Lulu de Jongh Standard 20 Mar 2001 Evening Standard (London, Greater London, England) Newspapers.com

Janie and I were similarly conflicted over this one It wasn’t just about the bus station setting. Wedekind’s work is open to wide interpretation and this version seemed to be hedging its bets.

Our friend, Michael Billington, expressed similar sentiments well:

Lulu Billington Guardian Lulu Billington Guardian 20 Mar 2001 The Guardian (London, Greater London, England) Newspapers.com

Susannah Clapp was kinder to it than most:

Lulu & Boston Marriage, Clapp Observer Lulu & Boston Marriage, Clapp Observer 25 Mar 2001 The Observer (London, Greater London, England) Newspapers.com

Were we glad to have seen this production? Of course we were.

Out In The Open by Jonathan Harvey, Hampstead Theatre, 23 March 2001

I remember this play in particular for its juxtaposition, a week after our visit to Doug and Paul’s house, as a quintessentially gay play.

I remember quite liking the play and being impressed by the cast, while feeling that “we can get all that at home”…or at least, at Doug and Paul’s home.

Excellent cast: Mark Bonner, James McAvoy, Linda Bassett, Sean Gallagher, Michele Austin and Vilma Hollingbery, directed by Kathy Burke.

Charles Spencer in The Telegraph rather liked this one:

Out Spencer Telegraph Out Spencer Telegraph 22 Mar 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh gave it the dreaded Standard blob:

Out de Jongh Standard Out de Jongh Standard 21 Mar 2001 Evening Standard (London, Greater London, England) Newspapers.com

While our friend, Michael Billington, hedged and gave it three stars. I think we sort of went with three stars too.

Out Billington Guardian Out Billington Guardian 21 Mar 2001 The Guardian (London, Greater London, England) Newspapers.com