Category: Theatre

The Island by Athol Fugard, John Kani & Winston Ntshona, Lyttelton Theatre, 5 February 2000

Janie and I rated this one very highly…

Really good

…says my log.

I had been a fan of Athol Fugard for many years by then and was very keen to see his long-time associates, John Kani & Winston Ntshona, perform. A set up that can lead to disappointment, but in this instance my enthusiasm was fully justified.

Here is the Theatricalia entry for this production.

Charles Spencer in the Telegraph loved it:

Island Spencer TelegraphIsland Spencer Telegraph 28 Jan 2000, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh in the Standard also rated it very highly:

Island de Jongh StandardIsland de Jongh Standard 27 Jan 2000, Thu Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington gave it a rare full five stars, so he must have really loved it:

Island Billington GuardianIsland Billington Guardian 27 Jan 2000, Thu The Guardian (London, Greater London, England) Newspapers.com

One of those special nights at the theatre, for us, this was.

The Lady In The Van by Alan Bennett, Queen’s Theatre, 4 February 2000

This play/production was hugely hyped and got rave reviews when it opened a few week’s before we attended. I think we applied for our tickets before the show opened, opting to wait until good seats were available. Even then, we needed to opt for a Friday rather than a Saturday to get what we wanted. Such was the pull of the West End, not least Maggie Smith…or rather “Dame Maggie”…in those days.

Here’s a link to the Theatricalia entry for this one.

Here’s a gushing preview from The Telegraph, by way of example:

Dame Maggie Telegraph PreviewDame Maggie Telegraph Preview 03 Dec 1999, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

Despite Janie’s reservations about Dame Maggie, we were drawn in and actually rather enjoyed this production. The play is a little contrived and mawkish, but the performances, especially Dame Maggie’s, were excellent, as was the intriguing van-themed set.

Van Butler IndependentVan Butler Independent 12 Dec 1999, Sun The Independent (London, Greater London, England) Newspapers.com

Charles Spencer also loved it:

Van Spencer TelegraphVan Spencer Telegraph 09 Dec 1999, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Some equivocation in Nicholas de Jongh’s Standard review, that reflects my thoughts on the play/production more than the utter gush reviews:

Van de Jongh Standard

Praise with some equivocation also from our friend Michael Billington in the Guardian:

Van Billington GuardianVan Billington Guardian 08 Dec 1999, Wed The Guardian (London, Greater London, England) Newspapers.com

Looking back 25 years Janie and I are both glad we saw this one.

Bash by Neil LaBute, Almeida Theatre, 29 January 2000

This production blew us away. It was shocking and also intensely gripping drama.

We trusted the Almeida in those days, so we booked a preview of this one, “on spec”, although we were unfamiliar with Neil LaBute’s work and also unfamiliar with the imported cast and director.

We were right to trust!

Bash is a collection of short plays, rather than “a play”. All were excellent in our view. The last one was the most shocking, but all were shocking in their own way. Brilliantly well acted by Mary McCormack, Zeljko Ivanek & Matthew Lillard. Joe Mantello directed. Here is the Theatricalia entry for this production.

I’m pretty sure the critics tended to be with us in admiring this one. Let’s see.

Yup, Nicholas de Jongh in The Standard waxed lyrical:

Bash deJongh StandardBash deJongh Standard 03 Feb 2000, Thu Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph admired the writing and performances but hated the plays:

Bash Spencer TelegraphBash Spencer Telegraph 04 Feb 2000, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

Our fried, Michael Billington, in the Guardian absolutely got it:

Bash Billington GuardianBash Billington Guardian 03 Feb 2000, Thu The Guardian (London, Greater London, England) Newspapers.com

One of those utterly unforgettable nights at the theatre that makes us want to go back for more!

The Balcony by Jean Genet, Questors Theatre, Followed By Dinner At Gascons Ealing, 28 January 2000

Possibly the least said about this one the better. Naturally Janie and I would have been with the Duchess. Naturally she will have treated us to her theatre tickets (comps), while Janie and I will have done the interval drinks and dinner.

My log reads:

tame – we left at half time.

This will have been a collective and unanimous decision. It was quite a long play – Janie had booked Gascons for 10:30 – possibly with a bit of persuasion for the late booking. In any case, we were probably all ready for our din-dins after 90 minutes or so of Genet.

The Questors, being the Questors, has all the details, including a downloadable scan of the programme, available for all to see – click here.

I don’t think the meal afterwards was redemptive of the evening. Neither Janie nor I can remember much about Gascons in Ealing. The Duchess was probably in a foul mood because she hadn’t had value for (lack of) money out of those three Questors comps.

“Waste not, want not…”

Spoonface Steinberg by Lee Hall, New Ambassadors Theatre, 22 January 2000

I didn’t make any notes in my log about this one. I don’t think we were overly impressed with it, but neither did we think it quite as awful as some of the critics. Still, I’d better let the critics do the job for me with this one, given that i wrote nothing.

Here is a link to the Theatricalia entry for this one. Kathryn Hunter was the big name for this one person show.

Charles Spencer in The Telegraph absolutely hated it:

Spoonface Spencer TelegraphSpoonface Spencer Telegraph 07 Jan 2000, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

On the other hand, Nicholas de Jongh in the Standard spoke mostly very highly of it:

Spoonface de Jongh StandardSpoonface de Jongh Standard 12 Jan 2000, Wed Evening Standard (London, Greater London, England) Newspapers.com

Susannah Clapp in The Observer didn’t like it much:

Spoonface Clapp ObserverSpoonface Clapp Observer 09 Jan 2000, Sun The Observer (London, Greater London, England) Newspapers.com

Septimus Gussett This Is Your Life by Magnolia Thunderpussy (aka Mike Ward), Actor’s Workshop Halifax, 7 January 2000

This “opus” was not Mike Ward’s finest hour as a comedy impresario.

For several years prior to this one…and indeed for many years after…the Actor’s Workshop would traditionally stage “New Year Revels”. Indeed, I met Mike early to mid 1990s, when his son, Adam, briefly wrote for NewsRevue and twigged that his dad’s annual show might benefit from material produced by NewsRevue writers. I contributed to the show for several years and visited it for the first time in 1997:

New Year Revels 1997, Actor’s Workshop, Halifax, 2 January 1997

I have no idea why Mike decided to try something different in 2000. Perhaps it was because several of the NewsRevue “class of ’92” had all-but stopped writing sketches and songs by 1999. Possibly it was Mike’s irritation that so many of the sketches and songs that were written by young Actor’s Workshop folk for him to perform mocked his rhotacism. Septimus Gusset was, if I recall correctly, one of Mike’s “answers to that”. (Performing On The Waterfront some years later was another, no doubt, whereas Mike’s wonderful Casablanca The Musical, which literally brought the house down the following year, embraced that rhotacism).

Casablanca The Musical by Magnolia Thunderpussy (aka Mike Ward), Actor’s Workshop, 18 September 2001

In truth, Janie and I were not wild about the Septimus Gussett show and I don’t think it did anything like as well as “New Year Revels” in the matter of bringing the Actor’s Workshop community together for a celebratory show.

Still, Janie and I had a most enjoyable short trip up to Halifax. We stayed at the Crown, again and I am pretty sure that Lottie Ward treated us to one of her magnificent beef fillet feasts at Mike & Lottie’s place after the show.

Peggy for You by Alan Plater, Hampstead Theatre, 27 December 1999

Our last show of the old millennium.

We rated the play/production “good”.

What was not to like? Maureen Lipman as Peggy Ramsey, with sound support from Tom Espiner, Selina Griffiths, Richard Platt and Crispin Redman, all ably directed by Robin Lefevre.

Here is a link to the Theatricalia entry for this play/production.

Yes, the show was a bit of a luvvy-fest but what else might you expect in the circumstances?

Susannah Clapp in The Observer preferred Mnemonic:

Mnemonic & Peggy Susannah ClappMnemonic & Peggy Susannah Clapp 28 Nov 1999, Sun The Observer (London, Greater London, England) Newspapers.com

Our friend, Michael Billington really liked it:

Peggy Billington GuardianPeggy Billington Guardian 24 Nov 1999, Wed The Guardian (London, Greater London, England) Newspapers.com

Paul Taylor in The Independent was entertained but thought that Maureen Lipman as Peggy was a case of miscastology…so at least Maureen got an ology I suppose and for sure she spent a lot of time during the play on the phone.

Peggy Taylor IndependentPeggy Taylor Independent 24 Nov 1999, Wed The Independent (London, Greater London, England) Newspapers.com

Mnemonic by Simon McBurney, Théâtre De Complicité, Riverside Studios, 18 December 1999

Janie and I have tended to have a soft spot for anything Complicité, not least because our first proper date was Théâtre De Complicité’s Street Of Crocodiles:

Janie and I Go On Our First Proper Date, The Street Of Crocodiles, Cottesloe Theatre, 29 August 1992

But Mnemonic didn’t need our soft spot – it was excellent in its own right.

Superb

…I said in my log and meant it.

Strangely, writing 25 years later, this piece has recently been revived (or rather, reimagined) by Complicité in London at the National.

This original production was at the more utilitarian Riverside Studios, a venue we have always liked.

Excellent cast, including Simon McBurney himself, the wonderful Katrin Cartlidge (who died tragically young) and Richard Katz, who had previously worked wonders with my material in NewsRevue – for example the Woody Allen role in Mama Mia Farrow:

Mama Mia Farrow, NewsRevue Lyric, 18 August 1992

…but I digress.

Here is the Theatricalia entry for this play/production.

Anyway, Mnemonic really was superb and we were lucky to have seen the original production of it.

Nick Curtis wrote it up at length in The Standard:

Mnemonic Curtis StandardMnemonic Curtis Standard 03 Dec 1999, Fri Evening Standard (London, Greater London, England) Newspapers.com

The local rag loved it:

Mnemonic Tear HammersmithMnemonic Tear Hammersmith 24 Dec 1999, Fri Hammersmith and Shepherds Bush Gazette (Hammersmith, London, England) Newspapers.com

I think a lot of the usual suspects ignored it until it transferred to the National a couple of year’s later…and then was reimagined more than 20 years after that.

But we saw the original production…at The Riverside…have I mentioned that before?

Battle Royal by Nick Stafford, Lyttelton Theatre, 11 December 1999

Our verdict on this one:

Had its moments.

That is not a rave review.

This production was awash with star names; Zoe Wanamaker, Simon Russell Beale, Gemma Jones, Suzanne Burden, Brendan Coyle, Matthew Macfadyen…

…directed by Howard Davies.

Here is the Theatricalia link for this play/production.

The production and talent on show was all very high quality – I don’t think the play did it for us.

It didn’t seem to please all the critics either. Nick Curtis in the Standard gave it the dreaded blob:

Battle Curtis StandardBattle Curtis Standard 10 Dec 1999, Fri Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor, in the Independent, also panned it.

Battle Taylor IndependentBattle Taylor Independent 10 Dec 1999, Fri The Independent (London, Greater London, England) Newspapers.com

On the other hand, Charles Spencer in the Telegraph rather liked it:

Battle Spencer TelegraphBattle Spencer Telegraph 10 Dec 1999, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

But our charitable friend, Michael Billington, awarded it a rare mediocre two stars:

Battle Billington GuardianBattle Billington Guardian 11 Dec 1999, Sat The Guardian (London, Greater London, England) Newspapers.com

Hedda Gabler by Henrik Ibsen, A Version by Frank McGuiness, Theatre Royal Plymouth At The Richmond Theatre, 3 December 1999

Another Friday, another theatre visit. This time we had even booked for the Saturday, but switched to the Friday to accommodate Caroline Freeman’s engagement party on the Saturday.

Janie and I rated this Hedda Gabler as “good”.

Janie and I had seen a mediocre (or, in Janie’s words, “OMG it was dreadful”) Hedda in Holland Park a few year’s earlier…

Hedda Gabler by Henrik Ibsen, Holland Park, 17 July 1993

Even after this 1999 Hedda, I still didn’t feel that Janie had seen a good enough version, so we did it all again at The Almeida a few year’s later.

Anyway, this one was a West End preview with Francesca Annis as Hedda and other West End names such as Peter Bowles and Nyree Dawn Porter in tow. Frank McGuiness directed it.

This one started in Plymouth a week or so before we saw it in Richmond. Here is Leon Winston’s review from the Herald Express:

Hedda Winston HeraldHedda Winston Herald 23 Nov 1999, Tue Herald Express (Torquay, Devon, England) Newspapers.com

This production didn’t seem to make much sense to Charles Spencer in The Telegraph:

Hedda Spencer TelegraphHedda Spencer Telegraph 02 Dec 1999, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Becky Gaunt in The Feltham Chronicle liked it but felt short-changed by Frank McGuiness’s scaled-back version.

Hedda Gaunt FelthamHedda Gaunt Feltham 02 Dec 1999, Thu The Feltham Chronicle (Hounslow, London, England) Newspapers.com