Not top drawer Fugard, this, but Janie and I are/were partial to Athol Fugard’s work and partial to The Orange Tree. This was to be the premier of a new Fugard play at one of our favourite places. What could there be not to like? We weren’t disappointed.
The cast: Peter Gale, Ben Warwick, Chad Shepherd and Leah Muller were all excellent. Auriol Smith directed this one well.
I think we went to see this just after press night.
Unusually, The Guardian didn’t cover this one. How are Janie and I supposed to know what to think about this sort of play unless our friend, Michael Billington, tells us?
Seriously, we pretty much agreed with the above two reviews. It felt a little self-indulgent but we could forgive Athol Fugard some self-indulgence as he has entertained us so much and did so again in this piece.
No doubt we ate at Don Fernando and no doubt the waiters asked after The Duchess, as was their wont back then when Janie and I went to Richmond without her.
Who in their right minds would arrange a night with the Duchess on Friday 13th, ahead of a weekend with the in-laws…or, as I used to describe them before Janie and I got married, out-laws?
…but had missed My Night With Reg when it premiered.
As usual, The Questors Theatre did a more than serviceable job of putting on this type of play. And as usual, The Questors puts professional theatres to shame with the consistency and quality of its archive – click here for all the resources on the production we saw.
We have no record of where we ate afterwards. We must have eaten somewhere. Probably a local place chosen on the basis of who would be open once the play had ended.
We do know where we stayed in Bristol on this occasion. Janie wrote down Swallow, but then detailed notes on the Thistle Hotel, which I am sure would have been Phillie & Tony’s pick, for reasons of their own. Janie and I would have been more enthusiastic about the Swallow, which at least had good swimming pool and “spa-like” facilities, whereas the Thistle was more than a little mere.
Still, we all helped Chris celebrate his birthday, which was the purpose of the visit. I’m pretty sure this was a big extended table family do at Hil & Chris’s house. Not quite as much drama as My Night With Reg, but surely some.
No idea what Part One was about – presumably Part Two looked the more interesting concert to us or Part One was on a date we couldn’t do.
We heard:
Josquin Desprez – Missa Sine nomine
Josquin Desprez – Memor esto
Josquin Desprez – Victimae paschali
Josquin Desprez – Tu solus qui facis mirabilia
Heinrich Isaac – Tota pulchra es
Nicholas Gombert – Magnificat IV
The Tallis Scholars under the leadership of Peter Phillips are always terrific at this sort of stuff. Among the finest exponents of Josquin, The Tallis Scholars have recorded the lot.
Here’s a recording of them singing Heinrich Issac’s Tota Pulchra Es:
While here is a short excerpt from the Gombert Magnificat.
I’m pretty sure that I bought my copy of that CD, with all the Gombert Magnificats, at that concert. That’s a recording I return to quite often, as it is so good. Here’s a link to the whole thing on YouTube Music.
Janie and I gave this one a single word review in my log:
Superb.
A very memorable evening in the theatre. Set on and about the people of the remote island of Tristan da Cunha, we were both captivated by this play and production.
The cast: Paola Dionisotti, Gary McInnes, Kevin McMonagle, Darrell D’Silva, Arlene Cockburn and Greg Knowles were all superb, with Paola Dionisotti being the stand out performer. Here is a link to the Theatricalia entry.
We saw a London preview, although the production was a transfer from Edinburgh.
Nicholas de Jongh was pretty pleased with it, rating it very good:
A few of the reviews, including this anonymous one from The Guardian, suggest that the play was too long – but clearly Janie and I were sufficiently captivated, as long plays rarely got “superb” ratings form us:
In truth I remember little about this one. Terrific cast: Justin Salinger, Samantha Edmonds, Lisa Palfrey, Jonathan Cullen, Stanley Townsend and Sheila Hancock, directed by Rufus Norris.
It got neither plaudits nor roasting in my log, which probably means that we didn’t feel strongly about it either way.
Actually Julian Bream had to drop out of this concert at the last minute, so we got everyone else, but not him. We also got all the other pieces, but not the Bach Cello suite on the guitar.
I made no note about a replacement piece, so I suspect we had a shortened concert. This is what we heard:
Thomas Tallis – Loquebantur
John Taverner – Quemadmodum
William Byrd – Tribue, Domine
Fryderyk Chopin – Ballade No 1 in G minor, op 23
Johannes Brahms – Intermezzo in A major, op 118 no 2 –
Franz Liszt, Richard Wagner – Isoldens Liebestod
Leos Janacek – String Quartet no 2
My only other log note is that we bumped into James Davidson, who was (or probably by then, had been) the Director of Finance at Cancer Research Campaign, one of my earliest Z/Yen clients in the mid 1990s. He lived nearby in Notting Hill Gate and used to address me (in the street or at CRC) as “Lord Harris”, because he said my fee rates were so high. When we asked him for a testimonial to put on our spanking new Z/Yen website, he said:
expensive, but worth it…
…which we thought at the time was as good as it gets.
I suspect that this Tuesday night charity concert was expensive but worth it too.
Sadly, Julian Bream never recorded his live party piece of playing the BWV1012 Cello Suite on the guitar, but here’s a recording of a fine guitarist, Paulo Martelli, who has recorded his playing of part of it live:
So there’s the stuff we didn’t see or hear.
Here’s a recording of the Tallis Scholars singing Loquebantur, which is wonderful:
Here’s the Gesualdo Six singing Taverner’s Quemadmodum
Back to The Tallis Scholars, as there is a vid of them singing The Byrd:
PHILLIPS: Hey, are you looking at my Byrd?
There’s not a lot of Martin Roscoe to be found on-line – but here is Krystian Zimerman playing the Chopin:
I don’t suppose the Janáček string quartet much pleased us. Here’s the Amphion String Quartet doing their level best with it:
Well if you thought that Reza’s work was Chekhovian, Michael, just wait until you see The Cherry Orchard.
Another Saturday night at the theatre which didn’t raise a comment in my log at the time. Perhaps we were overdoing at bit at that time.
Amazing cast: Maxine Peake, Roger Allam, Michael Bryant, Vanessa Redgrave, Eve Best, Corin Redgrave (yes, that was two Redgraves for the price of one), and many other fine acting folk, directed by Trevor Nunn.
…we ventured to the Almeida for Yazmina Reza’s much anticipated follow up to Art…except it turned out to be an earlier play, not a subsequent one.
I wrote nothing in the log about this one, and sense that we weren’t overly impressed, but nor were we especially disappointed. I remember little about it other than it being a very high-end Almeida cast and production.
Paul Higgins, Amanda Root, Clare Holman, Claire Bloom, Matthew Marsh & David Calder were the cast. Howard Davies directed it. Here is a link to the Theatricalia entry.
Let’s see what the pundits had to say.
Susannah Clapp was not impressed, other than with Claire Bloom: