Look, Europe! by Ghazi Rabihavi, Almeida Theatre, Followed By Dinner At Granita, 5 October 2007

This must have been one of our biggest weekends of theatre and dining ever. Following a long night of Caryl Churchill and Nobu on the Saturday…

…we did the “theatre plus big night out dinner” thing again the next night.

Look, Europe! was, I think, a one-off awareness and fundraising evening for anti-censorship campaign Index, done under the auspices of Harold Pinter and primarily aimed and about Iranian censorship.

Fine cast too – joining Harold Pinter were Joseph Bennett, Anna Friel, Rhydian Jones, Andrew Lincoln, Roger Lloyd Pack, David MacCreedy, Nadia Sawalha, Nadim Sawalha, Christopher Simon and Malcolm Tierney.

David Lister wrote the event up brilliantly as a preview in the Independent:

Look Europe Lister IndyLook Europe Lister Indy 03 Oct 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Janie and I were both very taken by the evening at the theatre, which was good drama and very thought provoking for its cause.

Dinner At Granita

Then a few doors down to Granita in Upper Street, which we had been meaning to try for ages. Apparently the spiritual home of New Labour, as Tony Blair and Gordon Brown are said to have made their leadership pact there a few years before our visit.

Tragically, not only were there no cabinet ministers to be seen in there on that Sunday evening, we didn’t even see Harold, Antonia and Co “after show”, which we thought must be a racing certainty.

We did still have a very good meal, though.

And to prove her superwoman credentials, after that action packed weekend, Janie went off at about 6:30 the next morning to treat her first domiciliary patient of the day. 25 years later – not a chance – we’d probably take the Monday off, if not the Monday and Tuesday!

Blue Heart: Heart’s Desire & Blue Kettle by Caryl Churchill, Royal Court Downstairs At Duke of York’s Theatre, Followed By Dinner At Nobu, 4 October 1997

Our take on this:

Interesting (weird) evening. Programme missing – only insert sheet.

Actually the programme might turn out to be a play text which might turn up somewhere on my bookshelves.

I wouldn’t mind reading these plays again. This was Caryl Churchill in impenetrable mood.

Gabrielle Blunt, Jacqueline Defferary, Karina Fernandez, Bernard Gallagher, Valerie Lilley, Mary Macleod and Jason Watkins, directed by Max Stafford-Clark.

Paul Taylor in The Independent was impressed:

Blue Heart Taylor IndyBlue Heart Taylor Indy 25 Sep 1997, Thu The Independent (London, Greater London, England) Newspapers.com

Nick Curtis from The Standard reviewed it a few week’s earlier in Edinburgh, also finding it good:

Blue Heart Curtis StandardBlue Heart Curtis Standard 22 Aug 1997, Fri Evening Standard (London, Greater London, England) Newspapers.com

We are all agreed them – weird but good.

Dinner At Nobu

Then on to Old Park Lane Nobu for dinner. That place was the latest “in place to dine” back then, so we were keen to try it. Who’d have thought that, 25 years later, the signature black cod in miso dish would be something we can obtain from our local (Japanese) fishmonger and serve at home?

This was a couple of years before the Old Park Lane Nobu became infamous for Boris Becker’s broom cupboard romp and many years before Boris ended up in jail.

In 1997, Nobu had just opened to rave reviews. Here’s Fay Maschler in The Standard:

Nobu Maschler StandardNobu Maschler Standard 25 Feb 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Helen Fielding in The Independent also waxed lyrical in amusing fashion about Nobu

Nobu Fielding IndyNobu Fielding Indy 09 Mar 1997, Sun The Independent (London, Greater London, England) Newspapers.com

That was a lot of sensory stimulation for one evening – Caryl Churchill followed by Nobu. My guess is that Janie was very keen to try the place but could only get a late evening booking, so it sort of made sense to go after theatre.

To add to the excitement, we did it all again (in terms of theatre followed by dinner out) the very next day:

An Enemy of the People by Henrik Ibsen, Olivier Theatre, 20 September 1997

Very good.

That was my vote…or should I say our vote?…on this excellent production of this oft-revived play.

I had seen it “back in the day” with Bobbie and Ashley Michaels…:

The National production in 1997 was more “classic” Christopher Hampton adaptation with an exceptional cast including Sir Ian, Penny Downie, Stephen Moore, Lucy Whybrow and many others, directed by Trevor Nunn. The Theatricalia entry lists them all.

Nicholas de Jongh seemed quite taken with it…just “quite”:

Enemy de Jongh StandardEnemy de Jongh Standard 22 Sep 1997, Mon Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington found it a bit too “classic” for his taste:

Enemy Billington GuardianEnemy Billington Guardian 22 Sep 1997, Mon The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer, like the others, made much of the fact that this was Trevor Nunn’s inaugural piece for the RNT. While not damning it, he does use the word “flash”:

Enemy Spencer TelegraphEnemy Spencer Telegraph 22 Sep 1997, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

The Maids by Jean Genet, Richmond Theatre, 13 September 1997

Had its moments.

That was my sole comment on the quality of this one in the log – I don’t think we were overly impressed despite the excellent cast. Niamh Cusack, Kerry Fox & Josette Simon, directed by John Crowley, initially at the Donmar Warehouse and then touring – we saw it at Richmond.

Previewed in the Standard thusly…

Maids Stringer Preview StandardMaids Stringer Preview Standard 11 Jun 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

I don’t think Nicholas de Jongh liked it much once it opened:

Maids de Jongh StandardMaids de Jongh Standard 26 Jun 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

David Benedict in The Independent liked it:

Maids Benedict IndyMaids Benedict Indy 27 Jun 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Kate Bassett in The Telegraph was less sure.

Maids Bassett TelegraphMaids Bassett Telegraph 27 Jun 1997, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

I suspect we ate at Don Fernando’s again after this one. I also wrote:

No interval

…which might mean that we would have walked out had there been one.

Heartbreak House by George Bernard Shaw, Almeida Theatre, 6 September 1997

I’ve never been sure about Shaw, but we thought we’d give this a try because it was The Almeida and because top flight Shaw productions were few and far between at that time.

Great cast and crew – see Theatricalia entry – including Emma Fielding, Richard Griffiths, Patricia Hodge, Penelope Wilton, Malcolm Sinclair and Peter McEnery, with David Hare in the director’s chair.

Despite all those good people, this one added to my/our sense of interminability, which had already been piqued by Suzanna Andler the previous week, which was soon followed by wall-to-wall coverage of Princess Diana’s tragic demise, which took ceaselessness to new levels.

Anyway, my contemporaneous words on Heartbreak House, speaking for both me and Janie:

Seemed interminable in the second half. Had “moments”, but all too few.

Nicholas de Jongh in The Standard liked it a lot:

Heartbreak de Jongh StandardHeartbreak de Jongh Standard 04 Sep 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor in the Indy also loved it:

Heartbreak Taylor IndyHeartbreak Taylor Indy 05 Sep 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Kirsty Milne in The Sunday Telegraph at least nodded to the idea of Shaw being wordy.

Heartbreak Milne TelegraphHeartbreak Milne Telegraph 07 Sep 1997, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com

Like Milne, Michael Billington did a compare and contrast between Shaw and Wesker:

Heartbreak Billington GuardianHeartbreak Billington Guardian 06 Sep 1997, Sat The Guardian (London, Greater London, England) Newspapers.com

So maybe it was us, not them. Or maybe Shaw is/was simply too wordy for our modern eyes and ears.

Suzanna Andler by Marguerite Duras, Richmond Theatre, 28 August 1997

No holds barred it seems for my contemporaneous verdict on this one:

Interminable – I can’t imagine how we ever got round to returning for the second half – but we did.

To add to the interminable nature of the evening, it seems we had Pauline, The Dowager Duchess of Castlebar (Janie’s mum) with us that evening. We went to Don Fernando’s (25 years on, now late lamented) for a meal after the show.

Julie Christie will have been the draw for this show, but clearly she and the cast were not enough to rescue the thing. Here is the Theatricalia entry for it. Super cast, actually, when you see the names Robert Hickson, Aden Gillett and Julie Legrand alongside that of Christie.

Here’s what the Leatherhead Advertiser said of it when it transferred on to Guildford:

04 Sep 1997, Thu Leatherhead Advertiser (Leatherhead, Surrey, England) Newspapers.com

Nicholas de Jongh had said similar stuff when it was at The Minerva:

Andler de Jongh StandardAndler de Jongh Standard 23 Jul 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

John Voss in The Sunday Telegraph had also described it in similar terms:

Andler Voss Sunday TelegraphAndler Voss Sunday Telegraph 27 Jul 1997, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com

Not the most successful evening we’ve ever had at the theatre…or at Don Fernando’s…or even with Pauline.

Amy’s View by David Hare, Lyttelton Theatre, 23 August 1997

Superb.

That was my one word verdict on my log about this one.

Richard Eyre directing Samantha Bond, Eoin McCarthy, Ronald Pickup, Dame Judi and other excellent members of the cast – here is the Theatricalia entry for this play/production.

Our friend Michael Billington didn’t like it much:

Amy's Billington GuardianAmy’s Billington Guardian 23 Jun 1997, Mon The Guardian (London, Greater London, England) Newspapers.com

Whereas Paul Taylor in the Indy quite liked it:

Amy's Taylor  IndyAmy’s Taylor Indy 21 Jun 1997, Sat The Independent (London, Greater London, England) Newspapers.com

Charles Spencer in the Telegraph found it anti-climactic…

Amy Spencer TelegraphAmy Spencer Telegraph 21 Jun 1997, Sat The Daily Telegraph (London, Greater London, England) Newspapers.com

…and Nicholas de Jongh in The Standard found it old-fashioned.

Amy's de Jongh StandardAmy’s de Jongh Standard 23 Jun 1997, Mon Evening Standard (London, Greater London, England) Newspapers.com

So, only me and Janie rating it highly when it first came out then – but Amy’s View transferred to the West End and Broadway picking up Tony nominations and a New York Drama Critic’s award.

Othello by William Shakespeare, Cottesloe Theatre, 2 August 1997

I don’t think Othello & I get on.

I was underwhelmed when I saw this play for the first time, with Bobbie, in 1989.

Again, this time with Janie, we saw a stellar cast and the work of a fine director (Sam Mendes rather than Trevor Nunn).

My log says:

Sadly, Janie hated it and I had pulled my neck, so we bowed out gracefully at half time. (Well, Janie bowed, I couldn’t bow of course).

My neck condition was doubtless not improved by Janie’s manifest disquiet and the length of the play. Perhaps I had overdone it the previous weekend at Andrea’s BBQ party on the Saturday and Kim & Micky’s evening do the next day.

Apologies to the fine cast who had to do without us for the second half of that evening; Simon Russell Beale, David Harewood & Claire Skinner leading the pack. Trevor Peacock, Colin Tierney, Indira Varma and others supporting well no doubt. It’s either me, or the play, or me & the play…it’s not you, loves. The Theatricalia entry gives you chapter and verse on the cast and crew.

There was a hoo-ha in the press that summer about whether or not Othello could or should be played by a white actor. Having seen Willard White in 1989 and David Harewood in 1997, I was not really party to the phenomenon that Othello is usually played by a white actor and that the play is increasingly rarely performed because some people are uncomfortable about skin colour with regard to that part.

Janie and I saw a preview long before the press night of this production – indeed before most of that press hoo-ha kicked off, which made the hoo-ha seem even more weird to us.

Anyway, Charles Spencer seemed very impressed with the production once press night came around:

Othello Spencer TelegraphOthello Spencer Telegraph 18 Sep 1997, Thu The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh seemed to quite like it in The Standard

Othello de Jongh StandardOthello de Jongh Standard 17 Sep 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington found it “brilliant” in the Guardian:

Othello Billington GuardianOthello Billington Guardian 18 Sep 1997, Thu The Guardian (London, Greater London, England) Newspapers.com

I am happy to concede that the critics were right and/but this simply isn’t a play for Janie and probably (even though i am far more partial to Shakespeare than she) not for me either. A pain in the neck is how I remember it.

Skylight by David Hare, Vaudeville Theatre, 19 July 1997

Somehow Janie and I missed this one when it ran at The National a couple of years earlier – I guess we were kinda busy back then. Anyway, we resolved to see the first revival of Skylight at the National, with Bill Nighy and Stella Gonet picking up the leading parts this time around.

We were not disappointed, but I did manage to mislay the programme. Theatricalia is not much help for this revival.

My log suggests that

It was very good indeed. We saw it wherever it transferred after the RNT

Janie’s diary suggests that she (unusually) did all the booking for this one (perhaps she was keener than me) so I can report that she/we paid £25 per ticket to sit in Row D 9 & 10 of the Vaudeville Theatre – this sort of detail would not be found in my diary, which simply says “Skylight 8.00”.

David Benedict in The Indy had this to say about the transfer – broadly positive I think – making it plain that Nighy & Gonet is a very different casting to Michael Gambon & Lia Williams.

Skylight Benedict IndySkylight Benedict Indy 05 Jul 1997, Sat The Independent (London, Greater London, England) Newspapers.com

Nick Curtis in The Standard had this positive stuff to say:

Skylight Curtis StandardSkylight Curtis Standard 01 Jul 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph also wrote very highly of it:

Skylight Spencer TelegraphSkylight Spencer Telegraph 02 Jul 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Twilight Of The Golds by Jonathan Tolins, Arts Theatre, 5 July 1997

We rated this good, although I recall not really liking the Wagnerian idée fixe (or should I say leitmotif in the context of Wagner?) underlying this New York drama.

The cast comprised Jason Gould (fanfared as the son of Elliot Gould & Barbara Streisand), Gina Bellman, Mark Hadfield, Sheila Allen and Peter Laird. Theatricalia is not much help on this one.

Nicholas de Jongh in The Standard hated it:

Twilight de Jongh StandardTwilight de Jongh Standard 20 Jun 1997, Fri Evening Standard (London, Greater London, England) Newspapers.com

Kate Bassett was no more impressed in The Telegraph:

Twilight Bassett TelegraphTwilight Bassett Telegraph 25 Jun 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Paul Taylor in The Indy was more generous towards the play & production:

Twilight Taylor IndyTwilight Taylor Indy 24 Jun 1997, Tue The Independent (London, Greater London, England) Newspapers.com

We had dinner at Momo in Heddon Street afterwards. It was all the rage at that time, having just opened.

Here is Tracey Macleod’s The Independent review of Momo from a few week’s earlier.