Hamlet by William Shakespeare, Lyttelton Theatre, 4 November 2000

It was a bit of a Shakespeare week for us, that week. From Ivan Shakespeare at the Canal Cafe on the Sunday…

…to one of the Bard’s most famous plays at The National on the Saturday.

Janie isn’t naturally drawn to Shakespeare, but she had never seen Hamlet before and Simon Russell Beale in the eponymous role was a big draw.

I had seen Hamlet before…and at the National before. I had a rare sighting of Daniel Day Lewis in the role before he famously withdrew early in the run to be replaced by Ian Charleson.

Anyway, The National obviously felt the urge to have another go at Hamlet less than 12 years later, with Simon Russell Beale, Peter McEnery, Sara Kestleman and Denis Quilley to name but a few.

Janie remembers being impressed by the acting, but still not really relating to or engaging with Shakespeare. I remember feeling that I had probably previously seen the best production of Hamlet I was ever going to see, despite thinking that this was pretty darned good; especially Simon Russell Beale’s performance.

Very good indeed.

That’s what I wrote in my log.

But you don’t want to listen to us. Here are some reviews. First up – Nicholas de Jongh, who also liked Simon Russell Beale more than he liked the production

Hamlet de Jongh Standard Hamlet de Jongh Standard 6 Sept 2000 Evening Standard (London, Greater London, England) Newspapers.com

Similarly, our friend Michael Billington applauds SRB’s performance and John Caird’s directing of it, but feels that the production strips out the big picture political aspects of the play:

Hamlet Billington Guardian Hamlet Billington Guardian 6 Sept 2000 The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer, similarly, applauds the performances but finds the production too stripped back for his taste:

Hamlet Spencer Telegraph Hamlet Spencer Telegraph 7 Sept 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Janie noted in her diary that the play ran for 3 hours and fifteen minutes, so I’ll guess that she was grateful for John Caird’s cuts of the political elements – goodness knows how long the play would have taken in John Caird’s hands if we’d also had the Fortinbras sub-plot to deal with.

Still, to summarise the critics – they warmed to the production almost exclusively because of Simon Russell Beale’s quality. I’m surprised that no-one gave their review the headline, “Saved By the Beale”. They missed a trick there.

A Night For Ivan, (A Random Act Of Kindness & Tribute To The Works Of Ivan Shakespeare), Canal Café Theatre, 29 October 2000

Headline picture courtesy of John Random

I have previously written at length about the shock and loss felt by us Canal Café comedy writers (and all else who knew him) when Ivan Shakespeare died suddenly and unexpectedly in February 2000:

John Random liaised with Ivan’s de facto widow, Elspeth, to put on a tribute show in Ivan’s memory, in late October that year. Naturally Janie and I went to see the show.

It was a little ironic that the show was on the night after Janie and I went to see Light at the Almeida, as we would often see Ivan there. Ivan was a regular volunteer at the Almeida; this I ascertained very soon after I got to know him through comedy writing. Indeed Janie probably knew Ivan better from chats at the Almeida than through NewsRevue.

To my shame, I forgot to pick up a programme that night…

…but that doesn’t matter a jot, because John Random, who directed the show, clearly did not forget to preserve the programme, which has naturally emerged as part of John’s & my NewsRevue archaeology project:

NewsRevue stalwarts Genevieve Swallow, Stephan Bessant and Mark Brailsford performed the words of the show, while equally stalwart NewsRevue-ista Jenny Gould tinkled the ivories.

The material from the show would have born a startling resemblance to the anthology of Ivan Shakespeare material gathered by the Kim Morrisey at the ComedyCollective Writers Project, mercifully preserved on the Internet Archive – click here for the index to Ivan’s preserved oeuvre.

If you only look at one piece, I would recommend my favourite Ivan song lyric, The Farmers’ Song – click here. I can never hear The Archers theme music without thinking of Ivan and that lyric…

…which, as a fairly regular Radio Four listener, means that I think of Ivan and the lyric quite often.

Light by Complicité, Almeida Theatre, 28 October 2000

We gave this a one word review in my log:

Superb.

Janie and I had been big fans of Complicité, having cemented our getting started together at Street Of Crocodiles, some eight years earlier:

Still, we were prepared to admit that Complicité had missed if it missed – but this one was very much to our taste.

Here is a link to the Theatricalia entry.

We saw a preview of a short run that apparently was sold out on application.

Light Standard Light Standard 26 Oct 2000 Evening Standard (London, Greater London, England) Newspapers.com

It seems that Mnemonic, the year before, which we also rated superb, had really turned Complicité into a thing.

Paul Taylor in The Independent rated it highly, but not as highly as he rated Mnemonic:

Light Taylor Indy Light Taylor Indy 1 Nov 2000 The Independent (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, similarly was less impressed with this one than he had been with earlier Complicité pieces.

Light Billington Guardian Light Billington Guardian 1 Nov 2000 The Guardian (London, Greater London, England) Newspapers.com

Dominic Cavendish in The Telegraph agreed with us:

Light Cavendish Telegraph Light Cavendish Telegraph 2 Nov 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

The Captain’s Tiger by Athol Fugard, Orange Tree Theatre, 21 October 2000

Not top drawer Fugard, this, but Janie and I are/were partial to Athol Fugard’s work and partial to The Orange Tree. This was to be the premier of a new Fugard play at one of our favourite places. What could there be not to like? We weren’t disappointed.

The cast: Peter Gale, Ben Warwick, Chad Shepherd and Leah Muller were all excellent. Auriol Smith directed this one well.

I think we went to see this just after press night.

Nicholas de Jongh liked it:

Tiger de Jongh Standard Tiger de Jongh Standard 23 Oct 2000 Evening Standard (London, Greater London, England) Newspapers.com

Dominic Cavendish found Fugard’s “self rite of passage” theme a bit smug, yet still he really liked it:

Tiger Cavendish Telegraph Tiger Cavendish Telegraph 24 Oct 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Unusually, The Guardian didn’t cover this one. How are Janie and I supposed to know what to think about this sort of play unless our friend, Michael Billington, tells us?

Seriously, we pretty much agreed with the above two reviews. It felt a little self-indulgent but we could forgive Athol Fugard some self-indulgence as he has entertained us so much and did so again in this piece.

No doubt we ate at Don Fernando and no doubt the waiters asked after The Duchess, as was their wont back then when Janie and I went to Richmond without her.

My Night With Reg by Kevin Elyot, Questors Theatre, 13 October 2000, Followed By 48 Hours With Hilary, Chris, Phillie & Tony In Bristol

Who in their right minds would arrange a night with the Duchess on Friday 13th, ahead of a weekend with the in-laws…or, as I used to describe them before Janie and I got married, out-laws?

We probably fancied seeing this play – we’d seen other Kevin Elyot & enjoyed it…

…but had missed My Night With Reg when it premiered.

As usual, The Questors Theatre did a more than serviceable job of putting on this type of play. And as usual, The Questors puts professional theatres to shame with the consistency and quality of its archive – click here for all the resources on the production we saw.

We have no record of where we ate afterwards. We must have eaten somewhere. Probably a local place chosen on the basis of who would be open once the play had ended.

We do know where we stayed in Bristol on this occasion. Janie wrote down Swallow, but then detailed notes on the Thistle Hotel, which I am sure would have been Phillie & Tony’s pick, for reasons of their own. Janie and I would have been more enthusiastic about the Swallow, which at least had good swimming pool and “spa-like” facilities, whereas the Thistle was more than a little mere.

Still, we all helped Chris celebrate his birthday, which was the purpose of the visit. I’m pretty sure this was a big extended table family do at Hil & Chris’s house. Not quite as much drama as My Night With Reg, but surely some.

The Genius of Josquin: Part 2, The Tallis Scholars, Wigmore Hall, 12 October 2000

No idea what Part One was about – presumably Part Two looked the more interesting concert to us or Part One was on a date we couldn’t do.

We heard:

  • Josquin Desprez – Missa Sine nomine
  • Josquin Desprez – Memor esto
  • Josquin Desprez – Victimae paschali
  • Josquin Desprez – Tu solus qui facis mirabilia
  • Heinrich Isaac – Tota pulchra es
  • Nicholas Gombert – Magnificat IV

The Tallis Scholars under the leadership of Peter Phillips are always terrific at this sort of stuff. Among the finest exponents of Josquin, The Tallis Scholars have recorded the lot.

Here’s a link to their recording of Josquin’s Missa Sine Nomine on YouTube Music.

Here’s a more recent example video:

Here’s a recording of them singing Heinrich Issac’s Tota Pulchra Es:

While here is a short excerpt from the Gombert Magnificat.

I’m pretty sure that I bought my copy of that CD, with all the Gombert Magnificats, at that concert. That’s a recording I return to quite often, as it is so good. Here’s a link to the whole thing on YouTube Music.

A splendid Thursday evening at The Wig.

Further Than The Furthest Thing by Zinnie Harris, Cottesloe Theatre, 7 October 2000

Janie and I gave this one a single word review in my log:

Superb.

A very memorable evening in the theatre. Set on and about the people of the remote island of Tristan da Cunha, we were both captivated by this play and production.

The cast: Paola Dionisotti, Gary McInnes, Kevin McMonagle, Darrell D’Silva, Arlene Cockburn and Greg Knowles were all superb, with Paola Dionisotti being the stand out performer. Here is a link to the Theatricalia entry.

We saw a London preview, although the production was a transfer from Edinburgh.

Nicholas de Jongh was pretty pleased with it, rating it very good:

Further de Jongh Standard Further de Jongh Standard 11 Oct 2000 Evening Standard (London, Greater London, England) Newspapers.com

The production had played in Edinburgh at the Traverse a couple of months earlier – most of the national papers’ reviews were from Edinburgh.

Here’s Charles Spencer gushing about it:

Further Spencer Telegraph Further Spencer Telegraph 8 Aug 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Paul Taylor in the Independent also spoke highly:

Further Taylor Indy Further Taylor Indy 19 Aug 2000 The Independent (London, Greater London, England) Newspapers.com

A few of the reviews, including this anonymous one from The Guardian, suggest that the play was too long – but clearly Janie and I were sufficiently captivated, as long plays rarely got “superb” ratings form us:

Further Guardian Further Guardian 8 Aug 2000 The Guardian (London, Greater London, England) Newspapers.com

Under The Blue Sky by David Eldridge, Royal Court Theatre Upstairs, 30 September 2000

In truth I remember little about this one. Terrific cast: Justin Salinger, Samantha Edmonds, Lisa Palfrey, Jonathan Cullen, Stanley Townsend and Sheila Hancock, directed by Rufus Norris.

It got neither plaudits nor roasting in my log, which probably means that we didn’t feel strongly about it either way.

Our friend, Michael Billington, really liked it:

Under Billington Guardian Under Billington Guardian 21 Sept 2000 The Guardian (London, Greater London, England) Newspapers.com

Whereas Nicholas de Jongh gave it a dreaded Standard blob:

Under de Jongh Standard Under de Jongh Standard 20 Sept 2000 Evening Standard (London, Greater London, England) Newspapers.com

I’ll give the casting vote to Paul Taylor in the Independent, who really liked it.

Under Taylor Indy Under Taylor Indy 30 Sept 2000 The Independent (London, Greater London, England) Newspapers.com

Sargent Cancer Care For Children Concert At The Wigmore Hall, 26 September 2000

Actually Julian Bream had to drop out of this concert at the last minute, so we got everyone else, but not him. We also got all the other pieces, but not the Bach Cello suite on the guitar.

I made no note about a replacement piece, so I suspect we had a shortened concert. This is what we heard:

  • Thomas Tallis – Loquebantur
  • John Taverner – Quemadmodum
  • William Byrd – Tribue, Domine 
  • Fryderyk Chopin – Ballade No 1 in G minor, op 23
  • Johannes Brahms – Intermezzo in A major, op 118 no 2 –
  • Franz Liszt, Richard Wagner – Isoldens Liebestod
  • Leos Janacek – String Quartet no 2

My only other log note is that we bumped into James Davidson, who was (or probably by then, had been) the Director of Finance at Cancer Research Campaign, one of my earliest Z/Yen clients in the mid 1990s. He lived nearby in Notting Hill Gate and used to address me (in the street or at CRC) as “Lord Harris”, because he said my fee rates were so high. When we asked him for a testimonial to put on our spanking new Z/Yen website, he said:

expensive, but worth it…

…which we thought at the time was as good as it gets.

I suspect that this Tuesday night charity concert was expensive but worth it too.

Sadly, Julian Bream never recorded his live party piece of playing the BWV1012 Cello Suite on the guitar, but here’s a recording of a fine guitarist, Paulo Martelli, who has recorded his playing of part of it live:

So there’s the stuff we didn’t see or hear.

Here’s a recording of the Tallis Scholars singing Loquebantur, which is wonderful:

Here’s the Gesualdo Six singing Taverner’s Quemadmodum

Back to The Tallis Scholars, as there is a vid of them singing The Byrd:

PHILLIPS: Hey, are you looking at my Byrd?

There’s not a lot of Martin Roscoe to be found on-line – but here is Krystian Zimerman playing the Chopin:

I don’t suppose the Janáček string quartet much pleased us. Here’s the Amphion String Quartet doing their level best with it:

The things we do for charity.

The Cherry Orchard by Anton Chekhov, Cottesloe Theatre, 23 September 2000

The previous week we saw Yasmina Reza’s “Conversations…”, which Michael Billington described as Chekhovian…

Well if you thought that Reza’s work was Chekhovian, Michael, just wait until you see The Cherry Orchard.

Another Saturday night at the theatre which didn’t raise a comment in my log at the time. Perhaps we were overdoing at bit at that time.

Amazing cast: Maxine Peake, Roger Allam, Michael Bryant, Vanessa Redgrave, Eve Best, Corin Redgrave (yes, that was two Redgraves for the price of one), and many other fine acting folk, directed by Trevor Nunn.

Nicholas de Jongh liked it but didn’t gush:

Cherry de Jongh Standard Cherry de Jongh Standard 22 Sept 2000 Evening Standard (London, Greater London, England) Newspapers.com

Michael Billington also rates it good without rating it great:

Cherry Billington Guardian Cherry Billington Guardian 23 Sept 2000 The Guardian (London, Greater London, England) Newspapers.com

Perhaps my null log entry was about right for this one.