Judges Are Senile, NewsRevue Lyric, 12 June 1993

I don’t recall this lyric being used in NewsRevue, but there are a few minor revisions of it on my machine over that summer, so I’m guessing that it probably was.

JUDGES ARE SENILE


(To the Tune of “Putting On The Style”)
 
VERSE 1
 
Eighty three, goes to court, likes to wear his wig,
Britain’s legal system appointed this old prig;
He was a bright young lawyer who made a legal pile,
But now he’s old and talks baloney, judges are senile.
 
CHORUS 1
 
Oh
Magistrates are lunatics, judges are senile,
That’s why it’s a toss up what happens at a trial;
Convicted rapist walks free, another court meanwhile,
Jails a kid who smoked dope, judges are senile.
 
VERSE 2
 
Starforth Hill blames a girl ‘cos he’s off his board,
If he goes on at this rate they’ll make him a law lord;
He says all girls are sinful as does Judge Argyll,
These old sods know not what they’re saying, judges are senile.
 
CHORUS 2
 
Oh
Justices need therapy, judges are senile,
Most right thinking people find their opinions vile;
Ernest Saunders set free, judge gives him a smile,
Old Ernest has Alzheimer’s but is not senile.
 
VERSE 3
 
Justice on the Woolsack, the appeal court’s packed,
The House of Lords gives judgement ten years after the act;
That House is not debating the crimes that we revile,
But huge vexatious corporations suing for a pile.
 
CHORUS 3
 
Oh
UK courts are such a crime, judges are senile,
That’s why lots of young folks want other domicile;
We should make British justice defend itself on trial,
Let’s start by sacking judges who have gone senile….
i-ile, i-ile, i-ile.

This link takes you to the lyrics of Puttin On the Style. Below is a vid of Lonnie Donegan singing Puttin On The Style:

Below is the updated lyric for Verse Two and Chorus Two dated 11 July 1993:

JUDGES ARE SENILE – VERSION TWO

(To the Tune of “Putting On The Style”)
 
VERSE 2
 
Criminal Justice Bill scraps half of our rights,
Our hope of getting justice is like free Hoover flights;
We’ll lose our right to juries resolving our trials,
And get some bigot Magistrates with arthritis and piles.
 
CHORUS 2
 
Oh
Magistrates need therapy, most of them are vile,
They behave like judges but lack judicial guile;
Although the Magna Carta’s been around a while,
The stupid Royal Commission would scrap jury trials.

It seems I further revised Verse Two in August 1993:

VERSE 2
 
Criminal Justices scrap half of our rights,
Our hope of getting fairness is like free Hoover flights;
We’ll lose our right to juries resolving our trials,
And get some bigot Magistrate with arthritis and piles.
 

The Showman by Thomas Bernhard, Almeida Theatre, 12 June 1993

Janie and I both thought this play/production was very good.

Alan Bates was a superb actor and was espececially suited to this role. The supporting cast were excellent under Jonathan Kent’s expert direction.

Below is Michael Billington’s judgment on the piece:

Billington On the ShowmanBillington On the Showman Wed, May 19, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney was also very keen on this play/production:

Michael Coveney On The ShowmanMichael Coveney On The Showman Sun, May 23, 1993 – 64 · The Observer (London, Greater London, England) · Newspapers.com

Janie and I still say “my dear child” in the gnarley style that Alan Bates delivered that phrase in this production.

This was our first visit to the Almeida together and I have a feeling we ran into my NewsRevue friend Ivan Shakespeare on this occasion and indeed on more than one of our first few occasions at the Almeida. Ivan was a volunteer there and I think he did Saturday evenings whenever he could.

A Direct Communication, But Absolutely Not A Letter Of Complaint To Time Magazine, 11 June 1993

I have just started retro-blogging Janie’s and my first big adventurous holiday, 25 years ago, to China, Hong Kong and Bali:

An Anticlimactic Start To My & Janie’s First Big Travel Adventure Together, 14 to 16 November 1993

While wading through some papers connected with that holiday, I found the following photocopy of a letter to Time Magazine, who, it seems, were unwilling to say goodbye to me as a paying customer, despite my attempts to cancel my subscription.

Why the letter starts on the right hand page and moves on to the left I think is just a photocopying thing. Or it might be an ethnic quirk…he says, without a hint of irony.

As the letter makes clear in the last sentence, it is not a complaint. Goodness only knows what a complaint from me would have looked like back then.

Anyway, the letter made me laugh when I uncovered it after all these years. It made me realise that I am not turning into a cantankerous old git…I was always a cantankerous git…I’m just “gitting” older.

Telecom Charges, NewsRevue Lyric, 6 June 1993

I don’t think this lyric ever made it into the show and possibly just as well. The slow numbers have to be very good to work in the show and this lyric doesn’t make the grade as I look at it 25+ years later.

TELECOM CHARGES

(To the Tune of “Wichita Lineman”)
 
VERSE 1
 
I am a financier for BT,
And I’ll buy BT 3;
Fifty quidsworth yuppy,
Taking shares profitably.
 
They’re raking in a huge pile,
They’re making hay while the sun shines;
Cos the Telecom charges,
Are way out of line.
 
VERSE 2
 
I know they have some competition,
But it don’t look like trade;
As Mercury it seems to me,
Can never make the grade.
 
Those BT fat cats are laughing,
They make more money every time;
Cos those new operations,
Must hire BT lines.
 
VERSE 3
 
But someday soon BT will tumble,
And lose their monopoly;
Now yuppies drone on cordless phones,
That don’t come from BT.
 
And though we need them more than want them,
And wally’s use them at odd times;
The cellular cordless,
Don’t use BT lines.

Below is Glen Campbell singing Wichita Lineman, with the lyrics of that song there to be seen on the screen:

Scarborough Cliffs/Oh I Do Like To Be Beside The Cliff Face, NewsRevue & Ben Murphy Lyrics, 6 June 1993

The day before I wrote these lyrics, a large chunk of a Scarborough Hotel, Holbeck Hall, fell from the top of the cliffs into the sea, as a result of coastal erosion.

This seemed like good material for topical satire; which it was.

The first part of the lyric, the Scarborough Fair bit, was not much used, but the second part of the lyric ran in NewsRevue for some time and was recorded by Ben Murphy on his album that summer; click below:

                                           SCARBOROUGH CLIFFS


                                       (To the Tune of “Scarborough Fair”)
 
VERSE 1
 
Are you going to Scarborough cliffs?
Strawberry jam, whipped cream, scones and tea;
The eastern coast has started to shift,
Scarborough’s falling into the sea.
 
VERSE 2
 
Tell her to find me a Chippendale chair,
Walnut, oak, ebony or teak;
Now Holbeck Hall has laid itself bare,
She may catch a falling antique.
 
VERSE 3
 
Beautiful paintings are now on the skids,
Renoir fakes, Picasso and Freud;
One genuine worth thousands of quid,
In the struggle may be destroyed.
 
VERSE 4
 
Through the soil where once flowers bloomed,
Scavenge greedy bastards below;
You’ll see the folk who were not entombed,
Next week on the Antiques Road Show.
 
 
OH I DO LIKE TO BE BESIDE THE CLIFF FACE
(To The Tune Of “Oh I Do Like To Be Beside The Seaside”)
 
Oh I do like to be beside the cliff face,
Oh I do like to be beside the sea;
Oh I do like to watch the bits of Holbeck Hall,
Crumble away and fall till it’s not there at all.
 
Just bury me beside the cliff face,
I’ll be impaled by cutlery;
Then a Chippendale bedstead will descend onto my head,
Beside the cliff face,
Beside the sea.

Below is Simon and Garfunkel’s recording of Scarborough Fair:

Below is the original recording of Oh I Do Like To Be Beside The Seaside by Mark Sheridan, from 1909. The chorus starts around the 48 second mark:

The Belle Of The Belfast City by Christina Reid, Orange Tree Room, 5 June 1993

Of the three plays Janie and I went to see at the Orange Tree Room together, before that “above the pub” bit of the Orange Tree empire closed down, this is the only one for which I still have the “programme” – i.e. sheet of paper:

Just as well I have the sheet, because, unlike Saigon Rose – click here or below…

Saigon Rose by David Edgar, Orange Tree Room, 20 March 1993

…I cannot find any reviews on-line.

Ian Angus Wilkie of NewsRevue fame once again found his way into the cast; he must have found favour with the Orange Tree folk back then and for good reason.

I was gutted that Ian Angus Wilkie didn’t list NewsRevue in his recent relevant experience – it had only been about a year before – perhaps less ( I have a feeling he did Edinburgh or Christmas that 1992 year). How could he hold back on reporting that career highlight?

All I wrote in my log for this one was that I thought it was a very good play/production – which was the way I felt about all the things we saw in that Orange Tree Room…but in truth this was the least memorable of the three, for me.

Sex In My Anorak by John Random & Others (Including Me), Opening Night, Canal Cafe Theatre, 2 June 1993

Janie joined me (and I’m sure quite a few of my NewsRevue writer friends) for the opening night of this show, conceived by John Random.

I think the idea of it was to be a showcase for revue material that John and others of us sometimes wrote that was not ideally suited to the topical NewsRevue show.

I have a couple of pieces of paper about the show, one of which tells me that I forked out some dosh to angel the show.

I cannot remember how much, if any, of that cash came back to me. John might have information on’t.

Here’s the other artifact, which was a sort of interim newsletter which also gives some clues as to the conceit (if that is the right word) of the show.

I also cannot remember how many, if any, of my lyrics found their way into this show.

In fact, the item I remember most clearly about this show is an idea that John in the end didn’t use, which was the idea of performing Spike Jones’s version of the Hawaiian War Chant live.

It would have been wicked hard to stage well with four performers and one pianist. But John and I both still regret that the idea got…as it were…spiked.

I do remember one of John’s numbers, which I think was the closing number, named Living In A Cliche, which was a spoof of Bon Jovi’s Livin’ On A Prayer.

Gosh, yes, that track is simply asking for the John Bon Random treatment.

I wonder whether John still has running orders and/or other materials pertaining to Sex In My Anorak. I do remember thinking the show was rather good.

Postscript: a few months ago we had a discussion about this show and also about Bish Bash Bosh on Facebook in the NewsRevue group – click here for link. Nick R Thomas in particular remembered some interesting stuff about Anorak:

I had a co-written sketch about cats. If I remember correctly, the sketch I wrote with Bournemouth writer Gary Mitchell was about the Cats Protection League actually being a protection racket run by cats.

John had a wonderful running song sketch throughout based on 2Unlimited but featuring nuns, eg “No no, no-no no no, no-no no no, no-no sex before marriage”.

Come to think of it, this No Limit number was also simply asking for the 2Johnlimited Random treatment.

Norman The Chancellor, Topical Lyric, 30 May 1993

I cannot recall whether or not my January 1992 sardonic song about Norman Lamont was ever performed in NewsRevue.

But this one, when he resigned in May 1993, was a feature of the show for some time and I think went to Edinburgh that summer too. It has a nice political knockabout quality to it.

Strangely, I don’t think there were, in May 1993, confirmed rumours that Norman was going to score City directorships in a hurry; I was supposing. But by September he had joined the Board of NM Rothchild and I wrote a rather pointed update to my lyrics that autumn, click here to see those, which extended its shelf life.

The tune is the well-known children’s song, Nellie the Elephant:

Here’s the original May 1993 version of my lyrics:

♬ NORMAN THE CHANCELLOR ♬

(To the Tune of “Nellie The Elephant”)

VERSE

One grey day,

A cabinet shuffle came;

The people said they were badly lead,

And Norman got the blame.

John may say,

He offered environment;

But Norman’s sights were on greater heights,

So he left in discontent.

 

CHORUS

Oh,

Norman the Chancellor packed his punch,

And said goodbye to John’s circus;

Off he went in a grumpety grump, grump, grump, grump.

Norman the Chancellor did some lunch,

And said hello to the city;

He’ll get rich in the slumpety slump, slump, slump, slump.

 

MIDDLE BIT

Directorships were calling far far away,

He stopped and bought,

His cigars and port,

In a Threshers on the way.

 

OUTRO

So,

Norman the Chancellor left the bunch,

To slag them off in his memoirs;

Griping that he was dumpety dump,

Dump,

Dump,

Dumped.

 

 

Bagels In The Morning, NewsRevue Lyric, 29 May 1993

This was a rewrite of one of my earliest comedy lyrics.

The original was generic, but the rewrite was intended for NewsRevue – in honour of Barbra Streisand’s much publicised affair with Andre Agassi, which Agassi at one time described as “like wearing hot lava”.

I don’t think this lyric was ever used in the show.

                                   BAGELS IN THE MORNING – VERSION TWO
(To the Tune of “Angel of the Morning”)
 
VERSE 1 – BARBARA STREISAND
 
You tell me I am your princess,
And Barbara Streisand’s all the rage;
You, Andre, fell for my caress,
Despite the fact I’m twice your age.
 
Our love affair is so audacious,
That when I wake up I’m voracious.
 
CHORUS 1 – BARBARA STREISAND
 
Go fetch me bagels in the morning,
Go fetch me lox with smooth cream cheese,
Go fetch me bagels in the morning,
I’ve conquered Andre Agassi.
 
VERSE 2 – ANDRE AGASSI AND BARBARA STREISAND
 
ANDRE:You were a less assertive catch,
When we met at the Open;
I courted you game set and match,
 
BARBARA:With fumbling and gropin’.
 
In your virility I trusted,
But you didn’t cut the mustard.
 
 
CHORUS 2 – ANDRE AGASSI
 
ANDRE:I’ll need some new balls in the morning,
I need to work on my forehand;
My only service ace this morning,
Is bringing bagels for Streisand.
 
BARBARA:Some with seeds and onions,

CHORUS 3 – BARBARA STREISAND {AND ANDRE AGASSI IN HARMONY}
 
Go fetch me bagels in the morning, {I’ll fetch her bagels in the morning}
Go fetch me lox with smooth cream cheese, {I’ll fetch her….}
Go fetch me bagels in the morning, {I’ll fetch her bagels in the morning}
 
ANDRE:This cow’s impossible to please.

I demonstrated a suitable tune on the 1991 version with PP Arnold’s rendition of Angel Of The Morning. Here is Juice Newton’s rendition of the same song:

Car Maker Burana, NewsRevue Lyric, 24 May 1993

I watched very little television in those days – I had no TV at the flat from the summer of 1990 until towards the end of that decade. I did see some TV at Janie’s place and at the gym, though – clearly the amount of advertising dedicated to selling cars made an impression on me.

This lyric did well in NewsRevue – I especially remember Jonathan Linsley liking it – perhaps for its lung-busting quality – perhaps for the out of context thought of chicken korma.

                                             CAR MAKER BURANA

(To the Tune of “O Fortuna” from “Carmina Burana”)

(OPTIONAL ANNOUNCEMENT:And now we proudly present Car Maker Burana by Carl Ott)

INTRO

A fortuna, we’ll spend sooner,

Car makers advertising.

VERSE 1

Ford Mondeo, Renault Clio,

The advert’s saying sod all;

Vauxhall Corsa ads are coarser,

A topless supermodel.

VERSE 2

Fiat Strada, Skoda, Lada,

Don’t advertise on tele;

Ford Fiesta on the tester,

Unleaded is less smelly.

VERSE 3

Austin Metro, Audi Quatro,

Are advertised on posters;

Fiat Tippo, Ford Scorpio,

Both run like roller coasters.

VERSE 4

Swift Suzuki, Honda Pukey,

These rhymes have got remoter;

Nissan Dorma, Chicken Korma,

And that is all for now as we have got to motor.

Technically, the above lyric is version two which was published a couple of months later. The only line that seems to have changed between the two versions is line two of verse one, which started its life as:

The adverts are such twaddle;

A little note for the completists, there.

Postscript: 25+ years after writing Car Maker Burana, I have become more ensconced in the world of early music, both reading about it, playing it and playing about with it. I stumbled across the following essay by my early music teacher, Ian Pittaway, which made me realise that, far from being a modern parodist, I have long been a contrafactist in a tradition dating back hundreds of years.

One song to the tune of another: early music common practice, 800 years before Humph

Not only that, but the specific work I chose to parody…I mean, as my contrafactum…for the Car Maker lyric, is from a 12th/13th century goliardic tradition of just such contrafacta. Go figure.

Anyway, here is a video of O Fortuna from Carl Orff’s Carmina Burana with translation on the screen…

…and here is Simon Rattle and the Berlin Philharmonic delivering the piece more recently:

While here is a third and slightly weirder version.