The Government Inspector by Nikolai Gogol, Almeida Theatre, 20 December 1997

“Back in the day” when we didn’t mind going off to the theatre in the pre-Christmas maelstrom.

Also back in the heyday of the Almeida. I’m glad we went, as this was a very good production indeed.

Tom Hollander as Khlestakov, the civil servant mistaken for the Government inspector. My neighbour, Iain McDiarmid, performing as the Lord Provost (rather than directing this time), Jonathan Kent directing. There is a Theatricalia entry for this one – here.

Nicholas de Jongh in The Standard was more taken with the production than the play…I am inclined to agree, not being a great lover of farce:

18 Dec 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

However, my friend Michael Billington in The Guardian suggests that it is the production, not the play, that, if anything, errs towards farce in this instance:

20 Dec 1997, Sat The Guardian (London, Greater London, England) Newspapers.com

John Gross in The Sunday telegraph seemed to like it, admiring its universal appeal:

Waste Land & Government Inspector Sunday telegraphWaste Land & Government Inspector Sunday telegraph 28 Dec 1997, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com

My records tell me that we ate at Granita after the show. As far as I know Janie and I didn’t make any sort of deal there in the Blair/Brown style.

A “Works Outing” To Remember, From Detroit To Fung Shing Via Scissor Happy At The Duchess Theatre, 12 December 1997

One of the more memorable Z/Yen Christmas outings, this one.

In an attempt to start to big-up the event, we tried a west end evening, with bar drinks, theatre visit and dinner in a private room.

Perhaps the bar bit was not a great idea ahead of a silly play, Scissor Happy, that was relying on audience participation for laughs.

Anyway, we started in Detroit – by which I mean the bar in Seven Dials, long since defunct as I write 25 years later – not the City in Michigan, obviously.

Then we went to see Scissor Happy at The Duchess Theatre. I wrote the following in my theatre log:

Works outing for Z/Yen – went very well.

Michael Moore’s drunken interventions were especially memorable.

Michael was the husband of one of our employees – Rachel. He was significantly older than her, indeed older than the rest of us. At first his audience interventions went down well with cast and audience, but he got carried away and for a while seemed to think that he WAS the show.

I remember several of our number being embarrassed about this – not least Rachel – although I also recall hearing on exit other audience members debating whether that funny old geezer was a plant from the show or really a member of the audience.

The Fung Shing meal was excellent in out private room. At that time Fung Shing was, in my opinion, the best restaurant in Chinatown. Writing 25 years later, it is another long-since defunct place, sadly.

Returning to Scissor Happy, though – I wonder what made us chose that play? Some sort of lowest common denominator thinking? Or perhaps it came recommended by someone…certainly not me! Not my sort of play at all.

Nor Nicholas de Jongh’s, who described it as “piffle” in the Standard:

23 Oct 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

Strangely, Charles Spencer in The Telegraph rather liked it, while admitting “it depends who is in the audience”. Too right!

24 Oct 1997, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

The Milk Train Doesn’t Stop Here Anymore by Tennessee Williams, Lyric Hammersmith, 29 November 1997

I wrote the following in my log around the time:

Unusual production; worked in many but not all respects.

Originally done at Citizens Theatre, Glasgow in October 1994.

This play is not, in my view, top notch Tennessee Williams, so there was possibly only so much that could be done with it. Philip Prowse did his best as director. Rupert Everett flamboyantly and memorably played the role of Flora Goforth.

Like us, Nicholas de Jongh was impressed by the performances but not 100% sure about the play in The Standard:

28 Oct 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Susannah Clapp in the Observer observed the performance as uber-camp

02 Nov 1997, Sun The Observer (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph didn’t like it much:

29 Oct 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Overboard by Michael Vinaver, Orange Tree Theatre, 1 November 1997

Just me and Daisy this time at The Orange Tree – The Duchess was away on some sort of a bridge holiday IIRC.

Still, this play/production still seemed to last for ever. There is a seven hour version of the play – this just felt a bit like seven hours.

My log reads:

Somewhat rambling but has its moments.

The play is potentially enormously long (7 hours) – unsure of exact length of this production, but it seemed long although it was the short version.

Paul Taylor in The Independent independently reached a similar conclusion:

Overboard Taylor IndependentOverboard Taylor Independent 10 Oct 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph truly hated it:

Overboard Spencer TelegraphOverboard Spencer Telegraph 08 Oct 1997, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, who is usually extremely kind to orange Tree stuff, seems to have omitted to review it. Speaks volumes.

Janie and I no doubt consoled ourselves with some Don Fernando grub afterwards.

Theatre Stories by Ken Campbell, Cottesloe Theatre, Followed By Dinner At Vong, 18 October 1997

I have long been partial to a bit of Ken Campbell. This one man show comprised “more than a bit” of him, I suppose.

Superb fun.

…was my verdict. I think I got more out of it than Daisy did, but she still liked it a lot.

Patrick Marmion liked it in the Standard.

Theatre Stories Marmion StandardTheatre Stories Marmion Standard 20 Oct 1997, Mon Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor in the Independent was very taken with it.

Campbell Taylor IndyCampbell Taylor Indy 20 Oct 1997, Mon The Independent (London, Greater London, England) Newspapers.com

Dinner At Vong

Janie’s thing at that time was for us to go to a posh place for after theatre dinner. This time, we went to Vong at The Berkeley Hotel.

Andrew Lloyd Weber wrote up the place for the Telegraph a few month’s earlier:

Vong Lloyd Weber TelegraphVong Lloyd Weber Telegraph 28 Jun 1997, Sat The Daily Telegraph (London, Greater London, England) Newspapers.com

Matthew Fort in The Guardian described the place as too chic and achingly glossy in 1996 when it first opened.

Vong Fort GuardianVong Fort Guardian 24 Feb 1996, Sat The Guardian (London, Greater London, England) Newspapers.com

I remember finding the food very interesting and the price less scary than Nobu.

Electra by Sophocles, Adapted By Frank McGuinness, Richmond Theatre, 9 October 1997

Blooming heck we were culture-vulturing that autumn. This was our third theatre visit in a week – on a Thursday evening, ahead of going to a food and wine fair the next day.

Worth it though. As I put it in my log:

Electric – excellent production. Worth moving ass on a Thursday for.

Fine cast and crew – captured on Theatricalia here.

Nick Curtis wrote very highly of it in the Standard, reviewing it at Chichester. (We saw it at Richmond, on its way from the West Country to the Donmar.)

Electra Curtis StandardElectra Curtis Standard 23 Sep 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Whereas Paul Taylor, while rating it, compared it less favourably with the Shaw/Warner version a decade or more earlier:

Electra Taylor IndyElectra Taylor Indy 24 Sep 1997, Wed The Independent (London, Greater London, England) Newspapers.com

Look, Europe! by Ghazi Rabihavi, Almeida Theatre, Followed By Dinner At Granita, 5 October 2007

This must have been one of our biggest weekends of theatre and dining ever. Following a long night of Caryl Churchill and Nobu on the Saturday…

…we did the “theatre plus big night out dinner” thing again the next night.

Look, Europe! was, I think, a one-off awareness and fundraising evening for anti-censorship campaign Index, done under the auspices of Harold Pinter and primarily aimed and about Iranian censorship.

Fine cast too – joining Harold Pinter were Joseph Bennett, Anna Friel, Rhydian Jones, Andrew Lincoln, Roger Lloyd Pack, David MacCreedy, Nadia Sawalha, Nadim Sawalha, Christopher Simon and Malcolm Tierney.

David Lister wrote the event up brilliantly as a preview in the Independent:

Look Europe Lister IndyLook Europe Lister Indy 03 Oct 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Janie and I were both very taken by the evening at the theatre, which was good drama and very thought provoking for its cause.

Dinner At Granita

Then a few doors down to Granita in Upper Street, which we had been meaning to try for ages. Apparently the spiritual home of New Labour, as Tony Blair and Gordon Brown are said to have made their leadership pact there a few years before our visit.

Tragically, not only were there no cabinet ministers to be seen in there on that Sunday evening, we didn’t even see Harold, Antonia and Co “after show”, which we thought must be a racing certainty.

We did still have a very good meal, though.

And to prove her superwoman credentials, after that action packed weekend, Janie went off at about 6:30 the next morning to treat her first domiciliary patient of the day. 25 years later – not a chance – we’d probably take the Monday off, if not the Monday and Tuesday!

Blue Heart: Heart’s Desire & Blue Kettle by Caryl Churchill, Royal Court Downstairs At Duke of York’s Theatre, Followed By Dinner At Nobu, 4 October 1997

Our take on this:

Interesting (weird) evening. Programme missing – only insert sheet.

Actually the programme might turn out to be a play text which might turn up somewhere on my bookshelves.

I wouldn’t mind reading these plays again. This was Caryl Churchill in impenetrable mood.

Gabrielle Blunt, Jacqueline Defferary, Karina Fernandez, Bernard Gallagher, Valerie Lilley, Mary Macleod and Jason Watkins, directed by Max Stafford-Clark.

Paul Taylor in The Independent was impressed:

Blue Heart Taylor IndyBlue Heart Taylor Indy 25 Sep 1997, Thu The Independent (London, Greater London, England) Newspapers.com

Nick Curtis from The Standard reviewed it a few week’s earlier in Edinburgh, also finding it good:

Blue Heart Curtis StandardBlue Heart Curtis Standard 22 Aug 1997, Fri Evening Standard (London, Greater London, England) Newspapers.com

We are all agreed them – weird but good.

Dinner At Nobu

Then on to Old Park Lane Nobu for dinner. That place was the latest “in place to dine” back then, so we were keen to try it. Who’d have thought that, 25 years later, the signature black cod in miso dish would be something we can obtain from our local (Japanese) fishmonger and serve at home?

This was a couple of years before the Old Park Lane Nobu became infamous for Boris Becker’s broom cupboard romp and many years before Boris ended up in jail.

In 1997, Nobu had just opened to rave reviews. Here’s Fay Maschler in The Standard:

Nobu Maschler StandardNobu Maschler Standard 25 Feb 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Helen Fielding in The Independent also waxed lyrical in amusing fashion about Nobu

Nobu Fielding IndyNobu Fielding Indy 09 Mar 1997, Sun The Independent (London, Greater London, England) Newspapers.com

That was a lot of sensory stimulation for one evening – Caryl Churchill followed by Nobu. My guess is that Janie was very keen to try the place but could only get a late evening booking, so it sort of made sense to go after theatre.

To add to the excitement, we did it all again (in terms of theatre followed by dinner out) the very next day:

An Enemy of the People by Henrik Ibsen, Olivier Theatre, 20 September 1997

Very good.

That was my vote…or should I say our vote?…on this excellent production of this oft-revived play.

I had seen it “back in the day” with Bobbie and Ashley Michaels…:

The National production in 1997 was more “classic” Christopher Hampton adaptation with an exceptional cast including Sir Ian, Penny Downie, Stephen Moore, Lucy Whybrow and many others, directed by Trevor Nunn. The Theatricalia entry lists them all.

Nicholas de Jongh seemed quite taken with it…just “quite”:

Enemy de Jongh StandardEnemy de Jongh Standard 22 Sep 1997, Mon Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington found it a bit too “classic” for his taste:

Enemy Billington GuardianEnemy Billington Guardian 22 Sep 1997, Mon The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer, like the others, made much of the fact that this was Trevor Nunn’s inaugural piece for the RNT. While not damning it, he does use the word “flash”:

Enemy Spencer TelegraphEnemy Spencer Telegraph 22 Sep 1997, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

The Maids by Jean Genet, Richmond Theatre, 13 September 1997

Had its moments.

That was my sole comment on the quality of this one in the log – I don’t think we were overly impressed despite the excellent cast. Niamh Cusack, Kerry Fox & Josette Simon, directed by John Crowley, initially at the Donmar Warehouse and then touring – we saw it at Richmond.

Previewed in the Standard thusly…

Maids Stringer Preview StandardMaids Stringer Preview Standard 11 Jun 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

I don’t think Nicholas de Jongh liked it much once it opened:

Maids de Jongh StandardMaids de Jongh Standard 26 Jun 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

David Benedict in The Independent liked it:

Maids Benedict IndyMaids Benedict Indy 27 Jun 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Kate Bassett in The Telegraph was less sure.

Maids Bassett TelegraphMaids Bassett Telegraph 27 Jun 1997, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

I suspect we ate at Don Fernando’s again after this one. I also wrote:

No interval

…which might mean that we would have walked out had there been one.