Category: Theatre

The Father by August Strindberg, Cottesloe Theatre, 15 October 1988

Oh I do love a bit of Strindberg and this was an especially memorable production of one of Strindberg’s best plays. Not familiar with the play? – Wikipedia can help – click here.

A Saturday evening with Bobbie at the National.

I rated this one “very good indeed” in my log.

We saw a preview of this one. The press night is listed some 10 days after our preview, so we must have seen one of the first previews.

A fine cast – set out in Theatricalia.com if you click here. Alun Armstrong as The Captain. The late lamented Susan Fleetwood as Laura.

At the time of writing, strangely, I have recently seen Alun Armstrong again, I think for the first time in those 30 years, in The Cane at the Royal Court:

The Cane by Mark Ravenhill, Royal Court Theatre, 8 December 2018

But returning to the Father I remember the production and Armstrong’s performance clearly – both really were memorably good.

Below is Michael Billington’s Guardian review:

Billington on The FatherBillington on The Father Fri, Oct 28, 1988 – 35 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review:

Michael ratcliffe on The FatherMichael ratcliffe on The Father Sun, Nov 6, 1988 – 43 · The Observer (London, Greater London, England) · Newspapers.com

Hello And Goodbye by Athol Fugard, Almeida Theatre, 6 September 1988

My log says that this play/production was superb and I certainly remember it as so.

The play is one of Fugard’s earliest – a two-hander about a brother and sister in the Eastern Cape; somewhat down-at-heel Afrikaners. Here is a link to a Jhu article about this lesser-known Fugard play.

This might have been my first sight of Tony Sher performing live and it was, I think, my first ever visit to the Almeida Theatre. Those things were oft-repeated after this night.

I don’t think I have ever seen Estelle Kohler perform since, but I recall thinking that her performance, as well as Tony Sher’s, was acting from the very top drawer.

But then what did I know? Or indeed what do I know? Except that, on Googling this production, it seems that both performers picked up Olivier Award nominations for their performances in this one that year – click here.

I saw this production with Bobbie midweek – on a Tuesday – whatever next?

I wonder whether Ivan Shakespeare sold us the programme or ushered us to our seats – I didn’t know him back then, but I believe he was volunteering at the Almeida for many years before I met him through NewsRevue.

The production was actually an RSC thing – a brief exile from the Barbican at the Almeida.

Here is a link to the Theatricalia entry on this production.

Below is Nicholas de Jongh’s Guardian review:

Nicholas de Jongh on Hello & GoodbyeNicholas de Jongh on Hello & Goodbye Tue, Aug 9, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below in Michael Ratcliffe’s Observer review:

Ratclliffe on Hello & GoodbyeRatclliffe on Hello & Goodbye Sun, Aug 7, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

This was a really memorable night at the theatre – more than 30 years later, I can still visualise the Johnny and Hester characters hollering at each other – I can still almost feel their pain.

The Fancy Man by Mike Stott, Hampstead Theatre, 17 August 1988

Hmm – I really don’t remember this one. A midweek visit to the Hampstead Theatre with Bobbie. Nothing in the log other than a record of the fact that we went.

And the programme.

Most Mike Stott plays have more “on the record”/on-line than this one. I’m going to guess it didn’t do so well.

A grim -sounding Pennines story about a young man who strangles his wife a year or so after they married. He was more a comedy man, was Mike Stott, but perhaps this grim story turns to comedy.

Ian Mercer and Julia Lane playing the leads.

No reviews to be found, just listings and this type of clipping:

Fancy Man Fringe clipFancy Man Fringe clip Mon, Aug 15, 1988 – 31 · The Guardian (London, Greater London, England) · Newspapers.com

I couldn’t even find out that much about Mike Stott, apart from the fact that he was the author of Funny Peculiar – but I did find this obituary for him – click here.

I’m going to guess that we didn’t get a great deal out of this one. perhaps the diary will reveal more – e.g. why we went/whether or not we went with some other people that evening.

The Tempest by William Shakespeare, Cottesloe Theatre, 23 July 1988

This was a very good production of The Tempest at the National Theatre. Peter Hall directed it. Superb cast.

Here is the Theatricalia entry for this production.

Below is Michael Billington’s Guardian review of the Tempest

Billington On The TempestBillington On The Tempest Sat, May 21, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Ratcliffe’s Observer review of the Tempest and Cybeline:

Ratcliffe on Tempest & CybelineRatcliffe on Tempest & Cybeline Sun, May 22, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

It was part of repertory trio of productions of late Shakespeare plays, of which we also saw Cybeline a few months later:

Cymbeline by William Shakespeare, Olivier Theatre, With Bobbie, 15 November 1988

I rated this production very good. I think we benefited from seeing The Tempest in the intimate environment of the Cottesloe – certainly when compared with Cybeline at the Olivier.

Not sure what we did afterwards – the diary might have some info on that, which I shall add in the fullness of time if it does.

The Changeling by Thomas Middleton, William Rowley, Lyttelton Theatre, 25 June 1988

Hot on the heels of seeing an excellent Uncle Vanya…

Uncle Vanya by Anton Chekhov, Vaudeville Theatre, 11 June 1988

…Bobbie and I saw a very good production of The Changeling at The National.

Miranda Richardson played Beatrice-Joanna, Rebecca Pidgeon played Isabella, George Harris as De Flores, Richard Eyre directing…

…here is a link to the Theatricalia entry.

It isn’t a jolly play and I did see it again only a few years later at Stratford, with Janie:

The Changeling by Thomas Middleton & William Rowley, RSC Swan Theatre, 29 October 1992

I think this National production was the better of the two.

Below is Michael Billington’s Guardian review, plus an interview with Miranda Richardson

Billington on ChangelingBillington on Changeling Sat, Jun 25, 1988 – 18 · The Guardian (London, Greater London, England) · Newspapers.com

Kate Kellaway’s Observer review is below:

Kate Kellaway on ChangelingKate Kellaway on Changeling Sun, Jun 26, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

The diary is silent on what we did afterwards. For some reason, is think that we ate at the National that evening. It is quite a long play and I think the restaurant there was doing arrangements to eat part of your meal during and part after show at that time. But I could be mistaken.

Uncle Vanya by Anton Chekhov, Vaudeville Theatre, 11 June 1988

I rated this production very good indeed at the time and I can understand why. Superb cast, with Michael Gambon as Vanya, Imelda Staunton as Sonia, Greta Scatcchi as Yelena, Jonathan Pryce as Astrov, Michael Blakemore directing…

…here is a link to the Theatricalia entry for this production.

Bobbie and I went to this one. I recall sitting very near the front although probably not the very front row.

In 1988 I hadn’t yet formed an aversion to those old-fashioned theatre-land theatres, although we didn’t go to those places all that frequently.

I suspect that we had a late evening Chinese meal in Soho after the show – perhaps Poons, perhaps Mayflower, perhaps Joy King Lau…

A pretty darned good evening as I recall it.

Below is Michael Billington’s Guardian review of the production:

Billington on VanyaBillington on Vanya Thu, May 26, 1988 – 19 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Ratcliffe’s Observer review is below:

Ratcliffe on VanyaRatcliffe on Vanya Sun, May 29, 1988 – 38 · The Observer (London, Greater London, England) · Newspapers.com

Danger: Memory! – I Can’t Remember Anything and Clara by Arthur Miller, Hampstead Theatre, 21 May 1988

The irony in the fact that I can hardly remember anything about this double bill of Arthur Miller plays is not wasted on me.

Nor is that irony likely to be wasted on Bobbie, with whom I saw this double bill at the Hampstead Theatre in 1988, but I’m guessing she remembers little about it. Nor on Janie, with whom I saw it all again at the Orange Tree in 2006.

There is a Theatricalia entry for this production – here.

I’m pretty sure this production was the UK premier of this double bill, which probably felt like an exciting prospect.

But I think we came away from the experience feeling that this was not top notch Miller.

This on-line review from the Guardian, of a subsequent London production, explains the synopses and supports my limited memory.

Here is a link to Frank Rich’s review of the original Lincoln Centre production in New York.

Below is Nicholas De Jongh’s Guardian review:

Nicholas De Jongh Danger: Memory!Nicholas De Jongh Danger: Memory! Fri, Apr 8, 1988 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Blake Morrison’s Observer review:

Blake Morrison on Danger: Memory!Blake Morrison on Danger: Memory! Sun, Apr 10, 1988 – 37 · The Observer (London, Greater London, England) · Newspapers.com

Who needs memory once you have subscribed to a Newspaper clippings service?

Faust by Johann Wolfgang Von Goethe, Lyric Hammersmith, 11 & 18 May 1988

This was a rare opportunity to see Goethe’s Faust in all of its glory – not only the better known Part One but also Part Two.

Bobbie and I saw it over two Wednesday evenings – these were late midweek nights I seem to remember, but I also recall that it was very much worth it.

Simon Callow played Faust. Paul Brightwell played Wagner. Andy Serkis, Linda Kerr Scott, Caroline Bliss…it was quite a cast and crew. Here is the Theatricalia entry.

My log for both evenings reads “very good indeed”.

I do recall that Part One made more sense to me than the ethereal, impressionistic Part Two. But both parts were very entertaining and well worth seeing.

Below are Michael Billington’s Guardian reviews:

Billington On Faust Part OneBillington On Faust Part One Fri, Apr 8, 1988 – 29 · The Guardian (London, Greater London, England) · Newspapers.com Billington on Faust Part TwoBillington on Faust Part Two Wed, Apr 13, 1988 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Ratcliffe reviewed it in the Observer over two weeks. His short Part One review is appended to his Common Pursuit review, embedded in my piece on The Common Pursuit.

Here is Ratcliffe’s review of the whole Faust thing/Part Two:

Ratcliffe On Faust Part TwoRatcliffe On Faust Part Two Sun, Apr 17, 1988 – 39 · The Observer (London, Greater London, England) · Newspapers.com

The Common Pursuit by Simon Gray, Phoenix Theatre, 30 April 1988

I went to see this production of The Common Pursuit with Bobbie.

It had received a lot of publicity at that time, due to its stellar cast of comedy folk: Rik Mayall, Stephen Fry, Sarah Berger, John Sessions, John Gordon Sinclair and Paul Mooney.

We didn’t realise at the time that the piece was a rewrite/revival of a play produced at the Lyric a few years earlier. The Wikipedia entry for The Common Pursuit explains.

I remember thinking it was actually a very good play. I had already formed a liking for Simon Gray plays by reading many of them in the mid 1980s. This might have been the first one I saw on the stage.

I also recall not liking the sycophantic audience who seemed to think it was hilarious if Rik Mayall or Stephen Fry merely walked onto the stage. But that was the audiences problem, not the play’s. Nor the production’s, really.

I think the play has been somewhat under-rated in the Simon Gray canon as it has not often been revived in the 30 years since.

My log registered “very good” for this one.

The next time Simon Gray was partnered with Rik Mayall and Stephen Fry in the West End was Cell Mates in 1995, which did not end up so well; especially for Stephen Fry. Janie and I missed that one as I guessed that “sycophantic audience syndrome” would displease Janie even more than it had displeased me and Bobbie in 1988. But Janie and I did go to the revival of Cell Mates at the Hampstead in 2017:

Cell Mates by Simon Gray, Hampstead Theatre, 9 December 2017

But back to The Common Pursuit. Bobbie’s memory of it has yet to be tested. I’ll get back to this piece in the unlikely event that something specific about this piece or this evening emerges.

Below is Michael Ratcliffe’s Observer review:

Ratcliffe On Common Pursuit & Faust Part OneRatcliffe On Common Pursuit & Faust Part One Sun, Apr 10, 1988 – 37 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s review:

Michael Billington On Common PursuitMichael Billington On Common Pursuit Sat, Apr 9, 1988 – 17 · The Guardian (London, Greater London, England) · Newspapers.com

I vaguely remember taking after theatre supper with Bobbie at one of those West End restaurants after this one but cannot recall which particular restaurant it was.

Playbill: The Browning Version & Harlequinade by Terence Rattigan, The Royalty Theatre, 26 April 1988

The Browning Version is one of Rattigan’s best known plays, originally performed, as it was in the production we saw, jointly with Harlequinade. This Wikipedia piece explains all that background and has good links.

I have little recollection of this particular production and midweek evening at the theatre with Bobbie.

Starry cast, we saw, with Paul Eddington and Dorothy Tutin as the Crocker-Harris couple in The Browning Version. The same cast and crew performed/produced both plays.

Here is the Theatricalia entry for this production of The Browning Version.

Below is Steve Goldman’s Guardian review:

Steve Goldman on RattiganSteve Goldman on Rattigan Mon, Mar 21, 1988 – 32 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review:

Kate Kellaway on RattiganKate Kellaway on Rattigan Sun, Mar 20, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

I think I concluded that Rattigan isn’t really my thing when I saw these plays. It all seemed rather old-fashioned in style, although I do also recall that there were interesting themes and the plays were well written.

Bobbie might remember more…but I doubt it.