RNT – Page 13 – Ian Louis Harris

Mrs Klein by Nicholas Wright, Cottesloe Theatre, Followed By Dinner at RSJ, 19 November 1988

The diary is quite clear about this one:

I rated the play/production very good indeed at the time. I am pretty sure that Bobbie rated this highly too.

Here is a link to the Theatricalia entry for this production. Some cast: Gillian Barge, Francesca Annis and Zoe Wanamaker. Peter Gill directed.

There is a page about this production on Zoe Wanamaker’s website – here.

Below is Michael Billington’s Guardian review:

Billington on Mrs Klein Fri, Aug 12, 1988 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael ratcliffe’s Observer review:

Ratcliffe on Mrs Klein Sun, Aug 14, 1988 – 37 · The Observer (London, Greater London, England) · Newspapers.com

More than 20 years later, Janie and I went to see the revival of this play at the Almeida – which I also rated highly:

Mrs Klein by Nicholas Wright, Almeida Theatre, 24 October 2009

Bobbie and I went to RSJ’s after seeing the 1988 production. RSJ was one of our favourite places back then. I recall Janie liking that place too. It is still there in 2018 but apparently with a different formula.

That was a top notch evening back in November 1988.

Cymbeline by William Shakespeare, Olivier Theatre, With Bobbie, 15 November 1988

This production started its life at the Cottesloe, then went on tour and then returned to the National at the Olivier. Bobbie and I caught it on its return.

Theatricalia lists the production here.

I recall not much liking this play. We had seen a cast comprising mostly this ensemble perform The Tempest some months earlier, which I had loved. I think it was that experience that drew us to Cymbeline.

I also realised by then that I prefer smaller spaces than the Olivier – there was a comparatively impersonal feel to the Cymbeline and I remember wondering whether I would have liked it more in the Cottesloe.

Still, it was a fine production with an excellent cast. I wonder what Bobbie thought of it and/or recalls about it?

Below is Michael Billington’s Guardian review of Cymbeline:

Billington on Cymbeline Mon, May 23, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review, which also covers The Tempest:

Ratcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

This was my last week working for Newman Harris, I was doing exam marking for Financial Training college to make a few extra bucks and on the preceding Monday my parents went on holiday. How do I remember all that?:

Mountain Language by Harold Pinter, Lyttelton Theatre, 25 October 1988

Wow – this was a real experience in the theatre. Only a short piece – not even half an hour long – Bobbie and I will have both traipsed to the National after work, spending far more time traipsing than watching. But the memory of this piece lingers long in the memory.

Here is the Wikipedia entry about the play.

What a cast – see this Theatricalia entry for details. Michael Gambon, Miranda Richardson, Tony Haygarth, Eileen Atkins…

…Pinter himself directing…

…Julian Wadham was also in it – I seem to recall that Bobbie was working with his sister at that time.

I rated it very good indeed in my log and I remember talking and thinking about the piece long after the curtain call.

Below is Michael Billington’s Guardian review:

Billington on Mountain Language Sat, Oct 22, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Ratcliffe on Mountain Language Sun, Oct 23, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

I subsequently saw the piece again, in a double bill with Ashes To Ashes at the Royal Court, with Janie second time around. It is a very strong piece and no doubt can still shock and make the audience realise how bad regimes exert their power in part through the suppression and abuse of language.

What an honour to have seen the first production of this important, though short, piece of drama.

The Father by August Strindberg, Cottesloe Theatre, 15 October 1988

Oh I do love a bit of Strindberg and this was an especially memorable production of one of Strindberg’s best plays. Not familiar with the play? – Wikipedia can help – click here.

A Saturday evening with Bobbie at the National.

I rated this one “very good indeed” in my log.

We saw a preview of this one. The press night is listed some 10 days after our preview, so we must have seen one of the first previews.

A fine cast – set out in Theatricalia.com if you click here. Alun Armstrong as The Captain. The late lamented Susan Fleetwood as Laura.

At the time of writing, strangely, I have recently seen Alun Armstrong again, I think for the first time in those 30 years, in The Cane at the Royal Court:

The Cane by Mark Ravenhill, Royal Court Theatre, 8 December 2018

But returning to the Father I remember the production and Armstrong’s performance clearly – both really were memorably good.

Below is Michael Billington’s Guardian review:

Billington on The Father Fri, Oct 28, 1988 – 35 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Michael ratcliffe on The Father Sun, Nov 6, 1988 – 43 · The Observer (London, Greater London, England) · Newspapers.com

The Tempest by William Shakespeare, Cottesloe Theatre, 23 July 1988

This was a very good production of The Tempest at the National Theatre. Peter Hall directed it. Superb cast.

Here is the Theatricalia entry for this production.

Below is Michael Billington’s Guardian review of the Tempest

Billington On The Tempest Sat, May 21, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review of the Tempest and Cybeline:

Ratcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

It was part of repertory trio of productions of late Shakespeare plays, of which we also saw Cybeline a few months later:

Cymbeline by William Shakespeare, Olivier Theatre, With Bobbie, 15 November 1988

I rated this production very good. I think we benefited from seeing The Tempest in the intimate environment of the Cottesloe – certainly when compared with Cybeline at the Olivier.

Not sure what we did afterwards – the diary might have some info on that, which I shall add in the fullness of time if it does.

The Changeling by Thomas Middleton, William Rowley, Lyttelton Theatre, 25 June 1988

Hot on the heels of seeing an excellent Uncle Vanya…

Uncle Vanya by Anton Chekhov, Vaudeville Theatre, 11 June 1988

…Bobbie and I saw a very good production of The Changeling at The National.

Miranda Richardson played Beatrice-Joanna, Rebecca Pidgeon played Isabella, George Harris as De Flores, Richard Eyre directing…

…here is a link to the Theatricalia entry.

It isn’t a jolly play and I did see it again only a few years later at Stratford, with Janie:

The Changeling by Thomas Middleton & William Rowley, RSC Swan Theatre, 29 October 1992

I think this National production was the better of the two.

Below is Michael Billington’s Guardian review, plus an interview with Miranda Richardson

Billington on Changeling Sat, Jun 25, 1988 – 18 · The Guardian (London, Greater London, England) · Newspapers.com

Kate Kellaway’s Observer review is below:

Kate Kellaway on Changeling Sun, Jun 26, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

The diary is silent on what we did afterwards. For some reason, is think that we ate at the National that evening. It is quite a long play and I think the restaurant there was doing arrangements to eat part of your meal during and part after show at that time. But I could be mistaken.

Tis Pity She’s A Whore by John Ford, Olivier Theatre, 16 April 1988

A superb run of seeing amazing productions started to break down just a little with this one.

Again a Saturday evening, again with Bobbie. My log says the production was good. It also says:

Suzan Sylvester was indisposed that day, so we saw Michelle Evans understudy the lead

Tis pity that, as I think Suzan Sylvester must have been a very good Annabella opposite Rupert Graves as Giovanni. I do remember Bobbie and I feeling that the understudy did well, though.

My friend Michael Simkins was also in it, as Soranzo. Coincidental at the time of writing, in early 2019, as we saw Michael at the Hampstead Downstairs just a couple of weeks ago:

Eden by Hannah Patterson, Hampstead Theatre Downstairs, 16 February 2019

Here is the Theatricalia entry for this production.

Alan Ayckbourn directed the production – there is some additional information about it on his site – click here.

It’s not a happy story and matters unsurprisingly…spoiler alert…do not end well for the protagonists. The Wikipedia entry gives a good synopsis.

In those days I think we were quite partial to some Jacobean blood and gore. It’s only latterly that I’ve gone all snowflake.

Below is Michael Radcliffe’s review from The Observer:

Tis Pity Radcliffe Sun, Mar 6, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

Michael Billington in The Guardian found this production “too tasteful”:

Tis Pity Billimgton Sat, Mar 5, 1988 – 16 · The Guardian (London, Greater London, England) · Newspapers.com

Cat On A Hot Tin Roof by Tennessee Williams, Lyttelton Theatre, 12 March 1988

Bobbie and I were on a bit of a roll, theatre-wise, at the start of that year, seeing some great productions. This was certainly one of them.

Lindsay Duncan was a most memorable Maggie The Cat and Ian Charleson was superb as Brick; tragically Charleson died just a couple of years after this production. The cast also included Eric Porter, Alison Steadman, Henry Goodman…plus many other fine performers. Howard Davies directed.

Here is the Theatricalia entry for the production.

The Lyttelton is not my favourite place for this sort of play, but somehow this one seemed to work in that space. I seem to recall it received superb notices and for good reason.

Michael Billington loved this production – his review clipped below:

Billington On Cat Fri, Feb 5, 1988 – 18 · The Guardian (London, Greater London, England) · Newspapers.com

Clearly Michael Ratcliffe liked it too:

Michael Ratcliffe On Cat Sun, Feb 7, 1988 – 26 · The Observer (London, Greater London, England) · Newspapers.com

There’s little on-line about this particular production, given its antiquity, but if you have no idea even what the piece looks/feels like, here is a clip of Paul Newman and Elisabeth Taylor from the 1950’s film version:

…while the following clip is from a subsequent National theatre production of Cat:

https://youtu.be/GobBM0Tt0j4

Anyway, the Lindsay Duncan & Ian Charleson version will live long in my memory. Bobbie’s too, I’ll guess. I’d better ask her.

A Place With The Pigs by Athol Fugard, Cottesloe Theatre, 20 February 1988

I rated this play/production superb in my log – I remember it well and fondly.

Jim Broadbent and Linda Bassett were both outstanding – I think this might have been the first time I saw either of them in the theatre and it was, I think, my first experience of seeing an Athol Fugard play performed. If so, it was the first of many in all three cases.

Here is a link to the Theatricalia entry for this play/production.

No on-line reviews of the production we saw, of course, but there is an almost contemporaneous one from the Yale Rep in 1987, which you can read transcribed here.

Michael Billington didn’t much like it – below is his review clipped:

Billington On Pigs Thu, Feb 18, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Ratcliffe didn’t much like it either – pearls before swine this play/production – Ratcliffe’s review clipped below

Ratcliffe On Pigs Sun, Feb 21, 1988 – 24 · The Observer (London, Greater London, England) · Newspapers.com

The play is about a Russian soldier hiding in a pig sty for many years after the war and possible recriminations for his desertion are over. No doubt it is meant to be a parable with relevance to the Afrikaner position in South Africa.

Frankly, I found it hard to engage too deeply with the parable at the time, but did think it was an interesting and entertaining play, especially in the hands of the talented cast.

Unusually for productions that please me so much, Fugard himself directed this one – I’m not keen on the idea of playwrights directing their own work and usually detect some untrammelled egotism in such productions, but I think Fugard might be an exception to the “don’t direct your own plays” rule of thumb.

Did Bobbie enjoy this one as much as I did? I think so, at the time, but whether it stuck so long in her memory as it did mine is a question I’ll have to ask her.

Postscript March 2025

David Aukin, who was Executive Director of The National in 1988, links to this article in his fascinating recent letter to The Guardian, recounting his conversation with Fugard about the cultural boycott of South Africa.

The Rivals by Richard Brinsley Sheridan, Olivier Theatre, 13 September 1983

Tuesday 13 September 1983 …took Mum & Dad to The Rivals in the evening.

I was making reasonable money while squatting at Woodfield Avenue over the summers. After the travails with my parents – in particular Mum – earlier in the summer, I decided to try a peace-making thank you in the form of treating them both to a night out.

I was keen to see this production of the Rivals, as I had read good things about it. Mum and dad were quite easily persuaded.

I remember it as a very good production and a very successful night out.

Going to The National became a very regular thing for me as the years went on, but this was a big night out for Mum and Dad – it might be the only time they ever went to The National.

Fabulous cast – Michael Horden, Fiona Shaw, Geraldine McEwan, Edward Petherbridge and many others. Peter Wood directed it. Here is the Theatricalia entry. Tim Curry was famously in this production as Acres, but had moved on by the time we got there in September. Barrie Rutter was an excellent replacement.

Below is John Barber’s rave review in The Telegraph: