The Captain’s Tiger by Athol Fugard, Orange Tree Theatre, 21 October 2000

Not top drawer Fugard, this, but Janie and I are/were partial to Athol Fugard’s work and partial to The Orange Tree. This was to be the premier of a new Fugard play at one of our favourite places. What could there be not to like? We weren’t disappointed.

The cast: Peter Gale, Ben Warwick, Chad Shepherd and Leah Muller were all excellent. Auriol Smith directed this one well.

I think we went to see this just after press night.

Nicholas de Jongh liked it:

Tiger de Jongh Standard Tiger de Jongh Standard 23 Oct 2000 Evening Standard (London, Greater London, England) Newspapers.com

Dominic Cavendish found Fugard’s “self rite of passage” theme a bit smug, yet still he really liked it:

Tiger Cavendish Telegraph Tiger Cavendish Telegraph 24 Oct 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Unusually, The Guardian didn’t cover this one. How are Janie and I supposed to know what to think about this sort of play unless our friend, Michael Billington, tells us?

Seriously, we pretty much agreed with the above two reviews. It felt a little self-indulgent but we could forgive Athol Fugard some self-indulgence as he has entertained us so much and did so again in this piece.

No doubt we ate at Don Fernando and no doubt the waiters asked after The Duchess, as was their wont back then when Janie and I went to Richmond without her.

My Night With Reg by Kevin Elyot, Questors Theatre, 13 October 2000, Followed By 48 Hours With Hilary, Chris, Phillie & Tony In Bristol

Who in their right minds would arrange a night with the Duchess on Friday 13th, ahead of a weekend with the in-laws…or, as I used to describe them before Janie and I got married, out-laws?

We probably fancied seeing this play – we’d seen other Kevin Elyot & enjoyed it…

…but had missed My Night With Reg when it premiered.

As usual, The Questors Theatre did a more than serviceable job of putting on this type of play. And as usual, The Questors puts professional theatres to shame with the consistency and quality of its archive – click here for all the resources on the production we saw.

We have no record of where we ate afterwards. We must have eaten somewhere. Probably a local place chosen on the basis of who would be open once the play had ended.

We do know where we stayed in Bristol on this occasion. Janie wrote down Swallow, but then detailed notes on the Thistle Hotel, which I am sure would have been Phillie & Tony’s pick, for reasons of their own. Janie and I would have been more enthusiastic about the Swallow, which at least had good swimming pool and “spa-like” facilities, whereas the Thistle was more than a little mere.

Still, we all helped Chris celebrate his birthday, which was the purpose of the visit. I’m pretty sure this was a big extended table family do at Hil & Chris’s house. Not quite as much drama as My Night With Reg, but surely some.

Further Than The Furthest Thing by Zinnie Harris, Cottesloe Theatre, 7 October 2000

Janie and I gave this one a single word review in my log:

Superb.

A very memorable evening in the theatre. Set on and about the people of the remote island of Tristan da Cunha, we were both captivated by this play and production.

The cast: Paola Dionisotti, Gary McInnes, Kevin McMonagle, Darrell D’Silva, Arlene Cockburn and Greg Knowles were all superb, with Paola Dionisotti being the stand out performer. Here is a link to the Theatricalia entry.

We saw a London preview, although the production was a transfer from Edinburgh.

Nicholas de Jongh was pretty pleased with it, rating it very good:

Further de Jongh Standard Further de Jongh Standard 11 Oct 2000 Evening Standard (London, Greater London, England) Newspapers.com

The production had played in Edinburgh at the Traverse a couple of months earlier – most of the national papers’ reviews were from Edinburgh.

Here’s Charles Spencer gushing about it:

Further Spencer Telegraph Further Spencer Telegraph 8 Aug 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Paul Taylor in the Independent also spoke highly:

Further Taylor Indy Further Taylor Indy 19 Aug 2000 The Independent (London, Greater London, England) Newspapers.com

A few of the reviews, including this anonymous one from The Guardian, suggest that the play was too long – but clearly Janie and I were sufficiently captivated, as long plays rarely got “superb” ratings form us:

Further Guardian Further Guardian 8 Aug 2000 The Guardian (London, Greater London, England) Newspapers.com

Under The Blue Sky by David Eldridge, Royal Court Theatre Upstairs, 30 September 2000

In truth I remember little about this one. Terrific cast: Justin Salinger, Samantha Edmonds, Lisa Palfrey, Jonathan Cullen, Stanley Townsend and Sheila Hancock, directed by Rufus Norris.

It got neither plaudits nor roasting in my log, which probably means that we didn’t feel strongly about it either way.

Our friend, Michael Billington, really liked it:

Under Billington Guardian Under Billington Guardian 21 Sept 2000 The Guardian (London, Greater London, England) Newspapers.com

Whereas Nicholas de Jongh gave it a dreaded Standard blob:

Under de Jongh Standard Under de Jongh Standard 20 Sept 2000 Evening Standard (London, Greater London, England) Newspapers.com

I’ll give the casting vote to Paul Taylor in the Independent, who really liked it.

Under Taylor Indy Under Taylor Indy 30 Sept 2000 The Independent (London, Greater London, England) Newspapers.com

The Cherry Orchard by Anton Chekhov, Cottesloe Theatre, 23 September 2000

The previous week we saw Yasmina Reza’s “Conversations…”, which Michael Billington described as Chekhovian…

Well if you thought that Reza’s work was Chekhovian, Michael, just wait until you see The Cherry Orchard.

Another Saturday night at the theatre which didn’t raise a comment in my log at the time. Perhaps we were overdoing at bit at that time.

Amazing cast: Maxine Peake, Roger Allam, Michael Bryant, Vanessa Redgrave, Eve Best, Corin Redgrave (yes, that was two Redgraves for the price of one), and many other fine acting folk, directed by Trevor Nunn.

Nicholas de Jongh liked it but didn’t gush:

Cherry de Jongh Standard Cherry de Jongh Standard 22 Sept 2000 Evening Standard (London, Greater London, England) Newspapers.com

Michael Billington also rates it good without rating it great:

Cherry Billington Guardian Cherry Billington Guardian 23 Sept 2000 The Guardian (London, Greater London, England) Newspapers.com

Perhaps my null log entry was about right for this one.

Conversations After A Burial by Yasmina Reza, Almeida Theatre, 16 September 2000

I should describe this as “the weekend of the playwright Rezas”, shouldn’t I, having seen Reza de Wet’s play Crossings on the Friday…

…we ventured to the Almeida for Yazmina Reza’s much anticipated follow up to Art…except it turned out to be an earlier play, not a subsequent one.

I wrote nothing in the log about this one, and sense that we weren’t overly impressed, but nor were we especially disappointed. I remember little about it other than it being a very high-end Almeida cast and production.

Paul Higgins, Amanda Root, Clare Holman, Claire Bloom, Matthew Marsh & David Calder were the cast. Howard Davies directed it. Here is a link to the Theatricalia entry.

Let’s see what the pundits had to say.

Susannah Clapp was not impressed, other than with Claire Bloom:

Burial Clapp Observer Burial Clapp Observer 17 Sept 2000 The Observer (London, Greater London, England) Newspapers.com

On the other hand, John Gross in the Sunday Telegraph really liked it:

Burial Zinc Gross Sunday Telegraph Burial Zinc Gross Sunday Telegraph 17 Sept 2000 Sunday Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh also talks up Claire Bloom while damning the production with faint praise:

Burial de Jongh Standard Burial de Jongh Standard 13 Sept 2000 Evening Standard (London, Greater London, England) Newspapers.com

Casting vote to our friend Michael Billington, who liked its Chekhovian quality:

Burial Billington Guardian Burial Billington Guardian 13 Sept 2000 The Guardian (London, Greater London, England) Newspapers.com

Crossing by Reza de Wet, Riverside Studio 3, 15 September 2000

To the Riverside Studio on a Friday evening to see this unusual South African play.

very good

I said in my log.

I don’t remember much about it without help, so thank goodness for Patrick Marmion in the Standard…

Crossing Marmion Standard Crossing Marmion Standard 13 Sept 2000 Evening Standard (London, Greater London, England) Newspapers.com

…and Lyn Gardner in The Guardian

Crossings Gardner Guardian Crossings Gardner Guardian 15 Sept 2000 The Guardian (London, Greater London, England) Newspapers.com

My Zinc Bed by David Hare, Royal Court Theatre, 9 September 2000

We saw a preview of this play/production. My log note:

very good indeed.

What else could there possibly be to say?

Steven Mackintosh, Tom Wilkinson and Julia Ormond were the superb cast. I think David Hare directed it himself…the formal reviews will probably cover that point. Let’s tale a look at those.

Paul Taylor in the Independent was impressed:

Zinc Taylor Indy

Article from 15 Sept 2000 The Independent (London, Greater London, England)

Susannah Clapp in The Observer, like Paul Taylor, especially lauds Julia Ormond’s memorable performance:

Zinc Clapp Observer

Article from 17 Sept 2000 The Observer (London, Greater London, England)

Predictably, Charles Spencer was not keen on this play – he tends to dismiss Hare plays:

Zinc Spencer Telegraph

Article from 15 Sept 2000 The Daily Telegraph (London, Greater London, England)

John Gross in the Sunday telegraph seemed to like it:

Burial Zinc Gross Sunday Telegraph

Article from 17 Sept 2000 Sunday Telegraph (London, Greater London, England)

Our friend, Michael Billington, in The Guardian, liked it for sure:

Zinc Billington Guardian

Article from 15 Sept 2000 The Guardian (London, Greater London, England)

Bernard Haitink, Berliner Philharmoniker, BBC Prom, Royal Albert Hall, 28 August 2000

This concert will have been a birthday/bank holiday present to myself (and Janie). No chance that Pauline would be joining us for this one! My diary pointedly says “J&I” while Janie’s, equally pointedly, reads, “Ged & Me”.

We had already celebrated birthdays with John & Mandy at their place (Cambridge Road in those days) on the Saturday evening.

Back to the Monday Prom – just two big Germanic pieces:

  • Richard Wagner – Tristan and Isolde (Prelude and Liebestod)
  • Anton Bruckner – Symphony No. 7 in E major

Top orchestra, top conductor, top notch concert.

In fact, we were due to hear Claudio Abbado conduct this concert, but he had to withdraw due to ill health. I was hoping to do for Janie what Jilly had done for me a few years earlier, viz “you’ve got to see Abbado at least once”…but it was not to be.

Tim Ashley in the Guardian was really taken with the concert as done by Haitink:

Haitink Ashley Guardian

Article from 31 Aug 2000 The Guardian (London, Greater London, England)

The Good Samaritan by David Haig, Hampstead Theatre, 25 August 2000

Neither Janie nor I remember much about this play/production. Nor did I write any comments about it in my log – just the details of the visit.

The play is about a Samaritan helping a desperate young woman and the Samaritan becoming emotionally entangled with her. Janie would doubtless look on the whole thing very differently 25 years on, having been a Samaritan since the pandemic – i.e. for over five years at the time of writing.

The leads were played by Julian Wadham and Claudie Blakely, both of whom we rate highly. I do recall that I had been to see Julian Wadham perform more than once “back in the day” with Bobbie and her work colleagues from the law reports, as Julian’s sister, Sarah, worked with them. I also recall that this theatre visit came up in conversation at Bobbie’s place a few day’s before we went to see this play, when Janie and I visited her for dinner the previous Saturday.

Bobbie’s place… Jim Linwood, CC BY 2.0

Thank goodness for some good theatre reviews, to stop me from waffling and to inform the passing reader about the theatrical event itself.

Michael Billington in the Guardian wrote pretty well of the piece:

Samaritan Billington Guardian

Article from 13 Jul 2000 The Guardian (London, Greater London, England)

Charles Spencer thought the piece worthy but flawed:

Samaritan Spencer Telegraph

Article from 21 Jul 2000 The Daily Telegraph (London, Greater London, England)

Paul Taylor in the Independent

Samaritan Taylor Indy

Article from 22 Jul 2000 The Independent (London, Greater London, England)

Enough said.